Ajouter une intrigue dans votre langueThe Biblical prophecy of Armegeddon begins when the Rapture instantly takes all believers in Christ from the Earth. A reporter left behind learns that the Anti-Christ will soon take power.The Biblical prophecy of Armegeddon begins when the Rapture instantly takes all believers in Christ from the Earth. A reporter left behind learns that the Anti-Christ will soon take power.The Biblical prophecy of Armegeddon begins when the Rapture instantly takes all believers in Christ from the Earth. A reporter left behind learns that the Anti-Christ will soon take power.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 nominations au total
- Bruce Barnes
- (as Clarence Gilyard)
- Alan Tompkins
- (as Philip Akon)
Avis à la une
But there are other vapid movies out there too. What makes this (and 'Omega Code') so fascinating is that they were not intended to entertain, even to enlighten, but to proselytize. And some day soon this crowd will cease to be so amateurish -- down the street from me is Pat Roberstson's film 'university' with a virtual endowment of billions and the intent of being professionally slick. What then?
It is an interesting question. As it stands now, we have films that are made for profit. Most of these pander in some way. Then we have films that are made as art. Some of these pander as well. And we have propaganda films of various sorts whose purpose is purely to convince/convert/affirm. Of these, the latter are the only truly pornographic.
I think that as religious films become better and more common (they will), they become fair game for satire. Imagine a Scream about the apocalypse cults. Then instead of massive protests against a respectful film like 'Last Temptation' (shots were fired here!) what will we get? Imagine class war.
The film and the books behind it aren't very biblically accurate in any case. The rapture metaphor comes from Darius, who incidentally rebuilt the temple the first time, and invented modern Judaism as an experiment. Currency has been unified since then, 2500 years with only the names kept nationally. That's what is referenced in the B. Darius also revived Zoroastrianism which mixed with later Judaism to produce the essenism of John which Jesus adopted.
This in fact is not a film with Christian theology at all. They even fumbled that.
To have a good movie, you need to have a well-written screenplay. Left Behind fell woefully short on this. For one thing, it radically deviates from the book. Sometimes this is done to condense a 400-page novel down to a two-hour film, but in this film I saw changes that made no sense whatsoever.
Another thing, there is zero character development. When characters in the story get saved (I won't say who), the book makes it clear that it's a long, soul-searching process. In the film it's quick and artificial. The book is written decently enough where people like Rayford Steele, Buck Williams and Hattie Durham seem real, but in the movie scenarios are consistently given the quick treatment without anything substantial. In another scene where one character gets angry about being left behind (again, I won't say who), it seems artificial.
I realize as a Christian it's unedifying for me to say I disliked this film, but I can't in a good conscience recommend a film that I feel was horribly done. Perhaps it would've been better to make the first book into 2-3 films. Either way, Christians need to realize that to be taken seriously as filmmakers, we need to start by putting together a film in a quality way. I realize a lot of effort probably went into Left Behind, but that's the way I see it.
Now, I realize that when a movie attempts to capture the essence of a book, there have to be some sacrifices as far as details. I have read the book several times, and the movie somehow does not capture much of what the book conveys. Maybe it is time constraints that come with making a movie within, say, 90 minutes to 2 hours. But this movie seems rushed somehow. It did not let certain plotlines develop. In the book, Rayford only lusted after the stewardess, where in the movie, it seemed like it went a bit beyond that. Also, early in the movie, it seemed that Buck Williams already had a relationship with the Steele Family before the Rapture where it did not germinate until towards the end of the Left Behind book.
Maybe it was because of the low budget and time constraints. I remember when Kirk Cameron was fired up about doing the movie after reading the book. The funny thing is that this movie was produced without paying any attention to the details that made this book such a best seller. The basic idea behind the novel held true to the movie, but many key elements in the book were ignored.
My advice: Read the novel series, see the movie if you must for comparison's sake, not as a viable substitute to the novel.
Le saviez-vous
- AnecdotesReleased directly to video in 2000, copies of the film came bundled with a free pass to watch the film in theaters when it was later given limited release in early 2001.
- GaffesThe flags flying outside the real United Nations building are of the member nations. The ones shown are of Canada's provinces.
- Citations
[Watching TV]
Chloe Steele: Turn that up.
Raymie Steele: Mom said to turn it down.
Chloe Steele: You always do what you're told?
Raymie Steele: Yeah, you should try it sometime.
- Crédits fousThe Producers wish to thank: Karll Goodman (who inadvertently vanished during editing)
- ConnexionsEdited into Left Behind: Like Son (2013)
Meilleurs choix
- How long is Left Behind: The Movie?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Left Behind: The Movie
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 4 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 4 224 065 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 158 780 $US
- 4 févr. 2001
- Montant brut mondial
- 4 224 065 $US
- Durée1 heure 40 minutes
- Couleur
- Mixage