Janice l'intérimaire

The Brits made it again. It is simply a brilliant work, very well acted and well directed. Unfortunately, it does not cast Hugh Grant or some other 20 million a movie star. Brits make movies. Americans make money. Who's right? I don't know, but this is a movie that's surely worth to be seen. For a laugh, for a thought, for a sigh... of relief.

Janice lives with her housebound, agoraphobic mother and has done all her life since her father died in childbirth. However in her twenties she decides to go to London to get money to save for treatment for her Mum. However the reality of office life is a lot different and her job is petty and stressful as she helps prepare for a major car launch. However a romance with postman Sean appears promising.

One of many British films that simply go right under the cinema radar. This may have failed because it is similar in basic style to Bridget Jones and other comedies without being as well cast or as well hyped. Also it's not quite as funny as those that have hit big. The plot is a little wacky for the first half as it is Ally McBeal-like in it's wit and content. It's funny in little things like Janice making up stories etc. The actual plot is industrial espionage and is daft but doesn't really spoil a light funny film.

It may not all be that good but mostly it's lightly enjoyable – not trying too hard but just ticking over. Walsh is very good as Beard and Kensit is very sexy and very good as Julia, at least until her walls come, unconvincingly, crumbling down. Ifans is on auto-pilot but has fun and the rest of the office cast are well used and spot on for the most part.

Overall this isn't superb but it is lightly amusing in it's own way. No-one should hold out hope for the pot being amazing but it is enjoyable. Worth watching once.

I saw Janice Beard yesterday at the 2000 Tokyo International Film Festival and took part in the Q&A section with the director Clare Kilner afterwards.

Like the other reviewer has said, Janice Beard: 45 Words Per Minute isn't an especially profound film, but it is good fun and it is better than the majority of what passes through the cinemas.

In the film, Janice Beard is a 20 something young woman whose life began unusually when her father died in childbirth. This causes her mother to be the world's first sufferer of post-natal-post-mortem syndrome. She has never left the house since her daughter's birth, and Janice spends her entire life concocting stories to entertain her mother and entice her into the world. Like the director, I've also known adult compulsive liars and think they're not generally sympathetic people. However, the explanation provided to us of her mother's illness succeeds in endearing Janice The Underdog to the audience.

In the hope of being able to find and pay for a cure for her mother, Janice, equipped with her minimum level 45 words per minute typing rate, leaves Scotland for temp work in London. To some degree this reflects the experience of the director/writer Clare Kilner who has said the idea for the movie came to her while doing temp work - being in but not part of the work place and being able to observe others closely from that unique position.

Janice ends up working at a British car manufacturer (this is a work of fiction after all) through her school friend - the one who was faking a seizure at the beginning of the film to get Mrs Beard out of bed. The car company is about to launch its make or break product and tension in the office is high when Janice joins the typing pool headed by beautiful, bitchy Julia (Patsy Kensit).

From there on in it's a story about Janice toning down her outlandish stories (or living up to them - the salsa dance scene) and fitting in with the typing pool women, and finding someone along the way in the shape of Sean (Rhys Evans from Twin Town [http://us.imdb.com/Title?0120394] and Notting Hill [http://us.imdb.com/Title?0125439]). It's not Janice' fault there's industrial sabotage afoot and she's caught in the middle.

This is a really good, light and enjoyable film. If a director's first film most embodies the nature of their work to come then I look forward to seeing more of Clare Kilner's work. Answering questions on stage after the movie she was lovely.

I was lucky enough to see the première at the Edinburgh International Film Festival. Slightly reminiscent of Bridget Jones Diary in its wackiness, it was nothing profound or especially clever, but I couldn't help but have a good laugh.

Patsy Kensit's character should have stayed bitchy. Having her come around was just plain annoying.

This movie was recommended so heatedly to me that I was fairly forced to see it. Not knowing what to expect, I was charmed and dazzled by the script, the acting, and the goofy decor and colours. For any 'girl' who's ever worked in a brainless office job this will be a delight.

The lead actor is perfectly cast as the unsquashably optimistic Janice, totally sincere even while she's lying through her teeth, overwhelmed by the demands placed on her, outclassed by the other office girls, and at the same time unwavering in her mission to save her mum in whatever way she can.

It also works because of the pacing; the story begins at a steady pace and gradually accelerates until it is literally speeding along -- our heroine works for an auto manufacturing firm -- too fast to stop. There are enough plot twists and complications to qualify "Janice Beard 45 WPM" for a French farce except, that it's in Scottish (I think).

It's not Proust and it's not "Brideshead Revisited"; it's just one of the best comedies I've seen and I've been wanting to see it again since I first saw it in 1999.