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IMDbPro

No Tears for the Damned

  • 1968
  • Not Rated
  • 1h 25min
NOTE IMDb
5,3/10
205
MA NOTE
Jackie De Witt in No Tears for the Damned (1968)
DramaHorrorThriller

Ajouter une intrigue dans votre langueA man driven insane by his adulterous wife and domineering mother terrorizes the city of Las Vegas, brutally murdering sex workers and showgirls. This very low budget film, marketed for driv... Tout lireA man driven insane by his adulterous wife and domineering mother terrorizes the city of Las Vegas, brutally murdering sex workers and showgirls. This very low budget film, marketed for drive-in and "grindhouse" exhibition, was presumed lost until its rediscovery and re-release b... Tout lireA man driven insane by his adulterous wife and domineering mother terrorizes the city of Las Vegas, brutally murdering sex workers and showgirls. This very low budget film, marketed for drive-in and "grindhouse" exhibition, was presumed lost until its rediscovery and re-release by Vinegar Syndrome.

  • Réalisation
    • William Collins
  • Scénario
    • June Drake
    • Oliver Drake
  • Casting principal
    • Robert Dix
    • June Drake
    • Gillian Simpson
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,3/10
    205
    MA NOTE
    • Réalisation
      • William Collins
    • Scénario
      • June Drake
      • Oliver Drake
    • Casting principal
      • Robert Dix
      • June Drake
      • Gillian Simpson
    • 7avis d'utilisateurs
    • 1avis de critique
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos61

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    Rôles principaux11

    Modifier
    Robert Dix
    Robert Dix
    • Jeff Murray
    June Drake
    • Jeff's Mother
    • (as Liz Marshall)
    Gillian Simpson
    • Lori
    Cay Conway
      Perry Dell
      • Harmony
      John 'Bud' Cardos
      John 'Bud' Cardos
      • Lori's customer
      • (as John Cardos)
      Richard Jeffries
      • Frankie
      Jackie De Witt
      Ewing Miles Brown
      • Partygoer
      • (non crédité)
      Kay Crooks
      • Hattie McCall
      • (non crédité)
      Tacey Robbins
      • Singer
      • (non crédité)
      • Réalisation
        • William Collins
      • Scénario
        • June Drake
        • Oliver Drake
      • Toute la distribution et toute l’équipe technique
      • Production, box office et plus encore chez IMDbPro

      Avis des utilisateurs7

      5,3205
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      Avis à la une

      7christopher-underwood

      earliest proto-slasher

      Rather one of the earliest proto-slasher although the killing doesn't really look so bloody at all although there are some sudden moments. But maybe it is cutting of the hair that seems to be what it is really about. Early on we see the mother and the massive picture of her and her little boy although he wears girls clothes and certainly his hair is rather big and odd. At the very beginning there is a bar and a jukebox and a girl dancing and a man leering so we know that something is going on. Unfortunately it seems a bit slow but it certainly gets going and I really like it. The kills are different but it is the mother and her domineering manner that seems to lead him on, although at first we will have a ride through Vegas, oh and then onto a rather amazing sex orgy. It is here that we really see just how well shot it is and maybe it is not the director that is in charge. I notice that this was shot in 1964 which makes a difference in the 60s with like the clothes and that hair. Oliver Drake did the writing and his wife who was known professionally as Liz Marshall - she had danced in the 40s and here she was 48 and is acting the killer's mother and also wrote it as well. But Drake had an amazing career, with a ranch near Pearblossom, California used for location shooting mostly for westerns. He was born in 1903 and did silents, TV and films later mostly through the 40s and 50s he became a prolific writer and occasional director and producer, working with Gene Autry, Tex Ritter and others. In this film although we know that it was low budget and marketed for the drive-in and 'grindhouse' and presumed lost until recently discovered a splendid one by Vinegar Syndrome. The very good cinematographer here was William G Troiano born in 1914 and made several such as, She Freak (1967), After They Ran for Their Lives (1968) and later with A Whale of a Tale (1976) starring William Shatner. The main 'star' here was Robert Dix (1936-2018) worked through the 50s and 60s often with the Drakes and was also with Satan's Sadists (1969). I consider that this really is a great 'lost picture'.
      6CobraMist

      Effectively grim and dirty

      This is a film that does a lot to build on atmosphere creating a gritty look at the sleazy underbelly of a city where the alcohol and sex are cheap and human life is even cheaper. We get this not only through some scenes that would fit right in with many proto-mondos movies that feature long lost 1960s nightclubs but also through the general grime as our protagonists travel around. The movie does switches gears from nasty Vegas travelogue to something more of a proto-slasher as the titular strangler does his thing with the women who are unfortunate enough to cross paths with him. The kills are actually kinda fun for the era but the film also gets fairly repetitive as it settles into the grove of showcasing a series of sex murders and we get less of the down and dirty tour of Vegas that the first act gave us. Still a decent time though and potentially even a good entry to roughies as this is a fairly tame one.
      9michellemmfm

      Great nostalgic movie

      Watched movie on a whim on the Tubi app. Loved the old vegas 60s style cinematography and the trend of the culture at the time.

      Bit of a mild copy of Psycho without the Norman Bates.....all.the actors played parts pretty well right down to the gay piano player getting a punch .

      Plot not too over the top either.

      Loved the party scenes with the dancers and the band and the soft porn clips . This movie really captured vegas well.

      Movie bit naff but actually found myself enjoying this film...better than half the movies made in this day and age. Kept my interest and will add this movie to my favourite list

      A hidden gem.
      9oldsvolvo

      Classic schlock...

      Enjoy this black and white gem not for its story but as a time capsule.

      Watching movies like this from early 1960s to about late 1970s is not so much about quality of story and sometimes filming techique but the style of the cloths... kinds of cars... old paintings in the back ground.... This movie has it all.

      This is before good roads and good general landscaping in Vegas.

      It seems that the ubiquitous VW big or bus is not present.

      The natural women... hubba hubba!

      Yes the plot is wonky...acting transparent...dialouge could be snappier...boy 600 words huh...

      So all in all enjoy and for cripes sake it was or is free on...
      3paul_m_haakonsen

      Was there a purpose to this movie?...

      Never having heard about this 1968 thriller titled "No Tears for the Damned", when I happened to come across it by random luck here in 2024, I still opted to sit down and watch it. Maybe I had been missing out on an old cinematic gem from director William Collins.

      The storyline in the movie, as written by June Drake and Oliver Drake, was pretty straight forward. It was almost an adequate enough storyline, if you can find it between the song and dance routines. Director William Collins spent a bit too much time on showing singing and dancing throughout the course of the movie, which was odd, because it served no purpose for the narrative, and it was essentially just time wasting and filling.

      Needless to say that I wasn't familiar with a single actor or actress on the cast list in the movie. But the acting performances were actually fair enough. Nothing outstanding or overly impressive, but fair enough for what it was. But the actors and actresses were definitely struggling with an inadequate script.

      "No Tears for the Damned" was not an outstanding viewing experience, and it is definitely not a movie that will ever grace my screen a second time.

      My rating of "No Tears for the Damned" lands on a three out of ten stars.

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      Histoire

      Modifier

      Le saviez-vous

      Modifier
      • Anecdotes
        AKA "The Las Vegas Strangler". Never mind the cut shower scene, a patently inferior title, as only the last 2 of his victims are strangled and for only one of those was it the ultimate cause of death. Meanwhile, Vegas newspaper headlines call him, appropriately, "The Showgirl Killer", while the song "Ain't no Tears for the Damned" is played repeatedly as a kind of theme for Jim's stalking his victims.
      • Gaffes
        Dead showgirl bats eyelashes while impaled on a spike on the wall.
      • Citations

        Lori: [upon being apprised of her husband's purported homosexual proclivities] Guess I've been reading the wrong kind of fairy tales!

      • Versions alternatives
        Included as an extra on the Vinegar Syndrome Blu-Ray is the alternate No Tears for the Damned title sequence which contains an extended shower scene not included in The Las Vegas Strangler version and runs six minutes longer.
      • Bandes originales
        Ain't No Tears for the Damned
        by Old Blues Standard, author unknown

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      Détails

      Modifier
      • Date de sortie
        • 13 juin 1968 (États-Unis)
      • Pays d’origine
        • États-Unis
      • Langue
        • Anglais
      • Aussi connu sous le nom de
        • The Las Vegas Strangler
      • Lieux de tournage
        • Ash Meadows Sky Ranch, Pahrump Nevada, ÉTATS-UNIS
      • Société de production
        • Bonanza Film Productions
      • Voir plus de crédits d'entreprise sur IMDbPro

      Spécifications techniques

      Modifier
      • Durée
        1 heure 25 minutes
      • Couleur
        • Black and White
      • Mixage
        • Mono
      • Rapport de forme
        • 1.37 : 1

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      Jackie De Witt in No Tears for the Damned (1968)
      Lacune principale
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