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À la suite d'une guerre, 97% de la population mondiale masculine a été éliminée. Vingt ans plus tard, une jeune scientifique crée un homme génétiquement modifié en lui enlevant les gênes de ... Tout lireÀ la suite d'une guerre, 97% de la population mondiale masculine a été éliminée. Vingt ans plus tard, une jeune scientifique crée un homme génétiquement modifié en lui enlevant les gênes de la violence.À la suite d'une guerre, 97% de la population mondiale masculine a été éliminée. Vingt ans plus tard, une jeune scientifique crée un homme génétiquement modifié en lui enlevant les gênes de la violence.
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Very interesting tale - a la male version of the Handmaid's Tale - it seems that biological warfare has inadvertently wiped out 97% of the world's male population - and the remaining women have decided to enact laws to ban the reproduction of any further men because men are hopelessly violent, and their eradication proves it. The new women-only society has decided that only females are allowed to be born through modern science. Funny and interesting premise - although of course this American movie fails to explain what kinds of similar laws are implemented in the rest of the world. Did Russia also embrace a women-only policy? Iran? We only get the American version. If other countries didn't agree with the American pro-woman policy, than men would quickly repopulate elsewhere and perhaps try to immigrate to the U.S. I guess the U.S. could have a no-male immigration policy to ensure female purity. Putting this major plot flaw aside, this movie was very entertaining. The plot follows a renegade female scientist who genetically creates a male without a predisposition for violence - the assumption that male violence is genetically intrinsic in males is unquestioned. The male creation, named Adam (how Biblical!), is born and grows up rapidly within three weeks until growth is curiously finished around 25 years or so, when the normal rate of aging resumes. Of course, the male creation grows up to be a strappling, muscular hunk played by Paul Francis (conspicuously absent from this website's cast list?). Highly recommended for the interesting premise - some men might find it hard to take - it makes no bones about suggesting that all men are genetically violent, and combined with the sexism against Adam (nudity, temporarily turned into a male prostitute, generally passive and undeveloped character, etc.) might prove a little offensive. Men haters will love it.
The story line of a Mutant Y- Virus that kills every human male had potential. But this story didn't push the envelope. The writer didn't research his material well enough. That an Event Level Event bio threat like this one would have probably eliminated every male mammal as well. Or at least that a mutant virus would also effected the ecosystem and caused variant oddities in nature. Sixty-five Million years ago one species was a dominant life form but wasn't able to adapt. True you could have a world removed of the Y-Chromosone,but evolution would no longer exist. This being the clone society as they had it wouldn't be able to adapt to coming changes. Also a common factor noted by the Center for Disease Control," nothing just goes away, because one day an organism will come back, when it comes back it has learned, leaped, and taken major strides...... The writer could have included this in the story. That the virus is coming back to attack X- Chromosome or everyone not born with a survivor gene passed down by Y-chromosome survivors emphasis. The writer could have put that in the story, being that the Hope Chayse character could have been trying warn every one of a coming Apocalypse. And the by the end of the film could have really made it something really scary. The plot twister, there can be no light without darkness, and no darkness without the light. I'm really surprised and disappointed that writer Kenneth Biller who credits include Voyager and X-files didn't include this type of tapestry to this piece.
... but had to see just how bad it could get. The plotline was thin to begin with, but it just kept getting worse. A female genetic engineering grad student uses her research on accelerated mitosis to artificially create a male, because a biological weapon used in WW3 killed off 97% of the worldwide male population. The surviving men are either high prices gigolos in back alley clubs, or crazed lunatics in run down football stadiums plotting to overthrow the 'Lesbian Conspiracy'. The entire process resembled the microwaving of a large bowl of jello. Press a few buttons and ding you get a baby. Not only that, but he will age to mid 20's in a month, and then begin to age normally (how convenient). Eventually poor Adam gets bored with the secluded cabin in the woods where his creator had raised him and steals her car to 'see the city'.
This begins 90 minutes of unlikely chases, convenient plot twists, and several subplots that we never see resolved. As Adam quickly learns, what men did survive are treated as outcasts/criminals, because they are dangerous beasts that cannot help there genetic predisposition to violence. The propaganda machines have been in full swing, scaring women into believing all men are rapists and murderers. This has led to lesbianism being the norm, the fall of Christianity, female only reproduction via cloning, and oh yeah world peace among other implied results. All of which seem unlikely given that only ~30 years had elapsed since the war. Adam stumbles from one bad situation to the next, all the while being genetically programmed to be non-violent and unable to really do much on his own behalf. With the FBI on his trail, madams looking for fresh meat, and his creator trying to recapture him (for herself it seems), he learns that violence is not limited to the male species after all.
All in all, I would not recommend this movie.
I did however enjoy Veronica Cartwrights portrayal of the 'love to hate her' Director of the FBI, and Julie Bowen didn't do bad as Hope the 'closet hetero' geneticist either.
This begins 90 minutes of unlikely chases, convenient plot twists, and several subplots that we never see resolved. As Adam quickly learns, what men did survive are treated as outcasts/criminals, because they are dangerous beasts that cannot help there genetic predisposition to violence. The propaganda machines have been in full swing, scaring women into believing all men are rapists and murderers. This has led to lesbianism being the norm, the fall of Christianity, female only reproduction via cloning, and oh yeah world peace among other implied results. All of which seem unlikely given that only ~30 years had elapsed since the war. Adam stumbles from one bad situation to the next, all the while being genetically programmed to be non-violent and unable to really do much on his own behalf. With the FBI on his trail, madams looking for fresh meat, and his creator trying to recapture him (for herself it seems), he learns that violence is not limited to the male species after all.
All in all, I would not recommend this movie.
I did however enjoy Veronica Cartwrights portrayal of the 'love to hate her' Director of the FBI, and Julie Bowen didn't do bad as Hope the 'closet hetero' geneticist either.
The idea of this film was that WWIII started in Afghanistan and their use of biological weapons forced their enemy allies (US, in particular) to develop a counter-biological weapon which went haywire and wiped out all but a handful of the male species on the planet. Today, in October of 2001, we know this isn't such a far fetched premise for a story line anymore. Sad, isn't it?
The film is interesting to think about because of recent events, but nothing spectacular or special - an average TV movie.
The film is interesting to think about because of recent events, but nothing spectacular or special - an average TV movie.
It's a male bashing bonanza. I saw this on Sci-Fi a while ago, and the idea seemed interesting. It could have been a good movie, and the plot itself I don't see as male bashing, but certain specific references to men get really annoying. I might still watch the movie again though because it does at least try to redeem itself by hinting that maybe the women in the movie aren't really as non-violent as they claim, but it still doesn't compensate for the really tiring male-bashing. I mean, I can understand a little, it's part of the movie's plot, but come on, it gets really tiring after awhile. Not only that, but to assume that the majority of women in the world would accept becoming homosexual that easily and that the few remaining heterosexuals would be such a minority as to go "in the closet". It's just too unbelievable. There are far too many women out there with cultural or religious restrictions that would balk at this it is totally implausible. I mean I know its sci-fi, and I love sci-fi, but the best sci-fi has at least a hint of it being possible, and this is too implausible. The phrase "Truth is stranger than fiction" came about because fiction has to at least seem plausible to be welcomed, but truth isn't always. This movie is not that. Other than that, the movie does have some good acting and the eventual morals of the story, that something like what happened was wrong, do redeem it a little, but not enough.
Le saviez-vous
- Citations
Hope Chayse: You're a good woman.
Agent Kara Hastings: Adam was a good man.
- ConnexionsReferenced in Adjust Your Tracking: The Untold Story of the VHS Collector (2013)
- Bandes originalesHope's Rave
Written and performed by Brandon Walker
Courtesy of Bubadoi Music
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