Sexy Beast

This is one fascinating dark little film. Supported by fierce cinematography, black humour, chilling characters and strong language, 'Sexy Beast' works on many levels. It can be viewed as a conversational film, a study of characters and a psychological thriller. The writing is brilliant as some of the dialogues induce both humour and chill. The screenplay is pretty tight, leaving no place for loose ends or irrelevant subplots. Glazer's direction is wonderful as he keeps the viewer engaged throughout the entire 90 minutes and effectively infuses wicked humour and suspense. The characters are so interesting, while we hate Logan, we sympathize with his counterfeit Gal who is a retired gangster trying to live a straight life with his family and loyal friends. Logan desperately wants him to do a job but Gal bravely yet hesitantly turns it down. Logan won't give up and even he notices that everybody hates him (which is beginning to make him feel powerless). The cast deliver solid performances. Ray Winstone is amazing. He easily conveys Gal's complexity and dilemma with pathos. Ben Kingsley as the hatefully irritating and intimidating Logan is superb. Ian McShane is scary. Amanda Redman is electrifying in a smaller role. 'Sexy Beast' is one slick wicked little film. Not a movie for everyone, but worth watching for those who enjoy black humour and dark cinema.

Let's assume you are a casting director, there are two roles: one is Gal, a retired safe-cracker enjoying the life of Riley in a beatific villa in Spain with his wife and friends; and the other is his former criminal associate Don Logan, a browbeating, invective-pelting psychopath who wills to recruit him to a new job and will not take no for answer. Then you are given two candidates: Mr. Gandhi himself, Sir. Ben Kingsley and a bovver heavy Ray Winstone, the choice is rather self- evident.

However, that is not the case for UK scenester Jonathan Glazer when he begins to work on his feature film debut SEXY BEAST, who does the obverse, fingers Mr. Winstone for the hapless Gal and Mr. Kingsley for the rivetingly menacing Don Logan, a delectable volte-face rewardingly earns him an Oscar nomination, meantime, Winstone also magnificently brings about an incarnation very different from his usual image, a rough diamond type, graced by the lovey-dovey intimacy between him and his wife DeeDee Dove (Redman), an erstwhile porn star.

It is a taut iteration in the UK gangster genre, the story is nothing too sparkling, it is Glazer's swift and impressive execution takes the full credit. The harbinger arrives in its opening, a boulder falls right in into the swimming pool of Gal's villa (which betrays a sloppy CGI burnished effort), while he is sunbathing under the blistering heat, this portends an impending threat which will disrupt the placidity and imperil those who cannot get away, Don Logan is coming to visit, and he will not be in a pleasant mood if he knows that Gal determines to decline his very generous offer. So sparks fly, but not without a droll war of (swearing) words and things will inevitably get physical, Kingsley's intimidating presence deviously pays off the looming dread simply elicited by the mention of his name, and after an ironical turn of events, he does manage to press-gang Gal into partaking in the action however reluctant he is, to break into a bank vault via water pressure, The suspense isn't swelling during the action, but after, when the head of the criminals, Teddy Bass (McShane, another great villain, less showy but infallibly lethal), a character turns out to be far more ruthless than Don Logan, bluffly tells Gal that "he knows what they did in Spain" and promises he will come to visit in the due future. Well, why there isn't a sequel to this?

Parlaying his reputation as an eclectic music video director into this breakout debut, Glazer has concocted up a stunning-looking fare seeped with robust characterization, pulsating rhythm of montage, scintillating chromatic disposition and optimal pop taste, ultimately transmogrified it into a beguiling conglomerate of romanticism, perversity absurdity and bloody gallows humor like an arch cautionary tale: there is no easy way of going straight, so think twice before you get your feet wet!

Gal is a safecracker now living in retirement in the Costa del Crime in Spain. Safe from the law and living off the money he managed to put to one side when working. When London gangster Don Logan calls a friend to offer Gal a job, Gal intends to refuse it but is faced with telling him face to face when Logan arrives from London offering Gal the job in two days time. As the unpredictably brutal Logan pressures Gal more and more he is faced with the possibility of having to return to England for a job.

I watched this several years after it came out in the cinema so I was sheltered from much of the hype. I'm not a huge fan of all these new British gangster movies that are about of late as many seem to be in awe of `Lock, Stock' and just are happy to copy rather than innovate. Sexy Beast really gripped me for the most part because it doesn't try to copy like so many others. Instead it is very stagey rather than slick and energetic. The plot weakness is that it has nowhere to really go. The `job' itself is pretty pointless and the key moment that is meant to have us on the edge of our seats doesn't really work.

However what does work is the majority of the film where Gal and Logan standoff to each other. This is very dialogue driven but really works mostly because of Kingsley who rightly got an Oscar nod for this. He drives the film with his brutal and unpredictable character. Winstone is good but is almost a support character when viewed beside Kingsley. The support cast are OK with Fox and McShane being interesting but underused castings.

The fantasy scenes are imaginative and the film is very stylishly done without copying off anyone else. It falls a little flat towards the end and the `job' is not as exciting as one would have hoped – basically once Logan `convinces' Gal to take the job the pressure cooker excitement is gone never to be replaced. Up to that point this is quite a wonderful little find.

To put it simply: I love this movie! I've really been looking forward to this movie, mostly because of Kingsley's acclaimed performance. And he is indeed brilliant in the role of the brash, uninhibited, shamelessly ruthless Don Logan--a role that should go down in history. I haven't seen Jim Broadbent's performance in "Iris," so I can't technically say if Kingsley deserved the Oscar over him, but I'm glad he got nominated, because it would be an abomination if he didn't. Kingsley is absolutely terrifying, not showing a bit of remorse. And it's a real joy to see the man who's famous for playing the well-known pacifist Gandhi take on a role which requires him to spout the "f" word 500 times in one whole minute. OK, I may have been exaggerating there, but believe me...there are scenes in this movie that make "Pulp Fiction" look like a G-rated Disney feature. Let's just say I've never heard the "f" word used so many times, at such a lightning-fast pace. Kingsley has some memorable moments, including one where he gets in trouble for smoking on a plane, and cops an alibi involving the male flight attendants sexually abusing him. As cruel as he is, I found myself laughing hysterically at Don. As Kingsley said himself, Don is the type of character who says the kind of things that are on most people's minds, but they're too afraid to let it out.

Though Kinglsey steals the film, Ray Winstone is the star and he's also great. I haven't seen a great many English films, so I don't remember seeing him before, but now I hope to see him in more films. And I was impressed to find out the movie was made by a first-time director. Jonathan Glazer did a terrific job, creating a gloriously frenetic pace. The running time is a succinct 85 minutes, and the film never takes a breath. It always captures you with in-your-face images. Glazer's sense of style is amazing. Not to mention the soundtrack is excellent. It's a nice irony: how this dark comedy ends to the tune of Dean Martin's "Sway."

On my first viewing, it took time for me to get accustomed to the cockney accents, but after approximately 30 minutes I was able to decipher most of the dialogue--and the film has some great, memorable dialogue! It's not like with "Lock, Stock and 2 Smoking Barrels" where I can watch it 100 times and still need subtitles. Not to mention "Sexy Beast" is a much more entertaining film.

All I can say is don't expect an intricate plot, with many twists and turns. The plot is all pretty simple: Retired gangster lounges around his beautiful house in Spain, then gets persuaded into doing one last heist. I'm sure that sounds very familiar. But the beauty is in its simplicity. And the film isn't in any way pretentious. It is what it is--and what it is is a smart, energetic, entertaining, hilarious, extremely well-acted dark comedy.

My score: 8 (out of 10)

18 years ago I think I thought of it as another flashy, profane, British gangster movie with an astonishing performance by Ben Kingsley. Now I think it's one of the best flashy, profane, creative and well written, British or not, heist movies made. With an astonishing performance by Ben Kingsley. Everybody's good. Behind and in front of the camera What really surprised me was how good it is now, how well made it is that it could have been released this week and there'd be nothing to complain about.