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The Amputee

  • 1974
  • TV-MA
  • 9min
NOTE IMDb
5,5/10
5,2 k
MA NOTE
The Amputee (1974)
ComédieCourt-métrage

Ajouter une intrigue dans votre langueA double leg amputated woman sits and writes a long meandering letter while her ineffective nurse attempts to attend to her stumps.A double leg amputated woman sits and writes a long meandering letter while her ineffective nurse attempts to attend to her stumps.A double leg amputated woman sits and writes a long meandering letter while her ineffective nurse attempts to attend to her stumps.

  • Réalisation
    • David Lynch
  • Scénario
    • David Lynch
  • Casting principal
    • Catherine E. Coulson
    • David Lynch
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,5/10
    5,2 k
    MA NOTE
    • Réalisation
      • David Lynch
    • Scénario
      • David Lynch
    • Casting principal
      • Catherine E. Coulson
      • David Lynch
    • 18avis d'utilisateurs
    • 11avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos9

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    Rôles principaux2

    Modifier
    Catherine E. Coulson
    Catherine E. Coulson
    • Amputee
    • (as Catherine Coulson)
    David Lynch
    David Lynch
    • Nurse
    • Réalisation
      • David Lynch
    • Scénario
      • David Lynch
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs18

    5,55.1K
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    Avis à la une

    mastyrmynd

    An intrigue...

    While it is not as deep or impressive as some of Lynch's other works, I believe that this film breaks new ground in terms of camera work and how a scene is put together. I think it is important that this film is shot twice, once to capture the story, the other to capture what is happening. If you view simply the woman, you will grasp what her letter is all about, however, if you view the nurse, you will take in only what the nurse is doing. Viewing it once just staring at the woman, and then again viewing only the nurse gives quite a contrasting look at the same exact picture. It may very well be an experiment only, but the fact that it has this effect is intriguing on its own. Try it yourself!
    Michael_Elliott

    2 versions

    Amputee, The (1974) Version 1

    *** (out of 4)

    Amputee, The (1974) Version 2

    ** 1/2 (out of 4)

    David Lynch's fourth film has a woman (Catherine E. Coulson) with no legs writing a letter to a lover while a nurse (Lynch) does weird things to her stumps. It should come as no shock but here's another very strange film from the director. It's weird because while your ears are listening to what the woman has to say, your eyes never leave her stumps where all sorts of weird things are going on. I'm sure this short will offend many people and it's this offensiveness that makes the film so effective. The goo coming from her stump has to be seen. The second version runs a minute shorter and doesn't appear to have as much being done to her stumps.
    4Quinoa1984

    meh, but it goes without saying...

    Maybe the lesser of the bunch of David Lynch shorts I've seen, the only real interest are in some seconds here and there within the four minute un-broken shot of some nasty, black-death humor that's ingrained into the material. Unfortunately, it's almost a waste to watch the film as it is by admission of Lynch himself a technical 'throaway', something to just get onto film to bite back at the AFI for possibly switching to video. Therefore we get what could be comparable to what Godard did around the same time- tool around with the possibilities of video by just going for something off-putting within the frame. It could've worked maybe as something worth watching more, but it's really a bit too un-pleasant even in its own biting sense-of-what-the-hell way. It's just an amputee who writes a confessional letter (heard in voice-over) as a wacko doctor plugs away at one of her stumps. He also, at the end, just runs away in a hurry, perhaps as to just add that last bit of "whoa" for Lynch to work with. That part is actually a nice bit of surreal whimsy, but the work is just too simplistic and deranged to really give any sense of visual amazement like in the other shot works of Lynch, or to build on the outrageousness like in Eraserhead. Worth a watch, once, then never again unless you have a thing for, well, stumps, and confessional letters written during their upheaval.
    Michael_Cronin

    An experiment, rather than an experimental film

    While at the American Film Institute, David Lynch tested two different types of videotape stock by shooting this strange little piece, featuring Catherine Coulson as an amputee writing a letter, & Lynch as a nurse attending her. Coulson's voiceover details various domestic issues, & she remains oblivious to the fact that she might be bleeding to death while the nurse rushes around frantically, eventually, it seems, abandoning her.

    It has been suggested that Lynch deliberately shot both versions badly, so that the Institute wouldn't start replacing film with videotape.

    Regardless of whether or not this is true, The Amputee is better viewed as an example of Lynch's warped sense of humour than his skill as a filmmaker, & of what sort of ideas he might come up with for something as simple as a stock test.
    danlee27

    A short, avant-garde film in the same vein as "The Alphabet"

    If you like early Lynch, you may like this. A commentary, I think, on amputation not only of the physical variety, but of the emotional as well. At five minutes long, sitting through the film is not exactly the test of patience a film like "Lost Highway" or "Eraserhead" may be... but in terms of its content, it is decidedly just as experimental as either of those.

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    Histoire

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    Le saviez-vous

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    • Anecdotes
      This short came about because the American Film Institute was testing two different kinds of black and white video, and they hired cinematographer Frederick Elmes to shoot the test footage. David Lynch convinced Elmes to shoot a short film for the test and stayed up all night writing the script. As a result, the short exists in two different versions, being shot once on each of the types of video being tested.
    • Citations

      Woman with amputation to the legs: This isn't what I am telling you. You weren't in the room when Jim said that. And I was. And he really did. He told me that everything was fine between Helen and him. And I knew that even if he didn't say it, that it was true. He knew it then. No one else did. You maybe thought you did but I knew you didn't. And it makes me furious when you tell me I didn't know about Helen. She was my best friend. She even told me about that time she drank gin with you. So maybe now you'll believe me. After that I got sick of the beach. Harry turned on all of the burners on the stove before we left the cabin. He said he wanted to set fire to the whole row. Made me sick. Everything was bad between us. And that was it for me. I never said one word to him on the way back. When he stopped and we saw Joann at Jim's, he bought some cigarettes and told Joann that I was a flirt, a dumb flirt. I never was a flirt. I was not flirting with Jim. I didn't flirt then and I don't flirt now. And you started this that night Jim told me. You have never understood Jim. After the way you treated Helen it isn't a wonder that he feels the way he does. And you know it. And you know that even Paul isn't the same. You have never understood Jim. You had it all wrong, honey. You and Joann. Now you know what Paul is really talking about. By the way, where were you when Paul got home at three in the morning?

    • Connexions
      Edited into The Short Films of David Lynch (2002)

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    Détails

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    • Date de sortie
      • 1974 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Безногая
    • Société de production
      • American Film Institute (AFI)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      • 9min
    • Couleur
      • Black and White
    • Mixage
      • Mono
    • Rapport de forme
      • 1.37 : 1

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