Ajouter une intrigue dans votre langueAn "electronic puppet" version of the Humperdinck opera, adapted for children and using spoken dialogue as well as Humperdinck's music.An "electronic puppet" version of the Humperdinck opera, adapted for children and using spoken dialogue as well as Humperdinck's music.An "electronic puppet" version of the Humperdinck opera, adapted for children and using spoken dialogue as well as Humperdinck's music.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 1 nomination au total
Mildred Dunnock
- Mother
- (voix)
Frank Rogier
- Father
- (voix)
Delbert Anderson
- Sandman
- (voix)
Helen Boatwright
- Dew Fairy
- (voix)
- (as Helen Boatright)
Constance Brigham
- Hansel
- (voix)
- …
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We had the sound track when I was growing up. My brothers and sisters and I listened to it over and over. I'm well into my forties now, and I can still reel off songs and dialog. My older sister burned CDs of the sound track for us all a few years ago. A wonderful present! I hadn't heard it for decades, and missed it very much. The angel pantomime still gives me goosebumps, it's so very, very beautiful. The witch was played for laughs as much as for being scary. She is delightful. My friend's children always love it when I give them my imitation of her cackle.
I was priviledged to actually see the movie once in a theatre, a children's matinee. How I wouldn't love to have a copy of it. The music and vocalizations are timeless, beautiful, thrilling. I'm sure any child would love this classic as much as I and my siblings did!
I was priviledged to actually see the movie once in a theatre, a children's matinee. How I wouldn't love to have a copy of it. The music and vocalizations are timeless, beautiful, thrilling. I'm sure any child would love this classic as much as I and my siblings did!
The story/fairy-tale is one of the best-known and is a timeless one, while Humperdinck's opera still enchants me after being first acquainted with it 11 or so years ago. It is also one of the most accessible operas(with the music not too heavy and it's a story almost everybody knows) and one of the few to translate well into English.
This 1954 film does get a little hurried visually and narratively at the end, but is overall one of the best versions of both the fairy-tale and the opera(I personally saw it for the first time recently so don't have nostalgic bias for it). The visuals are beautiful and clever, charming in the lighter parts and atmospheric in the darker parts. The amount of effort put into making the film is more than evident throughout. Humperdinck's music is enchanting and is not trivialised whatsoever here, it's played with energy and depth by the orchestra and beautifully paced. The choral singing is well-balanced and committed, if recording the music was indeed punishing it doesn't show at all in the singing.
Hansel and Gretel(1954) works well also in the writing and story departments. The script is whimsical and witty, enough to make one laugh, bite the nails and occasionally cry(not exactly emotionally but because there are scenes done so beautifully that it does evoke some emotion, notably the dream pantomime). The storytelling is close in detail and spirit to both the fairy-tale's story and the opera and captures the essence of both. Filled with cute animals, charmingly lovely moments like the dream pantomime(figuratively and literally heavenly here), funny moments- both light hearted and dark- like with the chemistry between Hansel and Gretel and especially the witch, whimsy and darkly scary moments like with again the witch, there is enough to captivate children and adults alike, not making the mistake of making it too scary for children or too juvenile for adults.
All the characters engage in personality and there is a real attempt to make them individual, the most memorable and most colourful character being quite easily the witch. All the acting and singing is top-notch, several have picked out Anna Russell as the standout and I am going to whole-heartedly agree, Russell is hilarious and genuinely creepy as the witch and was clearly having a whale of a time. That does not mean though that the likes of Mildred Dunnock, Frank Rogier and Christine Brigham didn't excel, they certainly did in fact with Dunnock an authoritative and no-nonsense mother-figure, Rogier is a Father that is easy to feel sorry for and Brigham's Hansel and Gretel are both spirited and appealing. Just that Russell made the biggest impression. Overall, fantastical in every sense, for lovers of the story, the opera or both this is a version that is not to be missed. 10/10 Bethany Cox
This 1954 film does get a little hurried visually and narratively at the end, but is overall one of the best versions of both the fairy-tale and the opera(I personally saw it for the first time recently so don't have nostalgic bias for it). The visuals are beautiful and clever, charming in the lighter parts and atmospheric in the darker parts. The amount of effort put into making the film is more than evident throughout. Humperdinck's music is enchanting and is not trivialised whatsoever here, it's played with energy and depth by the orchestra and beautifully paced. The choral singing is well-balanced and committed, if recording the music was indeed punishing it doesn't show at all in the singing.
Hansel and Gretel(1954) works well also in the writing and story departments. The script is whimsical and witty, enough to make one laugh, bite the nails and occasionally cry(not exactly emotionally but because there are scenes done so beautifully that it does evoke some emotion, notably the dream pantomime). The storytelling is close in detail and spirit to both the fairy-tale's story and the opera and captures the essence of both. Filled with cute animals, charmingly lovely moments like the dream pantomime(figuratively and literally heavenly here), funny moments- both light hearted and dark- like with the chemistry between Hansel and Gretel and especially the witch, whimsy and darkly scary moments like with again the witch, there is enough to captivate children and adults alike, not making the mistake of making it too scary for children or too juvenile for adults.
All the characters engage in personality and there is a real attempt to make them individual, the most memorable and most colourful character being quite easily the witch. All the acting and singing is top-notch, several have picked out Anna Russell as the standout and I am going to whole-heartedly agree, Russell is hilarious and genuinely creepy as the witch and was clearly having a whale of a time. That does not mean though that the likes of Mildred Dunnock, Frank Rogier and Christine Brigham didn't excel, they certainly did in fact with Dunnock an authoritative and no-nonsense mother-figure, Rogier is a Father that is easy to feel sorry for and Brigham's Hansel and Gretel are both spirited and appealing. Just that Russell made the biggest impression. Overall, fantastical in every sense, for lovers of the story, the opera or both this is a version that is not to be missed. 10/10 Bethany Cox
Saw this a year ago.
It's a nice little musical, I like the songs and the old timey stop motion is pleasant. But dear lord, that mom needs child protective services called on her.
Also, the original version I saw it in was English, but I watched the Danish dub recently and apparently the witch is voiced by a guy? Interesting... wonder if that's the case for other dubs.
It's a nice little musical, I like the songs and the old timey stop motion is pleasant. But dear lord, that mom needs child protective services called on her.
Also, the original version I saw it in was English, but I watched the Danish dub recently and apparently the witch is voiced by a guy? Interesting... wonder if that's the case for other dubs.
I found the other comments to be enlightening, especially with regard to the hurry-up conclusion.
However, I know for a fact that the boys' choir used in this movie was no a European choir, but the Apollo Boys Choir, originally of Palm Beach, Florida, that moved to Dallas, Texas until its director, Coleman Cooper, retired. It is unfortunately no longer in operation. During the Depression, the choir toured the United States in limousines, not buses, and sang for President Roosevelt at the Hot Springs resort where he escaped the pressures of Washington DC. The choir accompanist, Mr. Bert Hallack, is a resident of Palm Beach.
One famous former chorister of this choir is George Bragg, who founded the Texas Boys Boys (of Fort Worth).
However, I know for a fact that the boys' choir used in this movie was no a European choir, but the Apollo Boys Choir, originally of Palm Beach, Florida, that moved to Dallas, Texas until its director, Coleman Cooper, retired. It is unfortunately no longer in operation. During the Depression, the choir toured the United States in limousines, not buses, and sang for President Roosevelt at the Hot Springs resort where he escaped the pressures of Washington DC. The choir accompanist, Mr. Bert Hallack, is a resident of Palm Beach.
One famous former chorister of this choir is George Bragg, who founded the Texas Boys Boys (of Fort Worth).
When I was growing up, we had a battered old VHS copy of this film that someone had had the presence of mind to tape off of the television one day. Even though I was born over twenty years after this film was created, it still captured my imagination and I remember watching it many times over with my older sisters.
This film is a retelling of the classic story of Hansel and Gretel, with a few whimsical additions and a musical score. The stop-motion animation used to create this film, is both primitive and charming at the same time. Although nowadays much smoother looking animation can be created on the computer, the claymation creatures in this film do not suffer in comparison, any more than claymation classics like Rudolph the Red-Nosed Reindeer.
The wonderful thing about this little film is the atmosphere created by the animated visuals, and by the lovely soundtrack. It's enchanting and creepy at the same time, which was an irresistible combination when I was a child. The cheerful parts are fun and engaging, while the more sinister scenes with the witch are wonderfully unsettling. Although it's been years since I've seen this film, to this very day I still remember the songs word for word and can recite from the script.
I think any child fond of fairy tales, or fantasy stories would enjoy seeing this little film. If you happen to see it on the television, or find it for sale somewhere, don't pass it up!
This film is a retelling of the classic story of Hansel and Gretel, with a few whimsical additions and a musical score. The stop-motion animation used to create this film, is both primitive and charming at the same time. Although nowadays much smoother looking animation can be created on the computer, the claymation creatures in this film do not suffer in comparison, any more than claymation classics like Rudolph the Red-Nosed Reindeer.
The wonderful thing about this little film is the atmosphere created by the animated visuals, and by the lovely soundtrack. It's enchanting and creepy at the same time, which was an irresistible combination when I was a child. The cheerful parts are fun and engaging, while the more sinister scenes with the witch are wonderfully unsettling. Although it's been years since I've seen this film, to this very day I still remember the songs word for word and can recite from the script.
I think any child fond of fairy tales, or fantasy stories would enjoy seeing this little film. If you happen to see it on the television, or find it for sale somewhere, don't pass it up!
Le saviez-vous
- AnecdotesRe-released in 1972 as part of MGM's Children's Matinees package.
- ConnexionsFeatured in Animation Lookback: The Best of Stop Motion - The First Features (2014)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Hansel and Gretel: An Opera Fantasy
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 12 minutes
- Mixage
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By what name was Hansel and Gretel (1954) officially released in Canada in English?
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