Tôkaidô obake dôchû

This is a movie about his an old caretaker of a shrine that gets killed during a gang ambush. His granddaughter that is 7 years old is the witness and may possess something the gang wants. So a hunt for the little girl starts while she travels to another town to try to find her father....

I found this to be an eerie combination of moody hauntings and dark forests, some quite okay fighting scenes, and a quite cute small girl. I found this movie closer to scary than the first two movies, even though you did not see the monsters so much. Camera work and story I found clearly upgraded from the two first movies. Acting was also quite good.

If you wants to see lots of monsters/spirits I would say the 2 first movies are more for you.

Who would I recommend it to? People that like supernatural things combined with some fighting. Though if you do not like 7 years old girls that is sweeter than sugar then it is possible you will hate it. The monsters are for me more scary and better than in the two first, but for our time expecting it to be true horror is maybe expecting too much. But I am happy I saw this movie as I found it much better than expected.

The first yokai movie, 100 Monsters, didn't have enough monsters for my liking, and the second film, The Great Yokai War, featured a pair of irritating kids and was aimed at a much younger audience. The final film, Yokai Monsters: Along with Ghosts, doesn't feature many monsters AND it features a cute little kid, but I actually found it to be the best in the trilogy, with a much stronger story, better fight scenes and a creepier atmosphere.

When members of the Higuruma crime syndicate ambush men carrying an incriminating document, they also kill Jinbei (Bokuzen Hidari), the elderly guardian of the Onizuka shrine, ignoring his warning that they will be cursed for spilling blood on sacred ground. Witness to the murders is seven year old Miyo (Masami Furukido), granddaughter of Jinbei, who runs into the woods with the document, pursued by the killers. With his dying breath, Jinbei tells Miyo to go to Yui to find her father. Meanwhile, ronin Hyakutaro (Kôjirô Hongô) is out to avenge his master's murder by the Higuruma thugs.

Most of the film revolves around Miyo trying to avoid capture, her search for her father, and Hyakutaro's vendetta, with very little time dedicated to silly spook shenanigans, and to be honest, the film is all the better for it: there's no puerile comedy and the monsters, when they do appear, are far more menacing than before. I still wouldn't go so far as to say that this is an unmissable classic of Japanese cinema, but it is a far more satisfying film than the others in the trilogy, delivering excitement, danger, pathos and a cute child character that isn't annoying.

Like said, it's an ok movie. It's decent and more of story rather then fights. It have a mixture of adventure and humor in it which i didn't mind at all. For being a supernatural/paranormal movie with japanese ghosts and demons it was not that much of it but it had its moments. But the story was ok, it had its twist and it build the characters.

I did enjoy the characters, how they acted and how it ended. The fights was ok, it's not a lot of them but i dont mind that at all when looking at the environments and building feeling of the country of Japan during the samuari ages.

If you want something with a lot of atmosphere, not too much fighting and some ghosts/demons this the movie for you. It's no the best one out there, but it's ok - enjoyable.

The closing instalment of the YOKAI MONSTERS trilogy is a very different beast, much more understated and subtle than the previous movies and more horror than fantasy. The monsters themselves are little seen here apart from in a couple of scare scenes but the rest is an engaging little story of criminal behaviour, treachery, and heroism. Appealing child actors, lots of action and movement and attention to detail make this a fair watch.

Unlike Daiei Film's previous two 'yôkai' films (Yôkai hyaku monogatari (1968) and Yôkai daisensô (1968)), the monsters/ghosts/apparitions are not the central characters in this tale. Instead, we get a reasonably interesting samurai/gangster story about a crime boss trying to recover an incriminating document that was found by a little girl who is trying to find the father who abandoned her when she was born. The boss' henchmen kill an old man at prayer (the girl's grandfather), a desecration that arouses anger in the spirit world. The cursed gang-members are tormented by the yôkai as well as pursued by a rival gangster whose boss was murdered at the shrine. The entire supernatural subtext seems to be an afterthought and certainly is not necessary to the actual story. Lacking the permeating hallucinatory imagery of the first two 'yôkai' films, "Along with Ghosts" (Tôkaidô obake dôchû), while watchable, is not nearly as original or entertaining.