Woman on top - Amour, piments et bossa nova

I've read some of the other comments on this film, and I'd agree with many of the criticisms. Yes, Hollywood. Yes, Foreign Film Lite. Yes, predictable plot. Yes, stereotypes here, there, everywhere. And it is not deep. This is a bit of a guilty pleasure, in my opinion. It's charming, with a fun, atmospheric soundtrack and some enjoyable performances. By the end of the movie I wanted to be dancing on a beach somewhere in Brazil. I'll forgive a lot of sins for a movie that makes me laugh reasonably often and has good visuals and music. If you like romance and fairy tales and fun and aren't in the mood for something penetrating or plausible, this would be a good one to check out. Penelope Cruz cannot help but be a movie star--she has a lot of charm in addition to her looks. Her husband character, Toninho, was very easy on the eyes. Their combined visual assault reminds me of the double-wattage Latin aesthetics of Catherine Zeta-Jones and Antonio Banderas in the Mask of Zorro--I enjoyed that film less than this one, actually. And her best friend, Monica the trannie, had a somewhat stereotypical gay supporting role, but was extremely funny--Harold Perrineau, Jr. made this his own.

In Brazil, Isabella (Penélope Cruz) suffered from motion sickness all her life. The sea goddess Yemanja compensated her with a passion for cooking. She falls for Toninho Oliveira and they get married. She dutifully worked in his restaurant despite the many admirers trying to lure her away. She finds staying in control by being on top would keep the motion sickness away. She catches Toninho with another woman and run off to San Francisco. She stays with her friend Monica Jones (Harold Perrineau) and TV producer Cliff Lloyd (Mark Feuerstein) falls head over heels for her. Her cooking literally knocks him off his feet. Her cooking show starts taking off and then Toninho shows up.

Cruz is incredibly lovely. She is luminescent. Neither guy measures up. Toninho is a womanizing Latino stereotype. Feuerstein is not a good leading man. Cliff has a bit of weasel and he's not worthy of her. The ending is horrible. Cruz simply glows and her character deserves better.

Penelope Cruz is a visual delight, but the movie seemed like a hodge podge of scenes. The Brazilian music, however, was wonderful from beginning to end, so much of the time, I read a good book and just listened to the music as I read! (hooray for cablevision.)

Isabella (Penelope Cruz) meets her soul mate in her native Brazil, marries him, and becomes the renowned chef at his restaurant. She suffers from motion sickness so she insists on driving the car, leading in a dance partnership and more. Husband Toninho (the handsome Murilo Benicio) tires of being second in command and develops the roving eye syndrome. Stunned by her husband's actions, Isabella flees Brazil and travels to San Francisco. Once there, she catches the eye of a television producer who helps her become a small-screen celebrity with her own cooking show. Out of the blue, ex-husband Toninho arrives and wants his wife back. What will she do?

Penelope Cruz shines in the leading role; she's drop dead gorgeous and gives an irresistible performance. Benicio, also, initiates flutters in the hearts of any female viewers with his charming persona. The movie has many humorous plot elements (a cross-dresser, catty television employees) that keep the plot interesting. Those seeking an entertaining movie with charm and chuckles will be delighted to happen upon this lesser known movie.

This is a fun film and has several things going for it. Firstly it is sexy without being vulgar, proving that comedy without vulgarity is feasible. Secondly it is easy on the eye (Penelope) and the ears (Latin Rhythms). Thirdly, it is a fairy tale, both in content and format and hence totally unbelievable. And like all fairy tales, this one too has a moral...which is for the viewers to discover. The best thing about the movie it its old world charms, which is so endearing. Though eminently forgettable once you are out of the cinema hall, while inside, it is worth every minute of yours.

Recommended to take along someone you love.