NOTE IMDb
6,2/10
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MA NOTE
Ajouter une intrigue dans votre langueEvery man has a different recollection of the beautiful young woman who wreaked havoc on their lives during one heated night.Every man has a different recollection of the beautiful young woman who wreaked havoc on their lives during one heated night.Every man has a different recollection of the beautiful young woman who wreaked havoc on their lives during one heated night.
- Réalisation
- Scénario
- Casting principal
Andrew Dice Clay
- Utah
- (as Andrew Silverstein)
- …
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ONE NIGHT AT McCOOL'S / (2001) *** (out of four)
By Blake French:
According to Harald Zwart, the director of "One Night at McCool's," this film is "a dark comedy about the power of women over men, and how a group of people can all perceive different realities. It's the same story told from three different points of view, and each time we tell the story, we try to reveal a little bit more about what actually happened, which nobody really knows."
"One Night at McCool's" marks the feature film directorial debut of Zwart, an award winning commercial and music video director who began making short films when he was eight years old. I always get nervous when a director of commercials and music videos turns to filmmaking. We have seen so many examples of how these guys think they are making another advertisement or music video for TV with their productions. Zwart resists that tendency. He captures a specific humorous truth in "One Night at McCool's," from an inventive, complex screenplay by the late Stan Seidel, even if it is often somewhat perplexing.
"One Night At McCool's" features three men who share their separate experiences about a particularly beautiful young woman. In some ways, this movie is the comedy version of "American Beauty," but in others, it is a world apart.
"It all started one night at McCool's" explains each of the three men to their various listeners. There is Randy (Matt Dillon), a tender at the local bar, and his cousin, a lawyer named Carl (Paul Reiser), who stays until the place closes. Detective Dehling (John Goodman), arrives when the saloon becomes the crime scene of the dead boyfriend of a female fatal appropriately named Jewel (Liv Tyler). Randy is the first to see her, as an individual treats her unkindly. He stands up for her, and before you can say SEXY, they are having vigorous sex and she moves in with him. At first, Randy is reluctant: "The sex and the violence, all in one night it's a little much." But who could turn a jewel like Jewel away.
Jewel changes the lives of each of the three men. For Detective Dehling, she pulls him out of a hole of grief since his wife died. For Carl, she makes him forget his loving family and nice little suburban household. For Randy, she lights a few fires, both positive and negative, the later persuading him to contact a bingo playing hit man named Burmeister (Michael Douglas) to put an end to her deceptive ways.
It is interesting how the movie perceives the three different chronicles-even the costuming of Jewel is relative to the man telling the story. Dehling sees Jewel as a beautiful, mesmerizing gift from God. Carl sees Jewel as two sexy legs and lots of cleavage. Randy is unsure what to make of her, an awakening to his otherwise boring, road to nowhere life. The most intriguing element of this movie is Jewel herself, however, deliciously played by the always delightful Liv Tyler ("Armageddon"). She is not really interested in the men, but what they can offer her. Her motives are all too simple, not truthfully diabolical or evil; she is simply a young lady who has learned at an early age that she can get what she wants out of life through her beauty.
The film has a lot of fun with its material. From the enthusiastically entertaining cast, to its violently hilarious showdown, "One Night at McCool's" takes advantage of most of its humorous ideas. What makes the movie even funnier is how the three men's points of view differ. The actors have a lot of fun with their characters, too. Goodman is curiously whimsical; Reiser fits his kinky, squirmy part quite well; Douglas is sly and mysterious in one of the movie's funniest performances; Dillon gives his character arrogant personality, even though Randy is a lackluster nobody; Liv Tyler is dazzling. She injects Jewel with the perfect amount of boastful charisma and tantalizing wit. She reminds us of Mena Suvari's intimate performance in "American Beauty."
"One Night at McCool's" is the first film to come from Michael Douglas' new production company, Furthur Films. It is a creative, genuine, and sexy production. Along the way we often become caught up in the twisty structure, but that is a natural response to a movie that intentionally interweaves several angles to a single story. The movie ends on a note that is both black and comedic. This is another one of those comedies in which serious events take place in a humorous way; i.e., the black comedy. Many films of this genre come across as either too black or too lackadaisical. "One Night at McCool's" is one of the few that actually work.
By Blake French:
According to Harald Zwart, the director of "One Night at McCool's," this film is "a dark comedy about the power of women over men, and how a group of people can all perceive different realities. It's the same story told from three different points of view, and each time we tell the story, we try to reveal a little bit more about what actually happened, which nobody really knows."
"One Night at McCool's" marks the feature film directorial debut of Zwart, an award winning commercial and music video director who began making short films when he was eight years old. I always get nervous when a director of commercials and music videos turns to filmmaking. We have seen so many examples of how these guys think they are making another advertisement or music video for TV with their productions. Zwart resists that tendency. He captures a specific humorous truth in "One Night at McCool's," from an inventive, complex screenplay by the late Stan Seidel, even if it is often somewhat perplexing.
"One Night At McCool's" features three men who share their separate experiences about a particularly beautiful young woman. In some ways, this movie is the comedy version of "American Beauty," but in others, it is a world apart.
"It all started one night at McCool's" explains each of the three men to their various listeners. There is Randy (Matt Dillon), a tender at the local bar, and his cousin, a lawyer named Carl (Paul Reiser), who stays until the place closes. Detective Dehling (John Goodman), arrives when the saloon becomes the crime scene of the dead boyfriend of a female fatal appropriately named Jewel (Liv Tyler). Randy is the first to see her, as an individual treats her unkindly. He stands up for her, and before you can say SEXY, they are having vigorous sex and she moves in with him. At first, Randy is reluctant: "The sex and the violence, all in one night it's a little much." But who could turn a jewel like Jewel away.
Jewel changes the lives of each of the three men. For Detective Dehling, she pulls him out of a hole of grief since his wife died. For Carl, she makes him forget his loving family and nice little suburban household. For Randy, she lights a few fires, both positive and negative, the later persuading him to contact a bingo playing hit man named Burmeister (Michael Douglas) to put an end to her deceptive ways.
It is interesting how the movie perceives the three different chronicles-even the costuming of Jewel is relative to the man telling the story. Dehling sees Jewel as a beautiful, mesmerizing gift from God. Carl sees Jewel as two sexy legs and lots of cleavage. Randy is unsure what to make of her, an awakening to his otherwise boring, road to nowhere life. The most intriguing element of this movie is Jewel herself, however, deliciously played by the always delightful Liv Tyler ("Armageddon"). She is not really interested in the men, but what they can offer her. Her motives are all too simple, not truthfully diabolical or evil; she is simply a young lady who has learned at an early age that she can get what she wants out of life through her beauty.
The film has a lot of fun with its material. From the enthusiastically entertaining cast, to its violently hilarious showdown, "One Night at McCool's" takes advantage of most of its humorous ideas. What makes the movie even funnier is how the three men's points of view differ. The actors have a lot of fun with their characters, too. Goodman is curiously whimsical; Reiser fits his kinky, squirmy part quite well; Douglas is sly and mysterious in one of the movie's funniest performances; Dillon gives his character arrogant personality, even though Randy is a lackluster nobody; Liv Tyler is dazzling. She injects Jewel with the perfect amount of boastful charisma and tantalizing wit. She reminds us of Mena Suvari's intimate performance in "American Beauty."
"One Night at McCool's" is the first film to come from Michael Douglas' new production company, Furthur Films. It is a creative, genuine, and sexy production. Along the way we often become caught up in the twisty structure, but that is a natural response to a movie that intentionally interweaves several angles to a single story. The movie ends on a note that is both black and comedic. This is another one of those comedies in which serious events take place in a humorous way; i.e., the black comedy. Many films of this genre come across as either too black or too lackadaisical. "One Night at McCool's" is one of the few that actually work.
"One Night at McCool's" is one of those quirky films that comes out quite interesting. It portrays a young woman (Liv Tyler) crossing paths with three lonely men (Matt Dillon, John Goodman, Paul Reiser) and turning their lives upside down. Throughout most of the movie, you sort of wonder where it's going, but the hilarious end is sure to blow you away. It sure blew me away.
Maybe this movie isn't really anything special, but it's pretty neat. Sort of a look at how small things can proliferate. Also starring Michael Douglas, Reba McEntire and Andrew Dice Clay.
And one more thing: after watching this movie, you may feel tempted to spend the next few days singing "YMCA".
Maybe this movie isn't really anything special, but it's pretty neat. Sort of a look at how small things can proliferate. Also starring Michael Douglas, Reba McEntire and Andrew Dice Clay.
And one more thing: after watching this movie, you may feel tempted to spend the next few days singing "YMCA".
This is one of those films which I pass all the time at my local vid shop. I hear of it, it has gone done generally good with critics but it never really screams at me to rent it. Anyway I did rent as part of a special offer discount voucher I had. I must say it was actually pretty good. The film is completely ludicrous in plot but it is a comedy. Basically it is about the effect Liv Tyler has on three men in particular played by Matt Dillon, Paul Reiser and John Goodman. I will say though, that I can definately believe the things these guys do for Livs character because she is so gorgeuous, I freely admit I'd do whatever the hell she wanted me to do. I am a big Liv Tyler fan after Lord of the Rings becuase she is so attrcative and depsite what critics say she actually can act. I know perhaps films like Armeggeddon are not the best to judge critical response because everyone in that film got criticised for their performances. Anyway, while this film is entertaining it has now real memorable moments of comedy that don't involve Liv half naked and hosing herself or something. I thought that the performances in particular Dillon, Goodman and Michael Douglas were all great and also a narrow show stealer, from the other men, Paul Reiser is hilarious you can't help but laugh out loud as he is running around in bondage gear, oh wait that could go down as a memorable moment. Liv is the overall show stopper because she lights up the screen whenever she's on it.
This movie is never going to be on a list of the top 50 films of all time, but if you're compiling a list of "fun films", this isn't a bad place to start. Liv Tyler is amazing, captivating and luscious, and everyone else is dead-on right for their parts. It's a 21st century counterpart to "Tom Jones" -- in other words; just good, bawdy fun. I think that this may be Tyler's breakthrough film on her way to major stardom. With no nudity she oozes sex in this film. It's no wonder all the boys give her toys. How could they help but do that for a helpless, innocent such as Liv's Jewel?
"One Night At McCools" is the kind of movie that you start watching and don't expect very much. It helps to first check your brains at the door or at the side of the couch. But, much to your surprise, the movie is a winner. It's a delightful film about four whacky characters that are so driven by their out-of-control basic instincts that you have to follow their trail and laugh along at them. And most of their instincts revolve around sex. Liv Tyler, playing the irresistible Jewell, delivers with little left to your imagination. In one of the sexiest performances I've seen on film in years, Liv keeps all men hot and aroused, both on and off the screen. Paul Reiser and John Goodman had some hysterical moments as two guys who are willing to give up everything for the woman of their dreams. And Matt Dillon did a fine job as the loser who had nothing going for him, but got sucked into the sex and violent world of the only woman who would give him the time of day. There was an unusual, for him, performance by Michael Douglas, as the con man and recipient of the long narrative tale told by Matt Dillon. It seemed that Michael was there to oversee the film, allowing the rest of the fine cast to do their thing and get the accolades. He played it very low key, which was perfect for a guy who's not known as a comedic actor. So get yourselves ready for a very funny, light, and fast-paced sex romp. It'll be one enjoyable night.
Le saviez-vous
- AnecdotesMatt Dillon and Richard Jenkins both previously appeared in Mary à tout prix (1998), which shares a similar plot to this film. Both films involve different men all falling for the same woman. Dillon plays one of the men in both films and Jenkins plays a similar role in both films as well. In "Mary" he plays a therapist to whom Ben Stiller tells his story and in this film he plays a priest to whom John Goodman tells his story.
- GaffesAfter Elmo shows up with a shotgun, he racks (to chamber a round) it twice without it expelling a round after the second rack.
- Citations
Randy: There's the ten-thousand dollars... well, aren't you gonna count it?
Mr. Burmeister: Nah.
Randy: You trust me?
Mr. Burmeister: No, but I kill people.
- Crédits fousAndrew Dice Clay is billed twice in the closing credits as Andrew Silverstein. He is credited this way as Utah towards the beginning of the credits and as Elmo at the very end.
- Versions alternativesThe DVD features an alternate ending where after, we see 'Paul Reiser' get smashed by the garbage dumpster, it continues as we see Matt Dillon in his destroyed home and John Goodman lying dead on the floor; the cops come and arrest Dillon because they think he was responsible for the shooting and then we see Liv Tyler and Michael Douglas drive off and live happily ever after. This ending is refered to as "Alternate Depressing ending".
- Bandes originalesWanted Man
Written by Bob Dylan and Johnny Cash
Performed by Johnny Cash
Courtesy of Columbia Records
By arrangement with Sony Music Licensing
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- How long is One Night at McCool's?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- One Night at McCool's
- Lieux de tournage
- Downtown, Los Angeles, Californie, États-Unis(bar, police station, Randy's house)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 18 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 6 290 673 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 520 041 $US
- 29 avr. 2001
- Montant brut mondial
- 13 578 186 $US
- Durée1 heure 33 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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