Ajouter une intrigue dans votre langueA senior at an ivy league college, who depends on scholarships and working on the side, gets accepted into the secret society The Skulls. He hopes it betters chances at Harvard but The Skull... Tout lireA senior at an ivy league college, who depends on scholarships and working on the side, gets accepted into the secret society The Skulls. He hopes it betters chances at Harvard but The Skulls is not what he thought and comes at a price.A senior at an ivy league college, who depends on scholarships and working on the side, gets accepted into the secret society The Skulls. He hopes it betters chances at Harvard but The Skulls is not what he thought and comes at a price.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
- Hugh Mauberson
- (as Noah Danby)
- Laurence Thorne
- (as Mak Fyfe)
Avis à la une
Joshua Jackson did a good job as Luke McNamara. He could have done it a little better, but all in all, his acting was very well done.
Leslie Bibb did a neat job as well. She was an awesome female character and looked nice on screen with Joshua.
Paul Walker did an amazing job of adding that complex aura to Caleb Mandrake. I think he was the best part of this movie. He has always done a really wonderful job of expressing emotions through those beautiful eyes and he did it again in The Skulls.
I'd give it a 9/10
The story focuses on Luke, a townie at Yale University. Luke wants to go to law school, but the tuition's a little high. He's parentless and low on funds, so of course he's prime pickings for The Skulls. Will he join them? Darn tootin' he will, despite the protests of his best friend and this hot young blonde he likes. They try to reason with him, believing their friendship is stronger than his need to be a lawyer, but they're wrong. If they were right, we'd have no movie.
So he joins, and wouldn't you know it, all kinds of bad things happen to poor Luke. There's murder, there's corruption, and gosh and golly, our boy just doesn't know who to trust. More twists than a Poe novel; the only problem is, they're not believable twists. If you're cynical about this kind of movie (as I am), you'll laugh out loud many times, both at the acting and the dialogue. The worst offense is in the timing, quite frankly. At no point are we led to believe that this society could be a GOOD thing. We know immediately it's bad. See, I think to be truly sinister you need to wear a mask of credibility. If I already know how bad you are, I won't be as afraid of you or as startled when you actually do something despicable.
This is a real chucklefest, in the same vein as Final Destination, Urban Legends, I Know What You Did Last Summer (both movies), and even the Scream movies, which I didn't care for (but I know many of you did, so whatcha gonna do). You have an attractive cast spouting incredible lines in unbelievable situations. The old moviegoer in us wonders what Jimmy Stewart or Gregory Peck would have done in this movie when they were younger (and, in Stewart's case, alive), but that's probably a philosophical debate best left to denizens of the old critics' home. As for me, I'd say pass on The Skulls - it's as hollow as its name might imply.
On the face of it, it seems like a brilliant idea for a movie. A good breakaway from the typical teen movie. However, it didn't really make good use of the potential it had to be a great movie. The story was made too thin than it should have been and some other details including character development and about this secret society itself were left rather sketchy.
I believe that if these details are elaborated on then this would be a much better and more memorable movie than it actually is.
Writer John Pogue (`U.S. Marshals') has conjured up a good moralistic tale, but it is so full of ridiculous premises that it becomes laughable. This is supposed to be a secret society where other than the members themselves, no one knows who the members are. Yet, Pogue and director Rob Cohen present it in such a way that they may as well be advertising their identities on TV. The building where the secret meetings take place is prominently marked with a Skull, and only members have keys to the building. So, Duh, anyone seen entering the building must be a Skull. New members get brand new $50,000 automobiles and $100,000 in cash, as if no one will notice this sudden burst of good fortune. The new members are branded on their wrist and we are supposed to believe that they will never be seen by anyone without their wristwatch on. The list of inconceivability goes on ad nauseam.
The acting is generally quite good. Joshua Jackson (`Cruel Intentions', `Urban Legend') is excellent as Luke. He plays the part with just the right combination of idealistic zeal and moral grounding. He gets great support from Paul Walker (`She's All That', `Varsity Blues') as Caleb Mandrake, the spoiled rich kid trying to step out of his father's shadow. Craig T. Nelson gives a wonderfully nefarious performance as the chairman of the Skulls and Caleb's father.
Maybe secret societies exist, and maybe they don't. The fact that no one is sure indicates that if they are more than mere myths, they are a lot more secret than depicted here. I rated this film a 6/10. It is an interesting idea that loses credibility in the telling.
6/10
Le saviez-vous
- AnecdotesThe Skull-and-Bones Society (on which this movie was based) actually gives out watches to each class of skulls, though not necessarily with the whole branding ceremony. After the movie was filmed, Joshua Jackson acquired one of the actual watches and gave it to director Rob Cohen.
- GaffesIt is not possible for a plastic oar lock (like the ones on the shell) to break as shown.
- Citations
Will Beckford: If it's secret and elite, it can't be good.
- Versions alternativesThe DVD version includes deleted scenes showing: Luke working as a singing flower delivery boy; a longer bar scene; after the bar scene they stop off at the news office; what happens after they fall off the roof; judge Mandrake blackmailing Luke; judge Mandrake convincing Caleb to "confess".
- ConnexionsFeatured in Spotlight on Location: The Skulls (2000)
- Bandes originalesSomething About a Ceiling
Written by Dave Bassett, Brian Keitz, Casey Dolan
Performed by 3 Day Wheely
Courtesy of DreamWorks Songs
Meilleurs choix
- How long is The Skulls?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Sociedad secreta
- Lieux de tournage
- Dartmouth College, Hanover, New Hampshire, États-Unis(boathouse, opening scene)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 35 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 35 046 120 $US
- Week-end de sortie aux États-Unis et au Canada
- 11 034 885 $US
- 2 avr. 2000
- Montant brut mondial
- 50 802 120 $US
- Durée
- 1h 46min(106 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1