Big Mamma

I was in my early teens when this was released ten years ago, and I never heard of it at the time. In early 2006, I went to the theatre while this movie's sequel, "Big Momma's House 2", was playing, but since I had never seen the original by this point and could see that the sequel was widely hated, it was obviously not the movie I was going to see. Instead, I went to see "The Matador" on that particular trip to the movie theatre. It took me over four years after that to get around to watching the original "Big Momma's House", and just before seeing it, I had low expectations, thinking it would probably be a very unfunny comedy, even if it wasn't absolutely terrible. However, while it's unsurprisingly not that great, I did laugh.

Malcolm Turner is an FBI agent who is very skilled in disguising himself for undercover operations. After it is announced that a murderer and robber named Lester Vesco has just escaped from prison, where he was serving his life sentence, Malcolm and fellow FBI agent John Maxwell are sent to catch him. The FBI believes that the criminal's ex-girlfriend, Sherry Pierce, was also involved in criminal activity, but they haven't been able to prove it. Malcolm and John go to the neighbourhood in Georgia where Sherry's morbidly obese grandmother, Hattie Mae Pierce (a.k.a. Big Momma) lives, and begin to spy on her. Sherry is on her way to her grandmother's house with her son, Trent, but before they arrive, Big Momma leaves town unexpectedly, so Malcolm decides to pose as the feisty elderly woman! He takes on her lifestyle while trying to get the truth from Sherry, and also finds himself falling for the criminal's ex-girlfriend!

Before it is announced that Lester has escaped from prison and Malcolm and John go to spy on Big Momma's house, the film begins with the two FBI agents busting a dog fight, and I guess parts of this sequence are somewhat funny, but no more than that. The film continues to be mostly straight-faced after this, as we learn about the escaped prisoner, the two agents are sent on their mission, and Malcolm disguises himself as Big Momma. The early part where Malcolm has to hide in the shower while Big Momma defecates is memorable, but not in a good way. For a while, it didn't seem like I would be able to give "Big Momma's House" a rating higher than 5/10. I frequently snickered, but it didn't look like I would ever find any BIG laughs in the film. However, that eventually changed. While it's still not that consistent later on, it certainly can be funny with the things Malcolm has to do while in disguise, including a baby delivery. The scene with Sherry seeing Malcolm as himself and the FBI agent claiming to be a handyman is also a really funny part. The story and characters can also be interesting.

This 2000 release is definitely not generally considered one of the great modern-day comedies, and after seeing it, I can understand why, but I've seen much worse excuses for comedy. I wouldn't have been too surprised if I had thought "Big Momma's House" was really lame when I watched it, but while I'm sure many people think it is, I can't say I do. It is uneven, but sometimes funny. Also, there isn't nearly as much juvenile toilet humour in the movie as that one defecation scene suggests! Martin Lawrence plays the lead role here. I haven't seen him in any other film and have only seen a bit of his stand-up comedy, so I'm not that familiar with his work, but think he does a pretty good job with his performance here. This film is a little cheesy and doesn't have the most original plot, and more thought could have been put into the ending as well, but if you want a silly, raunchy comedy, this particular one might work, at least in some parts.

Why did I rent this movie? I don't really appreciate Martin Lawrence, not his old TV show nor his stand-up routine. But I did rent it nonetheless, fearing that I'd wasted my $2.99 after returning home.

My fears were ungrounded. This movie is actually funny, hysterically so in a few scenes. Not to mislead the reader, I have to state that this movie is nothing great; it's actually just a trifle. Just suspend all belief as Lawrence portrays an FBI agent who dons a fat-suit in order to impersonate the 350-pound aunt of the lovely young suspect Lawrence and his partner are tailing. Of course, no one, not even the aunt's suitor, can tell the difference. If you can get by this absurd premise, "Big Momma's House" contains some really rib-tickling slapstick. When Lawrence, while impersonating Big Mama, is required to mid-wife a birth...that scene alone is worth the $2.99.

Big Momma's House is directed by Raja Gosnell, written by Darryl Quarles and Don Rhymer, and stars Martin Lawrence, Paul Giamatti, Nia Long & Terrance Howard. Lawrence plays FBI Agent Malcolm Turner who goes undercover as "Big Momma" Hattie Mae Pierce (Ella Mitchell), so as to hopefully snare escaped convict Lester Vesco (Howard). "Big Momma" is the aunt of Vesco's ex-wife, Sherry (Long), who is on her way to "Big Momma's" to hide out after hearing of Lester's escape.

In spite of baffling critics-and not finding many casual film viewers willing to say they enjoyed it! the film was a surprise hit and opened as the number two movie in North America. It went on to gross over $117 million at the box office and subsequently ensured that a sequel would follow down the line (it arrived in 2006). The film isn't pretending to be anything other than the mindless comedy it is. If viewed on those terms then it can be enjoyed. Sure some of the gags are puerile, and Lawrence is an acquired taste, tho his energy and comedy timing are first rate here. But it does work to a degree. It's been done better in the likes of Tootsie and Mrs. Doubtfire, and the plot, with it's boorish romantic strand, is merely an excuse for "Big Momma" to get into daft scrapes. Yet the action is nicely staged and the pace of the piece never sags. There's also fun to be had in watching Giamatti & Howard looking like they just know they should be doing better stuff than this!.

Forgettable juvenile fluff for sure, but likable enough; in that brain at the door-bucket of popcorn-way. 6/10

I loved "Big Momma's House" way back when it first came out & watched it alot on video, i already liked Martin Lawrence in Blue Streak & Bad Boys so seeing him play another Cop type of role in another big Comedy was exciting to me, & i have always loved Cop Films or the Buddy-cop genre.

Now, most films i loved as a kid or in my younger days i still genuinely love now & hold them dear to my heart or have deep Nostalgia for but with "Big Momma's House" i now find it a little too stupid & too silly now, but hey IT'S supposed to be isn't it. Martin Lawrence gives a very energetic performance & can be funny (not on an Eddie Murphy level) as he plays an FBI agent who goes deep undercover as a popular southern Big Momma to try & locate a running witness (Nia Long) to a big crime. The scenery is lovely with its summertime glow & the small town cosiness that those little Southern towns have. This is like a silly, goofy & rubbery mix of Stakeout meets The Nutty Professor, not as good as those films but still lots of fun. Terrence Howard plays the bad guy of the piece & Paul Giamatti plays Martin's fun FBI partner.

Anyway a few laughs are still there & there is a fun, frantic comedy energy present, & Martin is always good fun.

If you enjoy silly comedies like: The Nutty Professor films & Norbit then the Big Momma's House films will be right up your street.

When you have a movie with a title like "Big Momma's House", you shouldn't expect high art. I certainly wasn't, but sometimes that's okay - sometimes you just want an excuse to laugh.

Still, I have to admit that I was somewhat disappointed with what they did here. The fault lies with the screenplay. For starters, it is not exactly original. While I wouldn't call this movie a blatant rip-off of "Stakeout", in several regards it's too close to that earlier movie for its own good. Speaking of familiar, another problem I had was that too many of the gags involving Lawrence as the cross-dressing FBI agent I had more or less seen in other movies before. Plus, the movie devotes far too much time to this than fleshing out the story - if what's here could be considered a story.

On the positive side, the movie is filled with energy, both in front of and behind the camera. There's enough energy that some viewers not wanting to think while watching a movie might find the enterprise enjoyable enough. If that sounds like you, you'll probably find this movie adequate. If you want more nutrition in your cinematic diet, look elsewhere.