NOTE IMDb
6,5/10
8,9 k
MA NOTE
Ajouter une intrigue dans votre langueSouth Korean agents Ryu and Lee are tracking a female assassin from North Korea who has mysteriously disappeared. With new killings and the theft of a deadly bomb, time is running out to cat... Tout lireSouth Korean agents Ryu and Lee are tracking a female assassin from North Korea who has mysteriously disappeared. With new killings and the theft of a deadly bomb, time is running out to catch her.South Korean agents Ryu and Lee are tracking a female assassin from North Korea who has mysteriously disappeared. With new killings and the theft of a deadly bomb, time is running out to catch her.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 13 victoires et 9 nominations au total
Avis à la une
A solid thriller from South Korea, focusing on the tensions on the Korean peninsula. In this case, a rogue military outfit from the north plans a terrorist attack at a North Korea - South Korea soccer game, aimed at improving relations between the two Korea's. Despite being South Korean & criticises the current situation in the North, this film does not totally demonise North Korea. The bad guys in this film are a rogue element planning to rise up against the North Korean government. Solid action, though special effects at times are not great. 7/10
It's a cool movie . From the beginning until the end the action is unstoppable .
The flick talks upon a counter-terrorism outfit that has to fight against a murderous terrorist group who creates terror by means of an explosive liquid with the aim to blow up a soccer stadium and getting the unification Korea .
The movie has a John Woo style , there are amount of shoot-outs, frenetic action and running men while they are shooting .
The film blends action-packed , rip-roaring , a love story , betrayal , drama , violence and is quite entertaining .
The movie will appeal to action lovers and Hong Kong films buffs , it's very spectacular , it's an exciting film for adrenaline lovers .
Rating : 7/10 , good .
The flick talks upon a counter-terrorism outfit that has to fight against a murderous terrorist group who creates terror by means of an explosive liquid with the aim to blow up a soccer stadium and getting the unification Korea .
The movie has a John Woo style , there are amount of shoot-outs, frenetic action and running men while they are shooting .
The film blends action-packed , rip-roaring , a love story , betrayal , drama , violence and is quite entertaining .
The movie will appeal to action lovers and Hong Kong films buffs , it's very spectacular , it's an exciting film for adrenaline lovers .
Rating : 7/10 , good .
When I first saw that movie I didn't know anything about the korean movie industry and I was in for a big surprise! "Wow, they can make big budget action movies in other countries besides the US!" Was one of the first thoughts that came to my mind. The beginning with training the north korean spies was very "fascinating" to watch. I have seldomly seen such gory scenes that left the impression of "hell, they are mean" despite the usual: "cool, that blood spilling is really funny". I admit that I only understand very little korean and I saw that one without subtitles and the whole story was translated to me while watching. Still I thought it was a superb action movie with great actors. I can only recommend it to anyone who would like to see a non comic and also Asian action film for a change. It's really worth it!
Is it possible to make a Bruckheimer movie and not be stupidly loud and ugly?
Maybe. At least there are some parts of this that make it seem so. But they are surrounded by parts that are so automatic and banal it seems that different directors were involved. Or there was a sort of Jekyll and Hyde swapping of personalities.
For example, there is the required Bruckheimer shot of two guys (sometimes it is a guy and a girl) running away from a car (or house) that they know will explode, then they lunge forward, pretending to be pushed by the shock of the fireball behind that fills the screen. Groan. I hope never to see that again. Ever. Each assassination causes our heroes to get blood splashed on their faces. There's a shootout with fishtanks... yeah, you've seen it before. At least there were no helicopter jumps onto speeding trains. There's an odd, odd choice in soundtrack; the severest action scenes have a sedate fifties action track behind them, obviously copied -- perhaps literally -- from that era.
But in between there are some elements that are uniquely styled. There's an opening sequence that is energetic, and essential to introducing us to a kickass female killer. There are some scenes with a "Mr and Mrs Smith" flavor where the mundane domestic love is allowed to breath and seem real. And deep.
Two guys directing, I think. Or one guy, two nations.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
Maybe. At least there are some parts of this that make it seem so. But they are surrounded by parts that are so automatic and banal it seems that different directors were involved. Or there was a sort of Jekyll and Hyde swapping of personalities.
For example, there is the required Bruckheimer shot of two guys (sometimes it is a guy and a girl) running away from a car (or house) that they know will explode, then they lunge forward, pretending to be pushed by the shock of the fireball behind that fills the screen. Groan. I hope never to see that again. Ever. Each assassination causes our heroes to get blood splashed on their faces. There's a shootout with fishtanks... yeah, you've seen it before. At least there were no helicopter jumps onto speeding trains. There's an odd, odd choice in soundtrack; the severest action scenes have a sedate fifties action track behind them, obviously copied -- perhaps literally -- from that era.
But in between there are some elements that are uniquely styled. There's an opening sequence that is energetic, and essential to introducing us to a kickass female killer. There are some scenes with a "Mr and Mrs Smith" flavor where the mundane domestic love is allowed to breath and seem real. And deep.
Two guys directing, I think. Or one guy, two nations.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
Against the background of political tensions between north and south Korea, an elite group of soldiers (the 8th Special Forces) infiltrate the South with the aim of carrying out terrorist attacks. Most worrying of all is the reappearance of deadly assassin Hee in South Korea. Special agents Ryu and Lee are assigned to bring down Hee, however when the group get hold of a hi-tech new explosive they hold Seoul to ransom for $10million. Meanwhile Ryu and Lee realise that there is a mole inside their agency that keeps Hee one step ahead of them.
Other reviewers have said that this film is a good addition to the `heroic bloodshed' genre of Hong Kong cinema, with it's gory bloodshed and bullet ballets. However I personally feel that this is to do the film a disservice the film doesn't just lift that style but rather delivers a solid thriller story line with plenty of well directed action. The plot is a detective story with the added boost of the terrorist attacks. It has a couple of nice twists along the way that work pretty well. The downside is that the plot occasionally makes minor jumps that are hard to follow, for example an action scene is immediately followed by a scene where the same characters are in a different situation, this happens twice and threw me a little. But these are minor problems. The political arguments are not too complex one reviewed said to go and read up on Korean history before seeing Shiri, this is far from necessary. It is quite simple but doesn't get in the way of the bigger thriller story line.
The action is not of the slow-mo OTT type seen in The Killer or Hard Boiled but is more like the extended gun battles seen in Heat. Yes, they are a bit OTT but they aren't as heavily stylised as in many HK movies. Instead the tension comes from the excellent direction. Using a handheld camera really makes the gun battles feel intense and very close to where you're sitting. The action does have some HK clichés but these are still well delivered.
The cast are all well Han Suk-Kyu (Ryu) does well with the action as well as the romance subplot with Kim Yoon-jin. The rest of the cast are good even the comedy odd-ball is good value, compared to the occasional Hollywood comedy character that can be grating.
I haven't seen too many Korean films but this was a particularly good thriller with intense action. Overall I enjoyed this film and fully expect America to pick up on the fact that it has action AND a workable story and commission a remake pretty soon. Wouldn't you rather see the original first?
Other reviewers have said that this film is a good addition to the `heroic bloodshed' genre of Hong Kong cinema, with it's gory bloodshed and bullet ballets. However I personally feel that this is to do the film a disservice the film doesn't just lift that style but rather delivers a solid thriller story line with plenty of well directed action. The plot is a detective story with the added boost of the terrorist attacks. It has a couple of nice twists along the way that work pretty well. The downside is that the plot occasionally makes minor jumps that are hard to follow, for example an action scene is immediately followed by a scene where the same characters are in a different situation, this happens twice and threw me a little. But these are minor problems. The political arguments are not too complex one reviewed said to go and read up on Korean history before seeing Shiri, this is far from necessary. It is quite simple but doesn't get in the way of the bigger thriller story line.
The action is not of the slow-mo OTT type seen in The Killer or Hard Boiled but is more like the extended gun battles seen in Heat. Yes, they are a bit OTT but they aren't as heavily stylised as in many HK movies. Instead the tension comes from the excellent direction. Using a handheld camera really makes the gun battles feel intense and very close to where you're sitting. The action does have some HK clichés but these are still well delivered.
The cast are all well Han Suk-Kyu (Ryu) does well with the action as well as the romance subplot with Kim Yoon-jin. The rest of the cast are good even the comedy odd-ball is good value, compared to the occasional Hollywood comedy character that can be grating.
I haven't seen too many Korean films but this was a particularly good thriller with intense action. Overall I enjoyed this film and fully expect America to pick up on the fact that it has action AND a workable story and commission a remake pretty soon. Wouldn't you rather see the original first?
Le saviez-vous
- AnecdotesSwiri was the first Hollywood-style big-budget blockbuster to be produced in the "new" Korean film industry. This was due to South Korea's major economic boom that occurred in late 90's.
- GaffesFor the hijack of the CTX, the hijackers are waiting for the truck as it emerges from a tunnel. This tunnel is there in shots from the ground, but the shots from the helicopter before it lands were clearly filmed elsewhere, as there is no tunnel in sight behind the hijacked truck.
- Versions alternativesOne scene was removed by the director from the 2 disc Korean special edition DVD: whilst running away with Hee, Park murders a Police Officer by spike through the heart. This cut was made because the murder did not make any sense during the scene before and immediately after. It is included in the deleted scenes section on the second disc.
- ConnexionsFeatured in Dateline: Sleuths of Seoul (2024)
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Nom de code: Shiri
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 5 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 98 452 $US
- Week-end de sortie aux États-Unis et au Canada
- 29 187 $US
- 10 févr. 2002
- Montant brut mondial
- 164 798 $US
- Durée
- 2h 5min(125 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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