Ajouter une intrigue dans votre langueAn ex-husband and wife team star in a musical version of 'The Taming of the Shrew'; off-stage, the production is troublesome with ex-lovers' quarrels and a gangster looking for some money ow... Tout lireAn ex-husband and wife team star in a musical version of 'The Taming of the Shrew'; off-stage, the production is troublesome with ex-lovers' quarrels and a gangster looking for some money owed to them.An ex-husband and wife team star in a musical version of 'The Taming of the Shrew'; off-stage, the production is troublesome with ex-lovers' quarrels and a gangster looking for some money owed to them.
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This is a black and white kinescope of a live color broadcast from 1958. It re-teams the leads from the original Broadway production of "Kiss Me, Kate." Its leading man, Alfred Drake, was that rarity: a completely accomplished actor with a magnificent singing voice. He did this broadcast while he was in the midst of distinguishing himself as a classical actor at Stratford Connecticut's American Shakespeare Festival, playing "Benedick" opposite Katharine Hepburn in "Much Ado about Nothing," and as "Iago" opposite Earl Hyman's "Othello." The role of "Petruchio" fit him like a glove. His verse speaking still sets a standard for Shakespearian acting, and his singing of "So in Love," "I've Come to Wive it Wealthily in Padua," and "Where is the Life that Late I Led?" are exciting and exemplary. Patricia Morrison was a great beauty who made a number of "B" movies in the 1940's. She too was a wonderful singer and actress. She shines in "I Hate Men," and her duets with Drake such as "Wunderbar" and the first act finale. Miss Morrison reprised this part many times on stage, and came to "own" the role of "Kate." A very young Jack Klugman plays the "Second Man" and sings and dances "Brush up your Shakespeare" with Harvey Lembeck. Future cabaret star Julie Wilson is a knock-out as "Bianca." The show is cut to fit a 90 minute time slot, with the role of "Lucientio" played by Bill Hayes taking a huge hit. It was a star dancing role originally, but is so reduced that non-dancer Hayes is able to do all that is required of him. Missing are the songs "Too Darn Hot," "Bianca," and "Were Thine that Special Face," but what remains is a marvelous record of a great singing actor and a great singing actress, and of the resourcefulness and energy of the golden age of live television.
I didn't know that this existed but I was surfing through the channels last night and this appeared (near the beginning). (The listings gave the cast of the 1953 film.) The kinescope is not in great shape but I did immediately recognize Alfred Drake and Patricia Morison who were absolutely authoritative in the parts that they originated on the Broadway stage. I also liked Bill Hayes as Bill Calhoun-Lucentio even though I missed the dancing of Harold Lang.
(Updated 2018) It should be pointed out that Patricia Morison died only this year at the age of 103!!!
I thought Klugman and Lembeck were fine as the educated thugs though not as good as Wynn and Whitmore were in the film. I was less enthused about Julie Wilson as Lois-Bianca.
I got a big kick out of "Tom, Dick and Harry" even if it was better done in the film by Ann Miller (Cole was really incorrigible!!) and the backstage settings were satisfactory. But it's clear that Keel and Grayson were outshone in this version by the two original leads. (I saw the original production as a child.)
Ed
(Updated 2018) It should be pointed out that Patricia Morison died only this year at the age of 103!!!
I thought Klugman and Lembeck were fine as the educated thugs though not as good as Wynn and Whitmore were in the film. I was less enthused about Julie Wilson as Lois-Bianca.
I got a big kick out of "Tom, Dick and Harry" even if it was better done in the film by Ann Miller (Cole was really incorrigible!!) and the backstage settings were satisfactory. But it's clear that Keel and Grayson were outshone in this version by the two original leads. (I saw the original production as a child.)
Ed
For those aged among us who might have seen Alfred Drake on stage this preserved
Hallmark Hall Of Fame tape is a real treat. It is a filmed record of Drake in on
of his most acclaimed starring roles, that of Fred Graham in Cole Porter's Kiss Me
Kate.
Doubly important it is a filmed record of Drake's Broadway leading lady in her career role as Graham's estranged wife Lilli Vanessi. Before she did Kiss Me Kate on Broadway, Patricia Morison did a lot of potboiler B films with no clue to the talent she possessed. She must have and we can be grateful that we have a filmed record of her as well.
Some of the numbers Cole Porter wrote have been eliminated, but the plot which mixes the bacstage drama with a musical comedy performance of The Taming Of The Shrerw in a real treat. In a couple of spots the dialog is updated to reflect the Eisenhower as opposed to the Truman years.
Kiss Me Kate given its source is a real challenge for players. In the case of Alfred Drake he had a classical theater background as well as a great musical comedy voice which made him the perfect lead.
Arthur Freed at MGM did a grand job with the film of Kiss Me Kate. But we are so lucky to have this filmed record of the two original leads.
Doubly important it is a filmed record of Drake's Broadway leading lady in her career role as Graham's estranged wife Lilli Vanessi. Before she did Kiss Me Kate on Broadway, Patricia Morison did a lot of potboiler B films with no clue to the talent she possessed. She must have and we can be grateful that we have a filmed record of her as well.
Some of the numbers Cole Porter wrote have been eliminated, but the plot which mixes the bacstage drama with a musical comedy performance of The Taming Of The Shrerw in a real treat. In a couple of spots the dialog is updated to reflect the Eisenhower as opposed to the Truman years.
Kiss Me Kate given its source is a real challenge for players. In the case of Alfred Drake he had a classical theater background as well as a great musical comedy voice which made him the perfect lead.
Arthur Freed at MGM did a grand job with the film of Kiss Me Kate. But we are so lucky to have this filmed record of the two original leads.
Le saviez-vous
- AnecdotesThis was the first "Hallmark Hall of Fame" program ever broadcast on videotape, and in color. It was never broadcast live.
- ConnexionsEdited into Hallmark Hall of Fame (1951)
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Détails
- Date de sortie
- Pays d’origine
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- Aussi connu sous le nom de
- Hallmark Hall of Fame: Kiss Me Kate (#8.2)
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