Ajouter une intrigue dans votre langueA young woman lives with her frustrated husband in 1960s Toronto.A young woman lives with her frustrated husband in 1960s Toronto.A young woman lives with her frustrated husband in 1960s Toronto.
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For years I remember reading about this show "Trouble With Tracy" in the TV Guide. CFTO-TV Toronto every Saturday morning at 6 am! I lived about a two-hour drive north of Toronto and we couldn't get CFTO, but you know how it is - we always want what we can't have.
Well, I knew what I wanted and what I wanted was to see what this "Trouble With Tracy" was all about. Did it have a beautiful girl in the starring role? Was there nudity? Was there suspense? Was it a comedy? It would've been fine if there was some promotion of the show. At least I could've known what I was missing. But, NO! The mystery drove me bonkers, until CTV affiliate CKCO built a re-transmitter in Wiarton, Ontario and began to broadcast "Trouble With Tracy" at the same time as CFTO....Saturday mornings at 6 am!! One Saturday morning I got up and turned the TV on at 5:59 and at last I got to see what "The Trouble With Tracy" was. Yes, the "Trouble With Tracy" was that it was Canadian content and stuck in the harmless 6 am spot so no one would ever see how awful it was.
Talented Canadian Actor Steve Weston died a few years afterward, but many would argue he effectively "died" the first time he appeared on this show. When I saw it for the first time that cold Saturday morning and fell despondent back into my bed, part of me died, too.
Well, I knew what I wanted and what I wanted was to see what this "Trouble With Tracy" was all about. Did it have a beautiful girl in the starring role? Was there nudity? Was there suspense? Was it a comedy? It would've been fine if there was some promotion of the show. At least I could've known what I was missing. But, NO! The mystery drove me bonkers, until CTV affiliate CKCO built a re-transmitter in Wiarton, Ontario and began to broadcast "Trouble With Tracy" at the same time as CFTO....Saturday mornings at 6 am!! One Saturday morning I got up and turned the TV on at 5:59 and at last I got to see what "The Trouble With Tracy" was. Yes, the "Trouble With Tracy" was that it was Canadian content and stuck in the harmless 6 am spot so no one would ever see how awful it was.
Talented Canadian Actor Steve Weston died a few years afterward, but many would argue he effectively "died" the first time he appeared on this show. When I saw it for the first time that cold Saturday morning and fell despondent back into my bed, part of me died, too.
The Trouble With Tracy was a formula utterly perfect for a catastrophe -scripts from a World War Two-era radio sitcom, inexperienced actors, a rickety set and the utterly inhuman demand for no less than 130 episodes produced during a single TV season (1970-71) on an almost non-existent budget.
The situations were frequently so dated as to render much of the content blissfully sexist or offensive in other ways. Fortunately not very many people saw it to be offended by it and those that did tended to remember how insanely dumb it was more than if part of it might be construed as offensive.
It wasn't just bad, it was weirdly bad. They had laugh-track not merely in place of studio audience laughter but in place of anything that might be construed of as funny. Most of the laughs you might have would be unintentional.
The network (CTV) which produced it couldn't afford to cancel it right away as even though its investment was negligible compared with what an American network might expend on a half-hour sitcom. There was no more money for pre-production on a replacement series.
They couldn't cut their losses so they did their best to make what they had marketable for American syndication which included strategic placement of American flags and other hints which implied an American setting. All they could do was cringe as it played out.
One big reason Canadian TV productions don't do well in Canada is because broadcasters here treat them as a distasteful requirement they will only fund and schedule to retain their respective CRTC broadcast licenses.
This ignores the intentions behind the CRTC requirement which is to create building blocks for a thriving domestic film/TV production industry here via the training of casts and crews of shows helping them gain invaluable experience and enhanced reputations within the entertainment industry.
Canadian broadcasters are mostly interested in making money by showing popular American programming. If they (Excluding the government-owned CBC) have ever had any genuine interest in the timely and costly process of creating domestic productions it has yet to be seen.
The result is something like this - an apparent desultory afterthought or something so spectacularly inept that it might appear to have been conceived of to discredit the legislation which provided the impetus for the productions creation.
The evident statement on Canadian television is "See, it doesn't work. Can we please just show American stuff and let our nationalism end with having a different flag and national anthem?". The answer to that will always be a resounding "No!" for Canadians but it will not be a strong enough mass sentiment for watching Canadian set and produced programs that will get very many of them made.
The reruns of the show (Like The Littlest Hobo or other Canadian productions) became a staple of a phenomenon in Canadian broadcasting known as "Beaver Hours" i.e. times during the day in which few people would be tuning in when a Canadian-based station would grudgingly play its Canadian content necessary for retention of its CRTC broadcast license.
You might have caught a glimpse of the show on the way to the john at 6 am on a Saturday morning if you used your TV as a night-light. That glimpse would serve as your accidental dose of Canadian content for the day.
The situations were frequently so dated as to render much of the content blissfully sexist or offensive in other ways. Fortunately not very many people saw it to be offended by it and those that did tended to remember how insanely dumb it was more than if part of it might be construed as offensive.
It wasn't just bad, it was weirdly bad. They had laugh-track not merely in place of studio audience laughter but in place of anything that might be construed of as funny. Most of the laughs you might have would be unintentional.
The network (CTV) which produced it couldn't afford to cancel it right away as even though its investment was negligible compared with what an American network might expend on a half-hour sitcom. There was no more money for pre-production on a replacement series.
They couldn't cut their losses so they did their best to make what they had marketable for American syndication which included strategic placement of American flags and other hints which implied an American setting. All they could do was cringe as it played out.
One big reason Canadian TV productions don't do well in Canada is because broadcasters here treat them as a distasteful requirement they will only fund and schedule to retain their respective CRTC broadcast licenses.
This ignores the intentions behind the CRTC requirement which is to create building blocks for a thriving domestic film/TV production industry here via the training of casts and crews of shows helping them gain invaluable experience and enhanced reputations within the entertainment industry.
Canadian broadcasters are mostly interested in making money by showing popular American programming. If they (Excluding the government-owned CBC) have ever had any genuine interest in the timely and costly process of creating domestic productions it has yet to be seen.
The result is something like this - an apparent desultory afterthought or something so spectacularly inept that it might appear to have been conceived of to discredit the legislation which provided the impetus for the productions creation.
The evident statement on Canadian television is "See, it doesn't work. Can we please just show American stuff and let our nationalism end with having a different flag and national anthem?". The answer to that will always be a resounding "No!" for Canadians but it will not be a strong enough mass sentiment for watching Canadian set and produced programs that will get very many of them made.
The reruns of the show (Like The Littlest Hobo or other Canadian productions) became a staple of a phenomenon in Canadian broadcasting known as "Beaver Hours" i.e. times during the day in which few people would be tuning in when a Canadian-based station would grudgingly play its Canadian content necessary for retention of its CRTC broadcast license.
You might have caught a glimpse of the show on the way to the john at 6 am on a Saturday morning if you used your TV as a night-light. That glimpse would serve as your accidental dose of Canadian content for the day.
I'm finding it very hard to rate this show... on the one hand I remember watching it and cringing at how bad the production was. The sets were so cheap and the acting was so over the top and the writing was so amateur level... but on the other hand the people on the show were doing some badly written characters so it must have been hard to act as them, and they (especially Tracy) were so likable and fun to watch... and I remember that when I watched the show I also laughed a lot. It's like cringe comedy before The Office but where the cringing wasn't actually intentional. So it was a very bad show but unintentionally good in a way.
Anyway I look back at it and remember it was awful but I also look back at it and really love it in a way. So it's hard to rate!
Anyway I look back at it and remember it was awful but I also look back at it and really love it in a way. So it's hard to rate!
I was a child in the early 1970's and like most kids I was in love with TV. We had cable, it allowed me to watch SEVEN! different channels on our 20 inch color TV, when my parents weren't watching, of course. When I was little I discovered I could get up before school to watch TV and my groggy parents didn't care. What's on at 630 AM on a Tuesday in 1975 Halifax, Nova Scotia, Canada? Not much. The Trouble With Tracy was the only show at that time. I watched it faithfully for a month or two but I didn't think it was very funny. Is this how big people act? Why is everyone so dumb. I remember some of the other kids at school watched it also and I have vague memories of playing Trouble with Tracy in the playground. Anyway, as soon as another channel started showing Rocket Robin Hood I was outta there. I remember thinking that "The Trouble With Tracy" was the dumbest thing that I had seen until sometime in the the mid eighties, when I saw the cable series about the robot girl "Small Wonder"
O.K, it sucked big time , but I learned english watching this show and Dyan Nyland was indeed a hot babe! I don't think this show was as bad as say,"Mork And Mindy" or "Laverne And Shirley" but it stands alone as the worst Canada has ever made.
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- AnecdotesThis program is legendary in Canadian film and television for its cheapness. It was filmed on a single set using a single camera, and the scripts were from a 1940s radio sitcom called "Easy Aces."
- ConnexionsVersion of Easy Aces (1949)
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