L'empire du roi-singe

The Lost Empire, or The Monkey King, as it was called when I saw it on the Hallmark Network, is a silly film, but a very enjoyable one. It attempts to put a new spin on the Chinese classic, Journey to the West, which tells the story of how a monk went on an epic journey to recover some sacred scriptures, aided by the mischievous Monkey King, the gluttonous Pigsy and the sombre Sandy.

In this modern version the companions are the same, but the monk is replaced by a modern American sinologist, and the "scripture" is the original manuscript of Journey to the West itself, which is about to be destroyed by the "five traditional masters", who represent the forces of conservatism. Confused? It gets worse; if the book is destroyed, all the human progress that has taken place since the book was written will be reversed and the world will revert to feudalism. To cap it all, the Jade Emperor, Confucius and Kuan Yin, the goddess of compassion, are all weighing in.

With a scenario like this, the film cannot help but being absurd in places, but the absurdity, intentional or otherwise, is part of the fun, as it was in the original Journey to the West, which is a comedy as well as an analogy of the spiritual journey. Viewers who have read Journey to the West will enjoy the references to it; others can sit back and enjoy the visual richness, which as well as some spectacular scenes and SFX, includes Bai Ling as Kuan Yin, looking far more sexy than a goddess of compassion ought to (but then that's one of the twists in this tale as well).

This movie is a contemporary take on the classic Chinese novel "Journey to the West," which is a fictionalized account of the legends around the Buddhist monk Xuánzàng's pilgrimage to India during the Táng dynasty in order to obtain Buddhist religious texts called sutras.

The ministers have imprisoned the writer of the book, and are attempting to destroy it to reverse time back to traditional Chinese life, i.e. before any modernization. The modern world will be destroyed unless The Scholar From Above (Thomas Gibson) can enter the underworld and save it.

Don't make any mistake. Gibson would not have taken one step except for the fact that he was following the luscious Bai Ling, who anyone would follow to the gates of Hell.

He rescues Sun Wukong the Monkey King (Russell Wong - Romeo Must Die), and is joined by Zhu Bajie(Pigsy)(Eddie Marsan - 21 Grams, Vera Drake) and Sha Wujing (Friar Sand) (Kabir Bedi - Octopussy) to save the book and save the world. It is almost a Wizard of Oz adventure, as they all have personal issues to resolve in addition to the mission.

Of course, Kuan Yin (Bai Ling) appears any time he utters a prayer. Thankfully, for the many appearance of Bai Ling make this film worth watching. She is usually in another spectacular costume each time she appears.

Besides spectacular costumes, the sets were lavishly decorated. The special effects were magnificent, and the martial arts displays exciting.

It was overly long, but most great adventures are. Anyway. that is more time to watch Bai Ling.

This movie is an insult to the beautiful historical classic work from Wu Cheng'en. It brutally involves theme's that do not fit at all with the story line. Such as a Caucasian man falling in love the Goddess of Mercy and she falling in love with him. Even though, in order to make one movie out a of a 3 volume work, selecting only parts from the book is necessary. This movie has misunderstood the meaning of the book and used elements to make it a sad abstract of the novel. He has gone past the key element of the book: the enlightenment, the search for the Way from five totally different characters, each representing an element of human nature. The Tang priest, Sun Wukong the monkey, lazy and clumsy Pig, hideous Friar Sand and the Dragon sun, changed into a white horse. It has wiped out every Buddhist element from the story, while that's the backbone of this book. How he ridiculed key figures from Chinese history and culture (Quan Yin, Confucius) and not even in a adult and serious way.

This movie does by no means represent the wonderful Chinese Classic `Journey to the West', or literally `Notes of a Journey to the West' and you may have already figured out that I was sadly disappointed with it.

I watched this because of the previews, which showed a kind of Matrix/Crouching Tiger/Raiders cash-in, but I was very disappointed. All the rip-offs were there, but very poorly done (even the CGI effects looked cheap). This might be what Sid and Marty Krofft would do if they were still making Saturday-morning fare.

The plot was obviously padded, the wind-ups (it seemed like there were about 30 of them) were anti-climactic, and the worst thing was the mish-mash of American and Chinese pseudo-mythology that has people saying things like "For Buddhaaaaa" while jumping off cliffs towards battle and painting Confucious as an ass-kissing bad guy.

Along the way we have things like an American bookworm achieving God-level martial arts skill with only 3 days of practice, and a random globbing together of events in Chinese history that took place anywhere from 3000 to 30 years ago.

All-in-all this was an insult to anyone that knows anything at all about Eastern history and philosophy, and a destruction (ie: more than a waste) of 4 hours for everyone else.

Some other commentators have bemoaned the historical faults, others the romantic interest. To which I say this - first off, it was a made for TV movie. What is the first role of such a movie? To entertain. Perhaps the History Channel will do a more accurate documentary, if that's what people want. As for the romance, where would the movie "Titanic" have been without the love story? Similarly, this movie needs the romantic interest to move the very 21st Century "Scholar" into a position to want to get involved with people that are more the stuff of Myth, Legend, and to a great degree, Hope. Otherwise, why should he bother? "The Journey West" is a story I'd not heard of. Now, even with this fanciful introduction, I think I'll go look it up and read it. To bring me to do this, both the movie, and other comments here, have thus been successful. Microwave up the popcorn, sit back and enjoy the show. Just don't take it too seriously, just enjoy it for the entertainment that it is.