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IMDbPro

Stardom

  • 2000
  • Tous publics
  • 1h 40min
NOTE IMDb
5,6/10
1,9 k
MA NOTE
Stardom (2000)
Home Video Trailer from Lionsgate
Lire trailer1:41
1 Video
34 photos
ComédieDrameComédie noire

Une jeune fille est arrachée à l'obscurité des petites villes et placée sous les projecteurs du monde glamour des super-modèles.Une jeune fille est arrachée à l'obscurité des petites villes et placée sous les projecteurs du monde glamour des super-modèles.Une jeune fille est arrachée à l'obscurité des petites villes et placée sous les projecteurs du monde glamour des super-modèles.

  • Réalisation
    • Denys Arcand
  • Scénario
    • Denys Arcand
    • Jacob Potashnik
  • Casting principal
    • Jessica Paré
    • Victoria Snow
    • Jessica Mackenzie
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,6/10
    1,9 k
    MA NOTE
    • Réalisation
      • Denys Arcand
    • Scénario
      • Denys Arcand
      • Jacob Potashnik
    • Casting principal
      • Jessica Paré
      • Victoria Snow
      • Jessica Mackenzie
    • 28avis d'utilisateurs
    • 22avis des critiques
    • 36Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires et 7 nominations au total

    Vidéos1

    Stardom
    Trailer 1:41
    Stardom

    Photos33

    Voir l'affiche
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    + 27
    Voir l'affiche

    Rôles principaux99+

    Modifier
    Jessica Paré
    Jessica Paré
    • Tina Menzhal
    Victoria Snow
    • Tina's Mother
    Jessica Mackenzie
    • Tina's Sister
    Macha Grenon
    Macha Grenon
    • Model Agency Owner
    Joanne Vannicola
    Joanne Vannicola
    • Rosie
    Charles Berling
    Charles Berling
    • Philippe Gascon
    Sophie Lorain
    Sophie Lorain
    • Italasia Reporter
    Dan Aykroyd
    Dan Aykroyd
    • Barry Levine
    Gregory Calpakis
    Gregory Calpakis
    • Steve Bourque
    Patrick Huard
    Patrick Huard
    • Montreal Talk-Show Host
    Maggie Steed
    Maggie Steed
    • British Fashion Reporter
    Paul Reynolds
    Paul Reynolds
    • Nigel Pope
    Camilla Rutherford
    Camilla Rutherford
    • Toni
    Patrick Poivre d'Arvor
    Patrick Poivre d'Arvor
    • French TV Anchorman
    Robert Lepage
    Robert Lepage
    • Bruce Taylor
    Lisa Bronwyn Moore
    Lisa Bronwyn Moore
    • Fashion One Reporter
    Thomas Gibson
    Thomas Gibson
    • Renny Ohayon
    Frank Langella
    Frank Langella
    • Blaine De Castillon
    • Réalisation
      • Denys Arcand
    • Scénario
      • Denys Arcand
      • Jacob Potashnik
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs28

    5,61.8K
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    Avis à la une

    7gridoon2025

    Fast, stylish, funny, and thought-provoking

    "Stardom" is the fourth Denys Arcand film I have watched so far, after - in their chronological order - "Gina", "Jesus Of Montreal", and "Love & Human Remains". Apart from "Gina", which was made much earlier and Arcand was still finding his way, in the other three films I have noticed some shared trademarks: Arcand seems to see filmmaking as a kind of intellectual game with the audience, and he also doesn't like to be constricted in the number of topics that his films touch upon - in fact, in "Stardom" he tackles a different topic in almost every other scene! With that said, the main target of the film is the fashion industry, and in that field Arcand achieves what Robert Altman only dreamed of in his "Pret-A-Porter" (1994). Coming before the social media frenzy and things like "revenge porn" really took over, "Stardom" can be considered quite prophetic as well. Arcand plunges the viewer, as well as the heroine, into a frenetic whirwhind of media coverage; the film is often dryly funny, but also has some amazing serious scenes, like when Jessica Pare confronts her long-missing father. Speaking of Pare, she is a radiant discovery; this must also be one of Dan Aykroyd's best performances. *** out of 4.
    plbrooks

    Worth It

    The movie is quite clever and pops along very quickly, making it an easy 'watch'. The great looking Jessica Pare does an excellent job playing the rags to riches to rags supermodel Tina Menzhal, and Dan Aykroyd plays a resturant tycoon who loses everything in his pursuit of Tina. I thought this movie was very funny and fun to watch. Nothing too heavy or groundbreaking, just good clean fun. 7 of 10.
    Clever Jones

    A genuine head-scratcher

    So...here's the story. As a montrealer and as a Canadian, I'm constantly pushing myself to see some Canadian films. Problem is, there aren't any. Sure, you've got Exotica and The Sweet Hereafter and and The Red Violin, but..uh...other than that, not so much.

    Ahhhh....but wait! Here's Stardom. And Gosh, it stars just about every montreal actor there is! And Gee! It's directed by Denys Arcand-why he's just fantastic. Perhaps I should see it.

    So I did. About a week ago. And I'm still scratching my head. What the heck is this movie? I can't figure it out for the life of me. Jessica Pare is pretty good as Tina. She embodies the role, and does it gracefully. Dan Ackroyd and Frank Langella are also pretty good too. I've never seen Ackroyd like this before, he's very impressive. The overall film is not easy to classify or understand. I guess it's a satire of the media and I guess it's all about fame and celebrities, but gosh darn...I just don't know...

    Listen: Go check it out. It's at least cool to see Montreal double for practically every other city in the world.
    9JPH

    A film less about superficiality than about absence.

    STARDOM is a film that has been thoroughly misunderstood.

    Seen as a film about the superficiality of the modeling industry and the trivia of all media commentary, it is actually a film about the absence of a fully determining, existential self. On reflection--something most viewers have not had the patience to do--STARDOM is about the loss of moral centre in a world devoted to celebrity celebration and instant gratification. Have a look at it. Think about it. There is more to STARDOM than meets the eye!
    8max von meyerling

    A portrait of an idiotic society which finds and discards superficial heroes

    Really an excellent little film, it reads like an update of DARLING in that it details the vacuous inner life of a young woman whose physical appearance is her only quality but one which take her around the world as a successful model and to the very pinnacle of her profession. However it is something of a cautionary tale as her inner vacuousness means she can never appreciate what she has or analyze how she got it. Because of her looks and success and fame no one ever stops to ask her. She is a moral imbecile but that too goes unremarked upon because everybody else in her world is one too and the only thing that is noticed about a human personality is material success i.e. either you're a winner or a loser.

    The ending is perfect as it plays far more realistically than the comeuppance of Darling where the heroine has achieved the status of a princess but yet she is deathly bored. The heroine of STARDOM doesn't even have that ability to self reflect. While STARDOM plays less bitterly than DARLING because it is less a poison portrait of a manipulating bitch than social criticism, a presentation of an idiotic society which finds and discards superficial heroes, the more blank the better, as a matter of course. If the heroine of STARDOM actually had an intellect, or a central nervous system, she might be regarded as a victim but she seems to have less self awareness than the replicantes of BLADE RUNNER. The ending is chilling for the more sentient audience members, others will be puzzled by what the big deal is at an apparent happy ending.

    These are the people who are indirectly being criticized in STARDOM.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The majority of shots of Jessica Paré are broadcast or reflected images: she is seen in video clips, on the monitor of cameras, reflected in mirrors, glimpsed through glass, or in still photos, but rarely directly.
    • Gaffes
      During Tina's first fashion show, the "Victoria's Secret" lettering can be seen against the backdrop of the curtain as the models begin to walk towards the stage.
    • Citations

      Montreal Talk-Show Host: [leaving his guest stranded to fend for himself as he comes down to interview girlfriend] Hello?

      [in French, causing a deer-in-the-headlights startled look from her]

      Montreal Talk-Show Host: What? Pussycat got your tongue?

      Tina Menzhal: [uncomfortably] I'm sorry, I don't speak French.

      Montreal Talk-Show Host: [in her language now:] Nobody's perfect. But I think you are very close.

      [audience loves this]

      Montreal Talk-Show Host: I saw you coming in with this guy. Is he your boyfriend?

      Tina Menzhal: I can't talk.

      Montreal Talk-Show Host: [in French, to audience:] She can't talk. The plot thickens, let's unravel this mystery.

      [leads panicking girl to the stage, clowning along the way]

      Montreal Talk-Show Host: Why don't you have a seat? Merci.

      [to his abandoned guest, in French:]

      Montreal Talk-Show Host: Okay, Philippe, that monologue must have exhausted you. Go sit in my chair, it's much more comfortable.

      [in effect, shooing him out of the way, with the pretty girl all to himself]

      Montreal Talk-Show Host: Go. Thanks.

      [to her:]

      Montreal Talk-Show Host: So, are you ashamed of this man? Is there a dark secret you wish to share with us?

      Tina Menzhal: Well, I'm not supposed to be seen with him.

      Montreal Talk-Show Host: Why? Because he is too old for you?

      Philippe Gascon: [in French:] Thanks a lot!

      Montreal Talk-Show Host: [in French:] Don't mention it!

      Tina Menzhal: Well, it's like, if other photographers knew I was with him, they wouldn't hire me.

      Montreal Talk-Show Host: We won't tell.

      Tina Menzhal: Yeah, right. Now the whole world knows.

      [gesturing at Philippe]

      Tina Menzhal: Look at him. He's laughing. I'm toast. They're gonna send me back to Cornwall, thank you very much.

      Philippe Gascon: Come on, you're going to Paris.

      Montreal Talk-Show Host: Paris? Paris, France? My God. But, you don't speak French.

      Tina Menzhal: I know a few words.

      Montreal Talk-Show Host: Say one.

      Tina Menzhal: [delightfully naïve] I can't. They're all dirty words, I think.

      Montreal Talk-Show Host: [in French, to Philippe:] You taught her smut?

      Philippe Gascon: [in French, laughing:] You gotta start somewhere.

      Montreal Talk-Show Host: [in French:] You pervert.

      Tina Menzhal: I know this one... Vicieuse. He likes it when I am vicieuse, or...

      [tries in French:]

      Tina Menzhal: And also, 'slut.'

      Montreal Talk-Show Host: [in French, theatrical, to audience, who is lapping it up:] Is it me, or is it really getting hot in here? I'm gonna pass out. I need some water. Be right with you.

      [drinks from glass, she looks at him, butter won't melt in her mouth, audience loves this]

      Montreal Talk-Show Host: Do you know some other words?

      [audience laughter grows]

      Montreal Talk-Show Host: Please speak French to me!

    • Connexions
      Featured in Best! Movies! Ever!: Fashion (2007)
    • Bandes originales
      Drinking Song
      Taken from "Carnaval De Venise"

      Written by Giuseppe Verdi

      Arranged by André Rieu and J. Huijts

      Performed by André Rieu

      © 1995 Mercury BV (The Netherlands)

      Courtesy of Universal Music France

      By Arrangement with Universal Music Special Projects

      © Polygram Music Publishing B.V.

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    FAQ20

    • How long is Stardom?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 22 novembre 2000 (France)
    • Pays d’origine
      • France
      • Canada
    • Langues
      • Anglais
      • Français
    • Aussi connu sous le nom de
      • Звездный статус
    • Lieux de tournage
      • Cornwall, Ontario, Canada
    • Sociétés de production
      • Alliance Atlantis Communications
      • Serendipity Point Films
      • Cinémaginaire Inc.
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 10 886 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 6 982 $US
      • 29 oct. 2000
    • Montant brut mondial
      • 10 886 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 40min(100 min)
    • Couleur
      • Black and White
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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