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A Room for Romeo Brass

  • 1999
  • R
  • 1h 30min
NOTE IMDb
7,5/10
6,4 k
MA NOTE
A Room for Romeo Brass (1999)
After stopping 12 y.o. Romeo and Gavin from being beaten up, Morell drives them home and meets Romeo's adult sister and falls in love. The boys "help" him in his pursuit.
Lire trailer2:00
1 Video
70 photos
ComedyDrama

Ajouter une intrigue dans votre langueAfter stopping 12 y.o. Romeo and Gavin from being beaten up, Morell drives them home and meets Romeo's adult sister and falls in love. The boys "help" him in his pursuit.After stopping 12 y.o. Romeo and Gavin from being beaten up, Morell drives them home and meets Romeo's adult sister and falls in love. The boys "help" him in his pursuit.After stopping 12 y.o. Romeo and Gavin from being beaten up, Morell drives them home and meets Romeo's adult sister and falls in love. The boys "help" him in his pursuit.

  • Réalisation
    • Shane Meadows
  • Scénario
    • Robyn Slovo
    • Paul Fraser
    • Shane Meadows
  • Casting principal
    • Martin Arrowsmith
    • Dave Blant
    • Darren Campbell
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,5/10
    6,4 k
    MA NOTE
    • Réalisation
      • Shane Meadows
    • Scénario
      • Robyn Slovo
      • Paul Fraser
      • Shane Meadows
    • Casting principal
      • Martin Arrowsmith
      • Dave Blant
      • Darren Campbell
    • 51avis d'utilisateurs
    • 28avis des critiques
    • 65Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 3 nominations au total

    Vidéos1

    Trailer
    Trailer 2:00
    Trailer

    Photos70

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    Rôles principaux21

    Modifier
    Martin Arrowsmith
    • Dennis Wardrobe
    Dave Blant
    • School Pianist
    Darren Campbell
    • Darren
    • (as Darren O. Campbell)
    Paddy Considine
    Paddy Considine
    • Morell
    Shane Meadows
    Shane Meadows
    • Male Nurse
    • (as Shaun Fields)
    Julia Ford
    Julia Ford
    • Sandra
    Ladene Hall
    • Carol
    Frank Harper
    Frank Harper
    • Joseph
    Nicholas Harvey
    • Neighbour Lad #2
    James Higgins
    • Bill
    Bob Hoskins
    Bob Hoskins
    • Steven Laws
    Vicky McClure
    Vicky McClure
    • Ladine
    Ben Marshall
    • Knock Knock
    Joel Morris
    Joel Morris
    • Park Lad #1
    Johann Myers
    Johann Myers
    • Clifford
    Tanya Myers
    • Headmistress
    Sammy Pasha
    • Ambulance Man
    Jamahl Peterkin
    • Neighbour Lad #1
    • Réalisation
      • Shane Meadows
    • Scénario
      • Robyn Slovo
      • Paul Fraser
      • Shane Meadows
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs51

    7,56.3K
    1
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    10

    Avis à la une

    bakerjp

    Disturbing dark film about childhood

    This film reminded me of how powerless you are as a child - just being outside can get you into a fight, while adults, who often have no right to, can have control over your life. It reminded me how children can "break" or "make" friends so easily, with past grievances forgiven and forgotten in a few seconds. Adults tend to find that a lot harder to do.

    I watched this film without knowing anything about it, so perhaps I found the scenes where Morell threatens the two boys on different occasions to be extremely shocking (incidentally, the swearing which is almost constantly present in the film is NOT shocking in the slightest).

    The main thing that I got from the film was concerned with how masculinity is defined - Morell tries to teach Romeo Brass how to be a "man" via weird survivalist techniques - violence, macho posturing, being able to take care of yourself seem to be the ways that masculinity is mediated. The bragging and posturing that occurs in the fights between Morell and the boy's fathers seem to mirror an earlier fight between the boys and two other boys who are playing football at the beginning of the film - "are you trying to start a fight?" "No, I AM starting a fight". It was interesting that Knock-Knock's father and Morell were both wearing almost identical shell-suits in the violent climax scene.

    While this was technically a good film, I found it to be much more disturbing than Zombie Flesheaters or whatever, because of its realism.
    andystelman

    a terrific find

    I had my arm twisted to go and see this and was knocked out by the unsentimental acting of the two central young characters (Gavin and Romeo), as well as the brilliant accuracy of the dialogue (uncertain, banal and lyrical portrayals of tenderness and callousness coexisting wonderfully well). But I want to take this opportunity to talk about the cinema in which I saw it. The Plaza Community cinema in Crosby is absolutely brilliant for showing this film. it is run by a highly dedicated group of volunteers, whose leader (Janet) saved the cinema almost single handed from the ravages of the developers. It shows a great variety of films and is the nearest thing Merseyside gets to the Cornerhouse in Manchester. keep up the good work Janet.
    dbushell

    Astounding and accessible

    This film is a must see. This film gives further evidence that the industry is starting to once again, ever so slowly, support the independent or "left-field" films. In fact, support any film that has a DECENT story to tell and something to say.

    Besides being a funny musing on friendships - Romeo and Gavin are best of mates, yet rarely say anything 'nice' to each other - in the best of British humour, it also contains perhaps one of the most frightening characters to be seen in a film in a very long time. The climax to this film will have your jaw hanging somewhere around waist-level. Patty Considine as Morrel is amazing, having a sort of hair-trigger eccentricity that pushes him, at the slightest touch, from lovable loner to something much much MUCH darker. The shot that Meadows includes of Morrel alone in his house crying, pulling back to reveal a sort of gas canister makes you wonder exactly what is going on in his head. FANTASTIC!

    While Meadows is prone to indulge in the good old "finger-picking-guitar-music-over-shots-of-sombre-people" method of setting a mood, and does it fairly often, he can be excused EASILY by the power of this film, blending a PERFECT mix of humour and drama.

    In my view, I'd pay 5-times the admission price for the climax alone
    9boffins

    Superb,Stunning,and even disturbing

    This is a truly great film, not seen by enough people in my opinion, Shane Meadows is a breath of fresh air for the British film industry, and I won't hesitate to go and see his next film, on the strength, of his last two ( twentyfourseven, romeo brass ) While most british audiences are somewhat ignorant to quality films like this, and would rather watch overrated films like 'Lock Stock...' there is always a hardcore of fans for films like this. Shane Meadows is inspired by the likes of Ken Loach and Mike Leigh, possibly Britain's best independent directors, but Meadows adds a bit more 'cheer' to this film, who says its uncool to have a happy ending? Romeo and Gavin are twelve year old pals, who have a great understanding of each other, and their surroundings, but then their friendship is tested when Morrel ( Paddy Considine ) enters their life, at first he is a pal, but why is a grown man hanging around with two boys? he then wants to date Romeo's sister, little do they realise they are being drawn into a world of obsession, violence and desperation, will it all come good in the end? Watch out for the outstanding performance from Paddy Considine, it really is the best debut from an actor ever!
    9dan-382

    A successor to Loach at last...

    Hidden as it was in the BBC schedules, I nearly missed this gem of a film. Shane Meadows seems to improve with every picture, following up the raw promise of 'Small Time' and the almost great 'TwentyFourSeven' with this priceless jewel, which is proof that Meadows alone carries the torch of the British film industry forward amidst the Guy Ritchie pap we churn out on a regular basis.

    Although the acting from some of the minor characters was a bit on the dodgy side, Paddy Considine shone as the socially inadequate Morrell and the two lads (and their fathers in a memorably frightening final scene) did a solid job. Credit must also go to the screenwriter Paul Fraser, who has breathed some life into the cliched, patronizing 'working class' sceenplays that featured in 'Brassed Off', or (worse) 'The Full Monty'. The usual 'working class' signifiers (a guest appearance by Kathy Burke, or chain smoking as a character trait) were thankfully missing.

    'A Room For Romeo Brass' was an excellent piece of observation. The character Morrell brings back awful memories of acquaintances I had in my youth, and these people still hang around the estate like the foulest of stenches. The film replicated 'life' in a way that Danny Boyle would fail to comprehend.

    There were some minor imperfections (for instance, the music was over the top), but Meadows is only 29, he has time to perfect his craft. For everyone disillusioned with British film and its compulsion to chase the dollar, this film will restore that lost faith.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Despite the natural chemistry of Andrew Shim and Ben Marshall the two actors almost came to blows during a scene due to Marshall's obnoxious behavior. Paddy Considine admitted in the DVD commentary he had no problem filming the scene at the seaside where he threatens Marshall's character, saying he "couldn't wait to get his hands on the little shit."
    • Citations

      Morell: One beat, two beat three beat, sugar beat. Four beat, five beat, six beat, wheat-a-beat. Seven beat, eight beat, nine beat, heartbeat. My heartbeat, my heart is beating for you.

    • Connexions
      Referenced in ARfRA (2018)
    • Bandes originales
      A Message to You Rudy
      Written by Dandy Livingstone (as Robert Livingstone Thompson)

      Performed by The Specials

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    FAQ18

    • How long is A Room for Romeo Brass?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 4 février 2000 (Royaume-Uni)
    • Pays d’origine
      • Royaume-Uni
      • Canada
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Una habitación para Romeo Brass
    • Lieux de tournage
      • Nottinghamshire, Angleterre, Royaume-Uni(on location)
    • Sociétés de production
      • Alliance Atlantis
      • BBC Film
      • The Arts Council of England
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 19 478 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 6 713 $US
      • 29 oct. 2000
    • Montant brut mondial
      • 19 478 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 30 minutes
    • Mixage
      • Dolby
    • Rapport de forme
      • 1.85 : 1

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