Though they are the title characters, the Blood Dolls are, surprisingly, not the film's main focus. As the film continues, it turns from a simple killer doll film to a twisted romance. The transition is smooth, and adds a sense of freshness to the story; there are even two endings, one for the romantically inclined and another, more typical ending. The plot innovations are believable because of Maturin's great facial expressions and delivery during his interactions with other characters. Unfortunately, the practical effects budget barred Maturin from being in any shots other than close-ups; a well-used puppet head (it's not totally apparent, and is used sparingly from careful angles to prevent it from becoming so) takes his place in a couple shots. Like many Full Moon releases, CG-effects were ditched in favor of practical effects, and though they worked well for Virgil and the rest of the film, the Blood Dolls are not as animated as their fellow killer-puppets in the Puppet Master series; they look fantastic but move more stiffly. Perhaps this is partially why Band made this film more story-oriented than death-oriented.
Though not all professional musicians, an original idea was for the actresses playing Virgil's band-in-a-cage to record a soundtrack CD and go on tour after the film's release as The Blood Dolls. This was scrapped, but the majority of the movie's soundtrack is provided by the band (along with a music video on the DVD), is quite good (it could certainly fit in with some o
