Leptirica

I saw this as a child and I remember that I was so scared that I couldn´t sleep for days. So, like twenty years later, here I am, watching it for the second time. The feeling, of course is not the same, ´cause through the years I became very big fan and some kind of an expert for horror cinema. But still... This is probably the first real horror made in Yugoslavia and it´s still the best. Dark atmosphere accomplished here is very unique and it really gives you the creeps. When I think of the comparison, the only movie that comes to my mind is BLAIR WITCH PROJECT (same atmosphere, dark woods, witches, etc.) and trust me when I say that Myrick & Sanchez flick is not at all superior. The only thing that annoyed me are the "comic elements". I really felt that they are not necessary (it is similar problem with all Yugoslavian suspense movies, such as: Variola Vera, The Strangler vs Strangler, Deja-Vu and more recently T.T.Syndhrome). But the last half an hour of the movie is so brilliant that we can forgive the director Kadijevic for that mistake.

This Serbian, made for TV movie, tells the folkloric tale of a 19th century rural village, seeped in superstitious paranoia. There are tales of Sava Savanovic who died at least a century ago; his myth embroiled with vampiric tendencies. In the opening scene the village miller, Vule (Toma Kuruzovic), sleeps in the isolated mill. through a montage of close-ups we see staring eyes, surrounded by dirty skin; an ash- blackened hand, adorned with long, sharp finger nails, dip in the flour; sharp teeth are exposed, not in the traditional fang image of western vampire lore, but a full front row of stalactite-like gnasher's. Vule has his throat ripped out. With the discovery of the body, we are informed that this is the fourth miller to die within a year, and the speculation of a vampire murderer is brought forward.

Strahinja (Petar Bozovic) is a very poor local, who is in love with the very beautiful Radojka (Mirjana Nikolic), daughter of the ill-tempered farmer, Zivan (Slobodan Perovic). Strahinja has asked permission of the farmer for her hand in marriage, which he bitterly denies. After this severe knock-back, Straninja decides his only option is to leave the village for good. On his way out, he is stopped by the locals, who convince him to take the miller job. He stays the night there, and is visited by the vampire, only he is not killed. The villagers gather to try to hunt down the monster.

Vampire films are so incredibly prevalent at this moment in time, but most do not hold any form of atmosphere. Leptirica has it in spades. The rural setting offers an eerie sense of doom, with sound created with the sounds of screeching owls. The eccentricities of the villagers reminded me of some of the comedy characters in a Kurosawa film. The sense of isolation in the remote village is palpable also, lending the film an aura of horror. As the film was made for TV, it only runs for a little over an hour, and I felt that it would have benefited from a slightly longer running time. But this aside, I was surprised with the entire narrative, and its simplicity makes it an enjoyable experience. The films title translates into English as Butterfly, which has its meaning exposed in the last moments. Whilst it is clear who the vampire is early on in the film, it does not diminish the climax, which is gaudy, but strangely haunting.

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A fellow IMDb user alerted me that this 70's TV movie was in fact the very first horror movie from Yugoslavia. I can't honestly say I have actually seen any others myself but this fact did leave me somewhat intrigued for sure. In the event, Leptirica proved to be a very fascinating watch indeed and one which suggests that the Serbs are missing a trick in not having made more horror films steeped in their folklore. Like most vampire films from other parts of Europe, the events in this one take place in the 19th century. More specifically, the action occurs in a rural village which relies on a cursed mill in which a succession of millers have been murdered in the night by a vampire, a being who once was called Sava Savanovic, a man who died one hundred years ago. Unlike most other European vampire presentations, though, the creature here is a long way off the sophisticated aristocratic blood-sucker variety and is instead a filthy feral beast with excess body hair, sharp nails and teeth. This seems to tie in more accurately with the traditional Serbian model which is like a cross-over between a vampire and a werewolf. I very much appreciated the difference here and had never before seen a depiction of this creature done quite in this way. It felt a very authentic rendering and one which seemed to have emerged organically from Serbian culture.

Similar to the tradition of fairy-tales from eastern and central Europe, there is also a fearless ambiguity to how events are played out on screen. Many aspects are never explained fully and remain tantalisingly remote and enigmatic. The vampire itself emerges suddenly and aggressively, it performs strange rituals such as covering its hands in flour, while it appears to mysteriously exist partially as a butterfly. These types of unusual details possibly are not explained fully as the intended Yugoslavian television audience perhaps were expected to understand them from widely told folk tales from that country. I don't know for sure if that is true but whatever the case, the result is to the overall benefit of the film as far as I am concerned as unexplained mysteries often work best when it comes to strange supernatural stories. After all, the unknown is often the lair of the scariest things of all. When the horror moments occur in this movie, they are often very effective and chilling, with the vampire itself a memorably scary creature, who indulges in witchy behaviour such as riding its victim. It's nice to see that this old television movie from the former Yugoslavia has been developing an appreciative audience over the years. It's a very interesting alternative indeed to the more traditional Gothic fare from Western Europe.

Wonderful, I've seen this movie ONCE when I was a kid and since then it's burned in my mind as of the most scary films I've ever seen. And I've seen A LOT of horror. Hm, I think I will try to find this film again, I'm pretty curious about how I would feel now while watching it. It certainly did contribute to my love for the horror-genre, and vampire figures in films, in general. This particular vampire , leptirica, is very old in Slavic folklore. The female vampire shapeshifter, upir, can even be considered as a metaphor for many things. Feminine mystery or sexuality is one of them.Interesting !

I have watched this movie after finding out about it online. I didn't expect to watch overwhelming special effects or perfect film making. Keep in mind this was filmed in the '70s in Yugoslavia, and for TV. To make things worse, the recording I watched wasn't of extremely high quality (maybe a rip from a very old home recorded VHS).

The movie is seriously scary, but with some comedic relief which might be considered annoying if you don't expect to see them. Plot turns and surprises are well thought of in most instances. There is no attempt to "explain" the plot to the audience , as commonly happens with more modern western movies. I find this to be a nice thing, but some may find it a problem. The vampire the movie tells about is not a typical vampire from western movies, but maybe the retelling or older and more original Slavic legends.

The actress playing the protagonist's love interest was a treat. Beautiful and convincing, hard to believe she did not appear in famous movies. Effects rudimentary, but kind of convincing. Scares real. True that the vampire appears in three scenes: that's enough however. Those appearances are sudden, and only in one case can be expected.

Definitely advise for horror fans (with the caveat you are not watching Hollywood).