Afin de protéger une belle femme et son fils d'un voleur, un agent du FBI se déguise en grand-mère à forte carrure.Afin de protéger une belle femme et son fils d'un voleur, un agent du FBI se déguise en grand-mère à forte carrure.Afin de protéger une belle femme et son fils d'un voleur, un agent du FBI se déguise en grand-mère à forte carrure.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 9 nominations au total
- Lester Vesco
- (as Terrence Dashon Howard)
- Twila
- (as Octavia L. Spencer)
- Reverend
- (as Cedric the Entertainer)
Avis à la une
Still, I have to admit that I was somewhat disappointed with what they did here. The fault lies with the screenplay. For starters, it is not exactly original. While I wouldn't call this movie a blatant rip-off of "Stakeout", in several regards it's too close to that earlier movie for its own good. Speaking of familiar, another problem I had was that too many of the gags involving Lawrence as the cross-dressing FBI agent I had more or less seen in other movies before. Plus, the movie devotes far too much time to this than fleshing out the story - if what's here could be considered a story.
On the positive side, the movie is filled with energy, both in front of and behind the camera. There's enough energy that some viewers not wanting to think while watching a movie might find the enterprise enjoyable enough. If that sounds like you, you'll probably find this movie adequate. If you want more nutrition in your cinematic diet, look elsewhere.
The plot is chaotic, sometimes predictable, and becomes more and more implausible by the minute but the comedy works and because of that we're able to excuse the script's shortcomings. "Big Momma" doesn't deliver the biggest laughs, but it's good, fun entertainment on a lonely weekday afternoon.
My score: 7 (out of 10)
In spite of baffling critics-and not finding many casual film viewers willing to say they enjoyed it! the film was a surprise hit and opened as the number two movie in North America. It went on to gross over $117 million at the box office and subsequently ensured that a sequel would follow down the line (it arrived in 2006). The film isn't pretending to be anything other than the mindless comedy it is. If viewed on those terms then it can be enjoyed. Sure some of the gags are puerile, and Lawrence is an acquired taste, tho his energy and comedy timing are first rate here. But it does work to a degree. It's been done better in the likes of Tootsie and Mrs. Doubtfire, and the plot, with it's boorish romantic strand, is merely an excuse for "Big Momma" to get into daft scrapes. Yet the action is nicely staged and the pace of the piece never sags. There's also fun to be had in watching Giamatti & Howard looking like they just know they should be doing better stuff than this!.
Forgettable juvenile fluff for sure, but likable enough; in that brain at the door-bucket of popcorn-way. 6/10
Now, most films i loved as a kid or in my younger days i still genuinely love now & hold them dear to my heart or have deep Nostalgia for but with "Big Momma's House" i now find it a little too stupid & too silly now, but hey IT'S supposed to be isn't it. Martin Lawrence gives a very energetic performance & can be funny (not on an Eddie Murphy level) as he plays an FBI agent who goes deep undercover as a popular southern Big Momma to try & locate a running witness (Nia Long) to a big crime. The scenery is lovely with its summertime glow & the small town cosiness that those little Southern towns have. This is like a silly, goofy & rubbery mix of Stakeout meets The Nutty Professor, not as good as those films but still lots of fun. Terrence Howard plays the bad guy of the piece & Paul Giamatti plays Martin's fun FBI partner.
Anyway a few laughs are still there & there is a fun, frantic comedy energy present, & Martin is always good fun.
If you enjoy silly comedies like: The Nutty Professor films & Norbit then the Big Momma's House films will be right up your street.
Le saviez-vous
- AnecdotesMartin Lawrence fell into a three-day coma from jogging in warm costumes during summer filming. For any physically active scenes, his fat suit required built-in cooling tubes to help the actor.
- GaffesIn addition to the placement of the necklace, the simple fact that Malcolm was wearing the necklace in front of Sherry is a huge error. The necklace belonged to Big Momma. Sherry should have noticed this.
- Citations
Sherry: [jumping into bed beside "Big Momma" during the storm] I remember how it used to storm like this when I was a little girl. You would wrap your arms around me, and it felt like nothing in the world could ever hurt me.
Malcolm Turner: [wrapping his arms around Sherry] It feels so damn good.
Sherry: [feeling a jab in her back from Malcolm's "arousal"] Big Momma, what's that?
Malcolm Turner: [pulls out a flashlight] That's just my flashlight. The storm knocked out all the power so I had to get a big ol' flashlight.
Sherry: [interrupting the conversation they were having when she feels another jab in the back] Big Momma, is there another flashlight under there?
- Versions alternativesFor the UK version the distributor chose to cut eight seconds of violence in the opening martial arts scene, and a head butt in a later scene, in order to achieve a "12" rating. Initial video releases used this same print. All cuts were waived in 2011, and is currently available uncut in the UK with a "12" certificate.
- ConnexionsEdited into Building Big Momma's House (2000)
- Bandes originalesSecurity
Written by Otis Redding and Margaret Wessen
Performed by Otis Redding
Courtesy of ATCO Records
By Arrangement with Warner Special Products
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Mi abuela es un peligro
- Lieux de tournage
- 192 North Shaffer Street, Orange, Californie, États-Unis(Big Momma's house)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 30 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 117 559 438 $US
- Week-end de sortie aux États-Unis et au Canada
- 25 661 041 $US
- 4 juin 2000
- Montant brut mondial
- 173 959 438 $US
- Durée
- 1h 39min(99 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1