Freaks & Geeks

Network: NBC; Genre: Drama/Comedy; Content Rating: TV-PG (for language, drug use and adult content); Available: on DVD; Perspective: Modern Classic (star range: 1 - 5);

Season Reviewed: Completed Series (1 season)

There are few shows, currently on the air or in the entire pantheon of television, that are so obviously crafted with as much love as 'Freaks and Geeks'. Created by Paul Feig and produced by Judd Apatow, 'Freaks' crackles with an honest writing and flawless chemistry and creates it's own wonderful universe. To watch the show is to be awash in details and obvious care that was taken to make it.The high school series has never been so real.

'Freaks' follows a group of geeks and a group of burnouts at McKinley High School in 1980, both of which centering around the Weir siblings. Lindsay Weir (Linda Cardellini) is our heroine whose rebellion from the Mathlete life and into the world of the burn-outs (with the terrific James Franco, Jason Segel, Seth Rogen & Busy Philipps) creates a domino effect that the entire series spins on. Sam Weir (John Francis Daley) is an underdeveloped geek whose unrequited love of cheerleader Cindy Sanders (Natasha Melnick, perfectly cast) drives much of the geek story lines. Sam faces the torment and humiliation of daily life in high school with friends Neil and Bill (wildly underrated, star-making Samm Levine and Martin Starr, respectively). The show is a badge of honor for all involved.

The school is populated with a fully realized universe of supporting characters from Lindsey's church-going friend Millie to Dungeon master Harris to Mr. Rosso (David "Gruber" Alan, hilariously stealing any scenery not bolted down) - the school guidance counselor without any boundary for the inappropriate. . No more accurate depiction of the look and feel of high school (or the hell that was high school depending on your perspective) TV has ever seen.

Becky Ann Baker and Joe Flaherty make the perfect '50s era parents. Flaherty comes off the most over-the-top, but even that fits the vision. The dinner table scenes between the Weir family are so uncharacteristically happy and intentionally corny that it will surely be off-putting to the average cynical viewer. Years before "The Office" made embarrassment and viewer discomfort into a science, "Freaks and Geeks" was doing a similar thing, effectively making us really feel Sam and Lindsey's embarrassment over their parent's behavior. I particularly like the set design of the Weir house, and the show in general. "Freaks" is set in 1980 but designed with 50s, 60s and 70s paraphernalia. Unlike the many fast food period pieces now, - "That 70s Show", "The Wedding Singer", "American Dreams" - where the decade is treated like a "Saturday Night Live" sketch, the decade doesn't turn over to 1980 and suddenly everyone runs out and buys parachute pants and the Thriller album.

The self-professed anti-'Dawson's Creek', the series is almost as distinctive for what it isn't than for what it is. It isn't a flashy show with 20-something preps playing high school kids set to blaring Top 40 pop songs where the biggest problems among the characters include juggling two hot dates on the same night. In other shows - most overly concerned with what the consuming public thinks of them, the geeks and the burnouts are fringe groups usually given as much thought as the potted plant in the corner, or used as 1-joke stereotypes. 'Freaks and Geeks' is the first show to acknowledge that they may be more interesting. They don't participate in the high school caste system and they muse about never being able to get girls.

I love the way the show's camera lingers on faces and soaks up Cardellini's incredible expressions. It rests on the kids as they sit and talk about their favorite drummer or the TV show they watched last night just like everyone does. At an hour the show allows for those quite moments. Just as it takes time out to do elaborate mid-show set pieces like an action movie-like dodge ball sequence or a violent spat between Kim Kelly (Philips) and her parents. The series is packed with these unforgettable little moments - heart-breaking and screaming funny, sometimes all at once. In 18 episodes it says more than most shows ever do: the geeks watching their first porno, the freaks getting their first fake IDs, the family catastrophes in Niel and Bill's homes and the painfully real crush Sam has on Cindy. Their world doesn't always a happy ending and awkwardness and embarrassment rule the day.

The fact that 'Freaks and Geeks' wasn't given a chance to make it by NBC is a sad testament to how network executives box in their viewers to find a ratings silver bullet. No matter, these 18 episodes are self-containing and fully satisfying enough to get over the sting of the network apathy. I'll break a rule and do a little necessary promotion here. All this is captured in a DVD set this show deserves, with as much attention and love put into the extras (29 commentary tracks!) that was put into the show. It is the single best DVD I've ever seen.

Who knows if the show would have been able to keep it up as the kids grew up and the show had to be written around it. As it stands, this is like lightening captured in a bottle. That perfect mix of all the elements coming together to make a truly classic series. No matter what the future holds, "Freaks" has a reserved place in my heart. This is really one for the ages, people. No list of modern classics is complete without "Freaks and Geeks".

* * * * * / 5

I just started watching this show lately now that it's on Fox Family Channel. I saw one episode before, where the kid is the mascot for the basketball games and all. I love this show! I think it's one of the funniest shows I have ever seen in my life. The characters are the best of almost any series I have ever seen as well. I especially love Haverchuck...he cracks me up. The show deals with kids who are sort of outcasts in high school in 1980, and what outcasts they are. You have the rebel sister and the dorky brother in the main family in the show, and they both will make you laugh. I think the biggest laughs come from Sam and his friends. They are sort of geeky, but they try their hardest to be cool, and they talk constantly about getting chicks and how hard it will be. In one of the episodes, they think Neal's father is having an affair, and Haverchuck says," I don't even know how you get one chick, let alone two." or something to that effect. This is a great show, and it saddens me to see that NBC screwed it up with it's horrible scheduling and promotion. The show deserved much more of a chance than it had, because it's one of the best shows to come along in years, but leave it to the networks to screw up a great thing.

Freaks and Geeks, like too many shows with a lot of potential, was shown here in Australia in a ridiculous time-slot and never had the chance to build an audience of any size. Pity, cos it was one of the best shows to come along in years. In 1980 (when the show is set) I was around the same age as a lot of these characters, and to me it caught the flavour of the era authentically. Was I freak or was I a geek? What do you think? Across the board great writing, casting and acting. I think there's a few future stars on show here. Also cool use of appropriate music. Not just the predictable (Styx, Rush), also the unexpected (a track from XTC's "Black Sea"!). Shows someone knows what they're talking about! And any show that featured Kevin Corrigan AND Rushmore's Jason Schwartzman in the same episode HAS to be cool, right? Hope this re-runs one day...

"Freaks and Geeks" is about as good of a television show as tv can be. I'm only two years out of high school, and although the show is set in 1980, it effectively captures the life of high schoolers. Nowadays, with this huge surge in teen movies and television, I feel that young people are misrepresented by television shows like Dawson's Creek and movies like "Varsity Blues." Simply put, beautiful people were rare at my high school. Nobody I ever knew engaged in sexual relations with a teacher as a freshman, and I was never approached by women wearing only whipped cream (and I was a three-year varsity athlete). My high school life exactly resembles what the kids in "Freaks and Geeks" do: talk about sci-fi movies, get high, feel alienated by my parents, had confusing talks with guidance counselors, etc. And these kids look like teens, with big glasses, young faces, and zits. From watching "Dawson's" or all the other teen movies out there (although some of those films are admitteldly entertaining I liked "She's All That" and "10 Things I Hate About You) one would glean that all teenagers are young Adonises. "Freaks and Geeks" thankfully corrects that error.

Most importantly though, "F&G" is a great show. Hopefully NBC finds an audience for this show. It is definitely different, slower paced, and doesn't play the latest hit music at full volume, but it IS clever, funny, and warm. It also deftfully balances comedy and drama, without ever being cloying, manipulative, or condescending to its audience. I hope this show stays around for a long time. If NBC drops it, please, some other network, give "Freaks and Geeks" it's very well-earned chance.

The show's creative team seems to have an eye for the high school experience and their vision transcends the setting. Freaks and Geeks is set at a Michigan high school in 1980 and the opening shot of the series sets us up for who the show will be about. We track across a football practice and up to the bleachers where a player and cheerleader are discussing how they love each other so much, it's scary. We linger briefly on this generic moment before moving underneath the bleachers to real life and a conversation about Molly Hatchet and Led Zeppelin. These are the Freaks. Then come the Geeks. They are three boys quoting Caddyshack, are bullied for it, and then saved by a girl. It's through these freaks and these geeks that we will relive the high school experience. Sure the names of the groups change, their lingo and the bands they listen to, but everyone can relate to the horrors and beauties of high school and the relationships that reside there.

So many characterizations about this period of life are presented through the eyes of characters that virtually no one was. The characters are either too smart, quoting Kierkegaard at fourteen and making their own label-worthy clothing, or they are perfect, as if everyone's capable of making the game-winning shot. Our story here is presented through the lives of Lindsey and Sam Weir. Lindsey is the oldest. She's a former "mathlete" and "that girl in English who got an "A."" However, dissatisfaction with her life and an attraction to the easygoing ways of Daniel Desario, the head freak, leads her to a new group of friends and a shift in direction. Her successes as a student and the perception of her as a perfect daughter have left her feeling empty. So she trades her plaid dress for her dad's old army jacket and forsakes the library for the smoking patio. But Lindsey's is not simply a story of "teenage rebellion." Her's is a journey into the genuine as she finds a home in the murky adventures of friendships and a real life lived.

Sam and his friends, Bill and Neal, are freshman, learning from the outset that "high school sucks." But their stories are not simply the ninth grade torture chamber they could have been. No, Sam, Bill, and Neal are redeemed by their acynical, wide-eyed approach to life and their affection for one another. This care they have for one another is refreshing and truthful. In one episode (The Garage Door), Sam suspects that Neal's dad is being unfaithful in his marriage. Bill reminds Sam that he has to tell Neal what he saw. There are no secrets. "Remember that time in science class when I tried to sneak out a fart and it came out a…poop? Do you think I wanted to tell you that?" Their innocence isn't simply an extension of their naivete, (well, Bill is a little naïve) but flows more from their trust in one another and willingness to be faithful. In "Smooching and Mooching," Neal and Bill discuss strategy for spin-the-bottle at an upcoming make-out party. Bill asks, "What if they don't wanna kiss us?" Neal replies, "That's the genius part of the game. They have to." "I don't know. I just don't want to see the expression on their face when they see that the bottle lands on me," says Bill, gently. The geeks are not understated, and yet never over the top. They get their friendship just right.

Freaks and Geeks also gives us two of the great television characterizations that I've ever seen, Bill, played by Martin Starr, and Nick, played by Jason Seigel. Bill is the anti-Eddie Haskel. He's brimming with authenticity and his laid back ways provide some of the shows greatest comedic moments. In "Girlfriends and Boyfriends," Bill gets to be study partners with Cindy Sanders, one of the cutest girls in school and Sam's big crush. At a study session, her getting up from a chair is accompanied by a noise that either came from her or from the vinyl seat covering. When she leaves the room he immediately switches chairs and scootches around on it to see if indeed the sound came from Cindy or the vinyl. (It wasn't the vinyl…) Nick isn't quite so self-assured. If he is wide-eyed, its because he's staring into headlights. In fact, there are times when he comes off as manipulative and creepy and yet there is a sadness in his character that I haven't quite seen before. He is afraid. In "I'm With the Band" Lindsey encourages him to try out for a local band and fulfill his dream of being a rock-n-roll drummer only to find that his skills don't quite match his passion for the music. In "Discos and Dragons" he finally finds something he's good at, disco, and yet it's revealed to the viewer that the disco will close within a weeks time. He's the friend that has to be taken care of. (Ken smashes Nick's guitar so that he won't sing an embarrassing love ode to Lindsey.) Yet he wants to be the spirit of the group. ("Laser Floyd is playing at the laser dome!") But Nick isn't simply sad because bad things happen to him. He wants to be a deep thinker, but can't scratch the surface of things and conventional modes of "finding your way" seem only to backfire. He has glimpsed his place in the world, and he can't bear it.