Tatouage

"Irezumi" (which means "tattoo" in Japanese) is an erotic costume film from one of the bad boys of '60s Japanese cinema. Director Masumura used a full palette of primary colors (with very vivid reds) to tell us about the story of Otsuya, a beautiful young woman from a middle-class merchant family who is abducted into geisha work, and who catches one day the eye of Seikichi, a tattoo master who marks her back with a huge, monstrous spider. From that moment on, Otsuya will take her revenge with every man who shared her bed.

If you have an appetite for perverse stories, try this one. To play Otsuya, Masumura used beautiful actress Ayako Wakao, best remembered in the West for her part in Mizoguchi's "Street of Shame" (1956), where she was Yasumi, the cold-hearted and money-greedy prostitute. She inspired Masumura throughout the '60s, and "Irezumi" is one of their best collaborations. Adapted to the screen by Kaneto Shindo (the internationally acclaimed director of "The Naked Island" and "Onibaba"), the script goes far beyond Junichiro Tanizaki's original short story. In Tanizaki's work, a sadistic tattoo artist searches for his ultimate canvas, a beautiful girl, to create his masterpiece. The girl is innocent until the tattooer finishes "pouring his soul" into her tattoo, which represents a huge tarantula (it is better to know that "tarantula" in Japanese is "jorôgumo" and "jorô" stands for "prostitute", as both attract men to suck their blood). She becomes thus the "femme fatale" of his dreams. In "Irezumi", we never know if Otsuya is evil by nature or if the tattoo is the cause of her misconduct and bad manners, and that's the most fascinating aspect of the film. As it is a "pinku eiga" of the '60s, don't expect graphic sexual scenes but highly suggestive shots (which are more than enough) and enjoy this shameless film. As for me, I still haven't decided yet whether it is a misogynous film or its complete opposite. And what about the spider? It's a... uh, very special piece of art.

Most impressive bloody drama of operatic proportions. Doubly wronged our heroine ends up a geisha with a tarantula tattoo upon her back. Apparently the first part of the Japanese word for tarantula means prostitute and so she feels she has no alternative but to remain in the profession into which she was forced. What she can do though is take revenge and hey does she take revenge. This is beautifully photographed action all the way and it gets plenty bloody, with a wonderfully over the top ending that makes you want to stand and applaud. How much this is a tale of an exploited woman and that of a woman overcoming adversity will be up to each viewer to decide. Gentle eroticism is a bonus and if this is not quite as crazy as the same director's Blind Beast it is just as audacious. Bold, bright and beautiful.

This film begins with an incredibly beautiful young woman by the name of "Otsuya" (Ayako Wakao) trying to convince a young man named "Shinsuke" (Akio Hasegawa) to quit his job working for her father so that the two of them can elope together and eventually get married. Although Shinsuke has grave concerns about leaving a good job and a boss who has been quite generous with him, he is easily seduced by Otsuya's charms and goes along with her in spite of it all. Having also stolen some money from her father, Otsuya and Shinsuke stay at an inn run by a man named "Kenji" (Fujio Suga) who is a business associate of the family. What neither of them know, however, is that Kenji has a hidden motive for allowing her stay to at the inn which soon comes to fruition when she is kidnapped and sold to a brothel in another city. But what Kenji doesn't quite fathom is that Otsuya is much more devious and resilient than anybody could ever conceive and that she is now determined to have her revenge on everybody involved with her abduction. Now rather than reveal any more I will just say that this was an extremely good film which was not only artistic in one sense but also had the advantage of featuring an incredibly talented actress like Ayako Wakao who dominated every scene she was in with her beauty and charm. And although there is quite a bit of sexual eroticism inherent within the plot the director (Yasuzo Masumura) uses a subtle technique which both stimulates the imagination and enhances the imagery. That being said, I thought that this was an excellent film and I have rated it accordingly.

'Irezumi (1966)' focuses on a young woman who is sold to a geisha house and forcibly tattooed with a grotesque arachnid across her entire back. Deciding not to let her circumstances decide her fate, she opts to embrace the golden orb spider inked into her skin and fully embody its almost otherworldly man-eating nature. With the power of manipulative seduction, she aims to devour every man she can sink her teeth into as a form of revenge for her situation. Unwillingly along for the ride is her fiancée, who is manipulated into serving as his wife-to-be's weapon despite the fact that it tears him apart. In fact, he's pretty much a tool right from the start, as he crumbles to the desires of his lover and buckles under the pressure of her threats, but he only starts to see it once it's too late. The picture is a depiction of a downward spiral, a tragic series of events that escalate into senseless violence and can only end in a similar way. It's also an examination of power within gender dynamics, as its hero is able to use the misogyny of the world around her to her advantage and successfully pull the strings of every single man she encounters. The lead isn't concerned with being likable, she's concerned with getting her own back; this makes for a compelling protagonist whose amorality is only offset by the constant ethical crisis voiced by her meek partner. It's somewhat unconventional in this way, although similar films - like 'Onibaba (1964)' - also reject the standard female stereotype in favour of more complex fare, and it's ultimately quite feminist considering when it was released. It's pretty compelling for its duration, even if it does hit a bit of a lull during its midsection. There are several striking scenes, including a handful of surprisingly brutal moments, and the cinematography is gorgeous throughout. The lead performance is suitably transfixing, too. Overall, this is a really solid thriller with a strong central dynamic and a distinct atmosphere.

A woman is kidnapped and drugged, then covered in a huge spider tattoo that may or may not have taken over her soul and turned her into a killer. She gets revenge on those that wronged her by becoming a geisha and causing their deaths.

A slow moving revenge movie centred around a geisha using her charms to manipulate men and killing them off. It's not really that much of a horror movie as the supernatural side isn't played up, even though it's hinted at. It's more of a samurai movie that happens to focus on the geisha and brief outbursts of violence that take the lives of others. It's interesting but not an amazing movie or anything.