Suite à la mort de son maître, un écuyer paysan, motivé par la famine et la gloire, se crée une nouvelle identité en tant que chevalier.Suite à la mort de son maître, un écuyer paysan, motivé par la famine et la gloire, se crée une nouvelle identité en tant que chevalier.Suite à la mort de son maître, un écuyer paysan, motivé par la famine et la gloire, se crée une nouvelle identité en tant que chevalier.
- Réalisation
- Scénariste
- Stars
- Récompenses
- 4 victoires et 13 nominations au total
- Christiana
- (as Berenice Bejo)
- Simon the Summoner
- (as Steve O'Donnell)
Avis à la une
The main characters are nicely varied with distinct personalities. Shannon Sossamon, however, was not quite up to leading-lady status and hasn't had a choice role like this since, either. I would have rather seen her "assistant" in this film, or the blacksmith woman, be the lead. Anyway, even though it's a bit long at 132 minutes, it's still entertaining most of the way, with some of the funniest bits at the beginning. However, it's just as much a romance (with Heath Ledger as the male lead) than a comedy.
What also is good is the sound and visuals in here: all high-class. The lance hitting an opponent made an interesting sound each time. The surround sound in here was good, too.
It's a film most people would like, and I recommend seeing it.
This film is funny, fast-paced (certainly didn't *feel* over 2h...), well constructed, hilariously tongue-in-cheek (From the We Will Rock You opening scene to the Nike swooshes on the armor I couldn't stop laughing!) It certainly has its problems (including some *horribly* cheezy lines - most on purpose but that doesn't make them any less horrible! and an evil Hollywood ending - including a Bravheart-like scream of defiance in the final joust that made me cringe...) but those problems are overcome by sharp wit and consistent amusement. The actors were obviously enjoying themselves, and the action was beautifully blended in with the rest of the film. None of the jousting scenes were too long (like, say, the race in Phantom Menace...) and all were shot in such a way as to make them really exciting!
And I have to laud Paul Bettany who was an incredible and incredibly amusing Geoffrey Chaucer...even though he looks eerily similar, IMO, to Thom Yorke...)
Kudos to anyone who recognizes Laura Fraser (the blacksmith) from Man in the Iron Mask...
Overall: A great watch. I went in expecting little and came out extremely satisfied. Not the best film of its kind, but a head above most. And the blending of contemporary style and music and characterization with the medieval story/setting is really well done. It really shouldn't but it does work! 7/10.
Chronologically, historically and geographically incorrect.
Full of innumerable inaccuracies and made up of a cast who talk as though they are not from the same continent, let alone the same country! What more can I say?
I tell you what I can say, I thoroughly enjoyed it!!! I laughed from beginning to end and was enraptured by the sense of friendship that these people displayed.
I only wish we could all be like them!
I loved it.
But I stayed with it, and I'm glad I did. Once you get past the glaring anachronisms (put in the film on purpose, of course), you find the movie is actually quite true to its period.
The presence of Chaucer in the film, combined with some of its details, leads me to suspect that Brian Helgeland has read "Chaucer's Knight" by fellow filmmaker Terry Jones (of Monty Python fame). The book deconstructs the knight in Chaucer's "The Knight's Tale" in a totally unique way -- he is seen NOT as the flower of medieval chivalry (as most scholars have interpreted him), but as a mercenary out for nothing but money and blood. The character in the film Chaucer would have written about, then, is not Sir William Thatcher (Heath Ledger), but Count Adhemar of Anjou (Rufus Sewell).
The part of the film in which this connection "clicked" for me was the scene where Count Adhemar is called away to his command in a "Free Company" -- a particular stain on the reputation of knighthood which Jones talks extensively about in his book.
Jones' book made use of extensive research into medieval history, and Helgeland's film obviously does, too.
Chaucer was a master of satire in his day. Helgeland's use of modern conventions in a period film is a conceit of which - I believe - Chaucer would definitely have approved.
I gave "A Knight's Tale" 9 out of 10 - it's not perfect, but I like it so much, I try to watch it every time it comes on (it's been on HBO and Cinemax pretty regularly for the past several months). Check it out!
Le saviez-vous
- GaffesThis is a satirical romance, not a historical documentary. While nominally set in the middle of the 14th century (when Edward the Black Prince and Geoffrey Chaucer were active), it freely amalgamates the costume, custom and slang of many different centuries to create a unique world. The Chaucer character (who mentions his signature Canterbury Tales) bears almost no resemblance to his historical counterpart. Matte replicas of the London Eye and the Eiffel Tower are included to drive home the anachronistic intentions.
- Citations
Prince Edward: [sighs] What a pair we make, huh? Both trying to hide who we are, both unable to do so. Your men love you. If I knew nothing else about you, that would be enough. But you also tilt when you should withdraw... and that is knightly, too.
Prince Edward: [to guards] Release him.
[Edward turns to crowd]
Prince Edward: He may appear to be of humble origins, but my personal historians have discovered that he is descendent from an ancient royal line.
[crowd murmuring]
Prince Edward: This is my word... and, as such, is beyond contestation.
Prince Edward: [turns to William] Now, if I may repay the kindness you once showed me... take a knee.
[draws his sword]
Prince Edward: By the power vested in me by my father, King Edward, and by all the witnesses here, I dub thee Sir William.
[crowd cheers]
Prince Edward: [silencing crowd] Arise... Sir William. Can you joust?
William: What?
Prince Edward: There's my tournament to finish. Now, are you fit to compete, or shall the forfeit stand?
William: No, I'm fit.
Prince Edward: I shall have your opponent informed of it. You look for his shield in the lists... at once.
William: Thank you, my lord.
- Crédits fousAfter the credits finish, Roland, Wat, Kate, and Geoff have a flatulence contest/drinking game. Wat loses, but Kate is the obvious winner.
- Versions alternativesThere is a slight difference between the UK cinema version and the UK DVD release. In the cinematic release, the queen/Robbie Williams version of We Are The Champions starts playing when William and Jocelyn kiss just before the credits, whereas the DVD release has a different song play. However, We Are The Champions still plays over the last half of the credits.
- ConnexionsFeatured in HBO First Look: The Making of 'A Knight's Tale' (2001)
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Corazón de caballero
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 65 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 56 569 702 $US
- Week-end de sortie aux États-Unis et au Canada
- 16 511 391 $US
- 13 mai 2001
- Montant brut mondial
- 117 487 657 $US
- Durée
- 2h 12min(132 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1





