Basket

I have read many reviews and they are all very positive. I would like to stress the point that it is not just a very sweet movie that is suitable for the whole family. I enjoyed it for the character development, authenticity, historical accuracy and illustration of both sides to a very difficult situation facing these people. The movie did not try to portray anyone as totally evil or good, right or wrong. That period of American history has always seemed a bit fuzzy to me and the film created an incredibly sharp view of America that would be of great interest to anyone. Beautifully photographed, interesting characters, humor, tragedy, mystery, nostalgia and history without cloying sweetness or the typical Hollywood "embellishments!" The "whole" family will enjoy this movie not because of what's "not" in it, but because of what "is" in it! The cast is a superb blend of "known" with "unknown" actors to flesh out multiple stories. This is what makes it a movie for the whole family. Every family member will have a character or story they can relate to while they watch them all come together at the end of the film.

I enjoyed this film very much. Everything was authentic, the actors were great, and the story was moving and captivating. Despite a lot of sadness, the movie also portrayed happiness. There was a great level of depth in character that keeps you thinking on about them and wondering more about them. The main theme of the movie is also a thought-provoking subject: prejudice. Learning to work together, learning to "fly" with others is a good lesson to learn. The sets and scenery were beautiful (God's creation is beautiful!), and the music was quite captivating & appropriate, even though I don't particularly like opera. There were a few flaws in the movie, such as a few swear words, and perhaps a lack of a few things, but over all it was a very good movie. (Entertaining & interesting behind the scenes commentaries, too, on the DVD.)

Many folks have praised the historical accuracy of this film. I question the whole factual basis of the film, did 1. Americans kill civilians in Germany, and 2. Was there sufficient time and reason for German orphans to have been brought to America before the War's end?

America didn't enter the War 'til 1917, and, from my reading, the Allies did not even penetrate Germany before Armistice in November 1918

For me, this film grates on many levels. One of those is the repetitive Wagnerian musical score and fictional German opera. Could such a choice of an opera comport with a teacher's, never mind community, sensibilities of the time?

Was the farmer's supposedly outmoded harvester so advanced in that day as to be beyond the skills of the American farmer nor his grown sons?

And while facing an American flag, to which flag was the young German pledging allegiance?

This film can be compared to the far more polished 'Snow Falling on Cedars'.

The director had big ambitions ,trying to get into the plot a lot of things ,including opera,WW1,peace and love,and the hackneyed topic of (team ,naturally) sport-as -favoring-the -integration-of-everyone(by the way,what about people who do not like team sports?I'm sure there are).The results are dubious,being rather pretentious,using an intrusive loud music and melodramatic tricks .At its best,it recalls the "little house" series -do not get me wrong,I love the Michael Landon series-,with its church where people gathers not necessarily for prayers ,Agnes's mercantile which recalls Oleson's (and the actress resembles Katherine McGregor,the unforgettable Harriet Oleson),and its depiction of humble people .

But the characters are superficial and neither Peter Coyote nor Karen Allen can bring some life to this music lover teacher and this mother in distress.Besides after the introduction,Allen disappears from the screen for about thirty minutes.The script is sometimes confused,there are scenes which do not bring anything to the main plot (Peter Coyote's past for instance:for a while ,he did not seem to be a goody-two-shoes anymore)Pointless flashbacks -to make us understand that war brings destruction and death for instance-.

"Little houses" thirty years after.Or something like that.

For a nation founded on high ideals of freedom and equality, we have often failed to practice what we preach, certainly in our relations with American Indians and black slaves and their descendants. Less well known are the feelings of distrust and even hatred we felt toward those who had a common ancestry to our bitter enemies in war, the Japanese of World War II and the Germanic people of World War I. Watching the screening of this film in my own Lidgerwood Presbyterian Church last week, I was reminded of how my maternal great-grandfather Jacob Eilmes, an immigrant from Austria, pretended to being Polish during WWI to escape the wrath of his Spokane neighbors. Set in a time and place of the U.S. and shot on location,ironically, not far from which a great many communities existed in real life, including in southern Lincoln County, Washington, where my own father's family lived after leaving Europe, "The Basket" weaves a story of a town disrupted by the simultaneous appearance of two orphans and an opera from Germany. Perhaps for dramatic effect, by the way, the story takes some literary license with historic facts. The flashbacks shown of American soldiers killing civilians in Germany could never have happened during the war because our ground troops never got out of France in that time. The orphans and opera have a huge impact on the whole town, accomplished primarily by the introduction of a game called basketball. Today in eastern Washington, especially the small farming communities like the one in this story, high school basketball is still the linchpin that brings townsfolk together, so this movie may be preaching to the choir to those of us who live in the same area depicted in this film. But even if you live in an area outside basketball-mad places like eastern Washington or the state of Indiana, you should enjoy this fine story, which won the 2001 Movie Guide Award for "best film for families." (These awards are also known as the Christian Oscars.) I stop far short of calling this the greatest movie ever made about intolerance rearing its ugly head in a small town, but it's still well worth the effort of buying the DVD or going to see it when it's next shown at your neighborhood library, church or other venue. Dale Roloff