Écarts de conduite

A great movie in my opinion,not the usual melodrama-stuff,as some might believe reading just the plot.

The story of Beverly and Ray could be that of anyone of us.

Their marriage enforced by her pregnancy and consequently due to unwritten rules of puritanism governing a small Connecticut community,brought together two rather unexperienced and immature teens. Her behaviour after giving birth to Jason,conflicts to a certain extent to that of a normal mother.But was she a normal mother? We need to understand her! This pregnancy linked her to a unwanted man and brought life unexpectedly to a child.It blocked her dreams of going to high school and college,so her behaviour is justified to a certain extent.

Two scenes,at the end,I consider as masterpieces.

First her meeting together with the grown-up son at Ray's house,after years of separation,finding there a still drug addicted person,physically and even mentally finished.Ray feels guilty for all pain inflicted to her,but the only thing he can do now is to sign that paper authorizing her to publish the story of their life.

Secondly the scene of Beverly and Josua reunited as mother and son for a short while,embracing near Ray's house,before going each one a separate way.Josua to his beloved,she calling her father to catch her up with the car and go to home of her parents.

The last scene is particularly moving,father and daughter driving home in the car,sing that lovely song "Dreams".This might be bout all the unfulfilled dreams of her life,or perhaps an illusion that all her hardships were nothing else than a dream.No dreams whatever,all she lived was true life.And this was a serene,nice end ,after so much drama unfolding in her life!

Beverly knows more than others how your life can change direction with one simple action. She had dreams of becoming a writer as a child but when she got pregnant at 15 all of that changed and she found herself married and living in a cheap house raising a son while trying to study for her exams. This is the start of her struggles where her husband never aspires beyond his next beer and she struggles with responsibility towards her son Jason. Years later, riding with her adult son on a trip, she thinks back over her years.

The title and trailer pretty much let me know that this was aimed at a certain demographic that I am not part of, but I decided to give it a go anyway. The plot is a tapestry of moments across Beverly's life from her dreams to middle age; it is a mix of the comic and the tragic and it doesn't sit that well. Penny Marshall seems to want the comedy to come out – even when it is not appropriate (for example Beverly allowing Jason to continue drowning for comedy effect) and this sits very uneasily with the more dramatic character side of the film. In fact the more serious (and interesting) aspects are mostly badly handled and fall a bit flat. In particular Marshall cannot cope very well with the fact that her lead character is a deeply flawed person that the audience easily dislike at times; the film gets close to examining this at the end but, typically, chickens out big time. The story is mainly quite dull then and the moments that are meant to be funny just seem strangely out of place.

The cast don't help at all. Barrymore is serviceable but can't get to the heart of her character. OK, she isn't helped by the material but she swings wildly from playing "silly" at one moment to overdoing the histrionics. Zahn is not the first choice you want for a film with a story; he goofs well enough but finding depth is not really his forte and he adds to the shallow feel of the main story. Gilbert is hardly in it but Murphy is actually quite good, but then the material doesn't really ask much of it anyway. Woods and Bracco add familiar faces but really nothing else, in tiny roles. Perez plays a money grabber in a small role and made me wonder if she goes out of her way to find such characters? A minor thing that got to me as well was the fact that this is meant to play over years and years but mostly, nobody ages convincingly: apart from costume and hairstyle Barrymore looks the same at the start and the end of the story and this pretty much goes for everyone. A minor quibble but it bothered me.

Overall this is an average and uneven film. The story is interesting because it features such a flawed lead character and could have been interesting but it is roundly mishandled. The comic moments sit uneasily with the story as a whole, but Marshall seems happier with these touches than actually delivering the drama goods. The cast match her approach and their performances vary wildly depending if the scene they are shooting that day was a "happy scene", "sad scene" or "angry scene". Target audience might like it but it is far too flawed to have wider appeal.

Riding in Cars with Boys is definitely a step into a new direction for actress Drew Barrymore. Drew, in her most difficult role to date, tries and succeeds through the majority of the movie. There are times when she goes a little out of bounds, and becomes outrageous -- but for the most part, she nails the part.

The film tells its story nicely, and has a strange and some-what heartbreaking ending. Steve Zahn is easily the high-point of this film. Zahn's character will be the one you think about the most when this film ends.

Riding in Cars with Boys works on enough levels to make it worth seeing.

I admit that I watched this movie for the most frivolous of reasons: I liked Brittany Murphy's performance in the trailer ("My daughta's a tramp!"). I really never cared for Drew Barrymore, before. However, my opinion of her has changed. Drew put in an INCREDIBLE performance in this movie. She really nailed it. In fact, all of the actors gave commendable performances. I was so moved that I was quite uncomfortable for much of the movie. The pain that was portrayed was so real that I almost regretted purchasing what I thought was supposed to be a comedy. I'm glad I got through it - and an hour later I'm still stunned by what I saw. This movie is well worth seeing.

Perhaps the reviewers who hated it don't understand that you can be repulsed by another person's behavior, but you don't have to agree with them. You don't have to accept their morals (or lack thereof) in order to recognize what they are going through. And perhaps in seeing these roles acted out, you will see someone you know who has touched your life. Perhaps you'll even see yourself. I profess to have high moral standards, but I was not offended by this movie. I just felt very sad. I've known people like these characters. I don't feel that they were trying to justify their decisions.

They were just telling a story. I also think that this movie was a kind of therapy for Beverly, who is standing up, triumphantly, shouting, "I went through a lot of crap and I made it!"

Sure the viewer gets beaten up by this movie, but in a respectful way.

This isn't a fairy tale. This is a story about real life. And real life is brutal.

While not belaboring this entire string of comments, I was glad that a couple of people have already mentioned about getting the truth from the book, as opposed to this movie.

The movie itself is excellent and will keep you glued to your seat. Drew Barrymore did a phenomenal job in her portrayal of Beverly Donofrio, as Beverly is depicted in the film meaning how the storyline was written - and it is definitely a story, but an enjoyable one nevertheless.

I could barely find any similarities however between what took place in the movie and what actually happened to Beverly in real life. Had they produced the movie as the book was written, it would have been a much more intense drama with tons of sex, drugs and rock and roll, literally. Beverly Donofrio as depicted in the movie is nothing short of a Miss Goody Two Shoes compared to how Beverly actually was. But had the producers gone this route, it would have been very depressing to see.