Où le coeur nous mène

The journey that Natalie Portman's role makes in this film, from start to finish, is an inspiring one. The movie isn't a light comedy or a cheesy chick flick, but it also isn't too deep and dark either; it finds a middle ground. There's romance, the struggles of life, the deep issues of self worth, and people being there when you need them most. This film will leave you with a good feeling at the end!

A harmless little "chick flick"? Nothing more than an attempt by Natalie Portman to try anything before she's pigeon-holed in her Star Wars persona and can't get other roles because of it (a la Mark Hamill)? No, on both counts. Where the Heart Is will surely be labeled as a "chick flick", but the truth is that a good movie is a good movie, and a bad one a bad one, regardless of what its target demographic is. Where the Heart Is is nothing short of a very, very good film. The story is original and the acting and dialogue are outstanding. Natlie Portman may best be known as Queen Amidala, but she should be known as one of the best young actresses in the business. She simply shines in this movie. I recommend this film to everyone.

It is not that a movie such as "Where The Heart Is" comes along and makes an impression so huge that you don't want to see it end. This is exactly what happened to me when I sat down to watch "Where The Heart Is."

Within the first few moments of the film, I knew it would be special; this reason is Natalie Portman. Portman has a unique look of innocence that cannot be pulled off by many actresses as she does with her character, Novalee Nation. I couldn't wait for the next scene she would be in because of the physical beauty she possesses and the beauty in the performance she gives.

Complimenting the performance of Portman is that of Ashley Judd. As I was watching Judd and Portman, I could tell that these are two actresses who knew exactly what the other would say and do the moment before it was actually done. Ashley Judd lights up the screen every SINGLE time she arrives in a scene. It is a no wonder she is the best at what she does.

Another reason I liked "Where The Heart Is" relates to the double story lines of Portman's character determined to raise her daughter by herself while trying to make a career in photography. The other storyline revolved around the ex-boyfriend trying to make a name for himself in country music.

The cool thing is that these are hobbies of mine and whenever I saw a camera or heard country music it brought a smile to my face. Not only are these hobbies of mine but they are both testaments to what can be done if one works hard enough to attain a specific goal.

The story is one that will take you on a journey through the depths of your heart, soul, and end up in your head relaying the message that "Where The Heart Is" is a phenomenal movie.

"Where The Heart Is" is not only my favorite film but the best film of 2000. GO SEE THIS WONDERFUL WORK OF ART.

I have to admit having a bias towards sci-fi, action adventure, mystery, conspiracy films, etc. I have sat through "Steel Magnolias" and "Fried Green Tomatoes" with my wife, and while I can admit they are well-made movies, I have never been too keen on movies with an all-female or predominantly female cast. I have also never cared much for Sally Fields' movies. (Perhaps I always think of her from the "Bandit" movies...) My first impression from all the trailers was that "Where the Heart Is" was nothing more than another "chick-flick" that I would, no doubt, find well-produced, but forgettable. I was wrong.

Natalie Portman registers a great performance as a meek and downtrodden pregnant teen who learns early in life that "our lives can change with every breath." Ashley Judd puts in an Oscar worthy performance in her supporting role as the older, married friend who has trouble finding the right man to be the father of her children. Stockard Channing plays the unforgettable "Sister Husband" who takes the young girl and her newborn child in, and Sally Fields makes a momentary appearance as the young girl's absentee mother, one of the highlights of the film. Fields has deepened my respect for her as an actress with her five minutes of film time like no other actor/actress ever has. Joan Cusack appears as a talent manager in the film's sub-plot and is phenomenal in her brief on-screen time as well. Yes, there are men in the film, veteran David Keith and James Frain among them, but for the most part, this film relies on the vision of the world through the eyes of its female leads. I loved this film- the comedy, the drama, the love story... I laughed, and although I hate to admit it, being a tough guy and all, I cried - several times - during this wonderful film about learning to be content with what we have and learning to appreciate how unique and special everyone and everything is.

A young pregnant girl (Natalie Portman) gets left in a small Oklahoma town by her loser boyfriend (Dylan Bruno) on their way to California from Tennessee. Portman is literally stranded at the local Wal-Mart and then becomes a national celebrity when she gives birth late one night at the store. Local gardener Stockard Channing and her live-in lover (Richard Jones) take the youngster and her child in as Portman gets the opportunity to work for Wal-Mart. Immediately we are introduced to a whole host of vivid characters. There is nurse Ashley Judd who is rearing five young children of her own, department store photographer Keith David and shy librarian James Frain who is taking care of his alcoholic older sister (Margaret Ann Hoard). And we even get a short glimpse of Portman's trashy, money-hungry mother (an electrically-charged cameo for Sally Field). Time passes, and Portman experiences life, love, triumph, tragedy and everything in between as she makes the small Oklahoma town her own. Smart drama that never loses its way and stays interesting due to Portman's show-stopping performance. The rest of the cast is right on key as well as fellow "Heat" alum Judd does a deceptively deep and heartfelt job. The movie works due to a steady pace, strong direction and a totally under-appreciated script. 4 stars out of 5.