Garage Olimpo

I'm not sure this movie will be released where you're reading this comment,but if it is, please,go and see it. you have to. Be prepared though: It's very intense and disturbing, and when it is over you will feel dirty, soiled,shocked. This is a film about Argentina under the Military regime of the late '70s. This is a movie about the desaparecidos, Argentinian citizens kidnapped from their homes from the police and the military,tortured and imprisoned to extort information from them and then, finally, killed, most of the times thrown in the ocean from a plane while doped. Their crime? Trying to fight this regime. The film is almost perfect:great screenplay,great cast,great direction. Essential viewing. For more than one reason. Rating:9

Bechis masters both camera and music to create an unbearable atmosphere of repression. Rarely have I seen such overpowering scenes deftly juxtaposed with banal shots of everyday city streets, effectively highlighting the urgent, yet hidden nature of political dissent. Not for the lighthearted, but for those willing to endure a gut-wrenching film for the sake of experiencing the tragic reality of what actually happened in Argentina, Chile and, more disturbingly, what probably is going on right now in places like Iraq and Guantanamo Bay, even as you read this. I definitely think films like this should be shown as a counterweight to the current sanitized version mainstream media feeds us, after being put through the hell of the concentration camp style 'garage olimpo', I doubt anyone would believe much in the hollow promises of militaristic presidents ever again.

This film is set in Argentina at the end of the 70's but it could be set anywhere in anytime. As soon as Maria gets kidnapped by the army, the film changes to an unbearable, uncomfortable and quite minimalist atmosphere.

The structure of the film itself brings out the complexity of resistance and engagement : the act of Ana arouses our sympathy at the beginning of the film but causes the death of Maria at the end of it. Also, the beautiful shots of the sea and of Buenos Aires taking from a plane turn out to be horrific as they suggest the death of the Disappeared.

The scenes where Felix, her torturer, takes Maria out from the Garage are well done and exceptional. The author shows the unconcern, thoughtlessness and happiness of the people who care more about the world cup as if nothing was happening, and show in the same time the terror of Maria's face with her eyes trying to find a way out. The relationship between Felix and Maria doesn't fall into the sentimental stereotype and is quite secondary. Maria knows that Felix is her only chance of survival, she plays the game but will never love never.

When I saw this film there were only 3 of us in the cinema. It was as if I saw it alone, in the dark in front of this story. I had a strange feeling when I came out and I will never forget this film.

It may be of interest to note that the final sequence aboard the 'Hercules' aircraft of the 'Fuerza Aerea Argentina' was actually shot using a private plane which the director rented off a collector and had painted with Argentine Airforce colors and codes. The Argentine military had no intention to lend a plane, despite the atrocities committed 30 years ago. The City of Buenos Aires, cosmopolitan and civilized as it is, retains a large amount of its 'garages', to this day, although thankfully put to different use. A chilling list of the major torture centerers can be seen by the casual tourist within the walls of the Centro Cultural Recoleta, in Plaza Francia, City Centre. To this day torture cells are being uncovered.

Bechis is a good example of the best Costa Gavras that you could ever see. This very dark Argentinian period is photographed with a very clean and doubtless hand. Do not leave anything pending, Bechis's position is quite clear and naked. The reality given by certain scenes could remember you some of those films shot in "film veritè" technique. The only critic that I could say about the film is that I would have prefer to get into deeper details of certain characters of the reasons why they decided to be torturers and follow certain life. A film that will not be forgotten, much less commercial than "Missing" of Costa Gavras. A fist in the stomach. Rating: 7