L'empire du roi-singe

Some other commentators have bemoaned the historical faults, others the romantic interest. To which I say this - first off, it was a made for TV movie. What is the first role of such a movie? To entertain. Perhaps the History Channel will do a more accurate documentary, if that's what people want. As for the romance, where would the movie "Titanic" have been without the love story? Similarly, this movie needs the romantic interest to move the very 21st Century "Scholar" into a position to want to get involved with people that are more the stuff of Myth, Legend, and to a great degree, Hope. Otherwise, why should he bother? "The Journey West" is a story I'd not heard of. Now, even with this fanciful introduction, I think I'll go look it up and read it. To bring me to do this, both the movie, and other comments here, have thus been successful. Microwave up the popcorn, sit back and enjoy the show. Just don't take it too seriously, just enjoy it for the entertainment that it is.

The Lost Empire, or The Monkey King, as it was called when I saw it on the Hallmark Network, is a silly film, but a very enjoyable one. It attempts to put a new spin on the Chinese classic, Journey to the West, which tells the story of how a monk went on an epic journey to recover some sacred scriptures, aided by the mischievous Monkey King, the gluttonous Pigsy and the sombre Sandy.

In this modern version the companions are the same, but the monk is replaced by a modern American sinologist, and the "scripture" is the original manuscript of Journey to the West itself, which is about to be destroyed by the "five traditional masters", who represent the forces of conservatism. Confused? It gets worse; if the book is destroyed, all the human progress that has taken place since the book was written will be reversed and the world will revert to feudalism. To cap it all, the Jade Emperor, Confucius and Kuan Yin, the goddess of compassion, are all weighing in.

With a scenario like this, the film cannot help but being absurd in places, but the absurdity, intentional or otherwise, is part of the fun, as it was in the original Journey to the West, which is a comedy as well as an analogy of the spiritual journey. Viewers who have read Journey to the West will enjoy the references to it; others can sit back and enjoy the visual richness, which as well as some spectacular scenes and SFX, includes Bai Ling as Kuan Yin, looking far more sexy than a goddess of compassion ought to (but then that's one of the twists in this tale as well).

This movie is an insult to the beautiful historical classic work from Wu Cheng'en. It brutally involves theme's that do not fit at all with the story line. Such as a Caucasian man falling in love the Goddess of Mercy and she falling in love with him. Even though, in order to make one movie out a of a 3 volume work, selecting only parts from the book is necessary. This movie has misunderstood the meaning of the book and used elements to make it a sad abstract of the novel. He has gone past the key element of the book: the enlightenment, the search for the Way from five totally different characters, each representing an element of human nature. The Tang priest, Sun Wukong the monkey, lazy and clumsy Pig, hideous Friar Sand and the Dragon sun, changed into a white horse. It has wiped out every Buddhist element from the story, while that's the backbone of this book. How he ridiculed key figures from Chinese history and culture (Quan Yin, Confucius) and not even in a adult and serious way.

This movie does by no means represent the wonderful Chinese Classic `Journey to the West', or literally `Notes of a Journey to the West' and you may have already figured out that I was sadly disappointed with it.

Surprisingly and shockingly awful. There are a lot of significant events, but no story. Constant stickfights that all look the same, aren't very exciting, and all the good guys win far too easily so no tension is created, do not make a movie action packed. Constant scenes of giant whirlpools or people flying do not make a movie magical when the scenes are poorly done and completely unmotivated by character. Watching two people kiss and express their love for one another does not make a movie romantic unless the two characters have some chemistry and interaction. The problem isn't that this movie is cheesy and formulaic. The problem is that the cheesy formula is unbelievably poorly executed. The characters are never developed, the special effects (especially the tiger) are often second rate, the story is not only derivative of every fantasy movie ever but derivative of itself (two separate villages that have had their children kidnapped by bad people), at least don't repeat your own ideas in the same movie. Dialogue is awful and cardboard, and the acting is pretty much lousy. This is everything the typical, paint-by-numbers approach to movie making yields. This movie is so bad it's insulting to it's audience. Horrible. Save yourselves and don't go near this worthless mess of a mini-series.

This movie is a contemporary take on the classic Chinese novel "Journey to the West," which is a fictionalized account of the legends around the Buddhist monk Xuánzàng's pilgrimage to India during the Táng dynasty in order to obtain Buddhist religious texts called sutras.

The ministers have imprisoned the writer of the book, and are attempting to destroy it to reverse time back to traditional Chinese life, i.e. before any modernization. The modern world will be destroyed unless The Scholar From Above (Thomas Gibson) can enter the underworld and save it.

Don't make any mistake. Gibson would not have taken one step except for the fact that he was following the luscious Bai Ling, who anyone would follow to the gates of Hell.

He rescues Sun Wukong the Monkey King (Russell Wong - Romeo Must Die), and is joined by Zhu Bajie(Pigsy)(Eddie Marsan - 21 Grams, Vera Drake) and Sha Wujing (Friar Sand) (Kabir Bedi - Octopussy) to save the book and save the world. It is almost a Wizard of Oz adventure, as they all have personal issues to resolve in addition to the mission.

Of course, Kuan Yin (Bai Ling) appears any time he utters a prayer. Thankfully, for the many appearance of Bai Ling make this film worth watching. She is usually in another spectacular costume each time she appears.

Besides spectacular costumes, the sets were lavishly decorated. The special effects were magnificent, and the martial arts displays exciting.

It was overly long, but most great adventures are. Anyway. that is more time to watch Bai Ling.