Esther Kahn

I rented this thinking it might be interesting, and it might have been an interesting story except that is was told in such an uninteresting manner. Hard to follow, strange editing, disjointed storyline, the characters mumble, all in all a dreadfully dull waste of time. I just couldn't get into it and didn't care what happened to the characters - not even Ian Holm could save this film. Unless you need a cure for insomnia, I'd skip it. 3/10, and that's being generous.

The point of the vastly extended preparatory phase of this Star is Born story seems to be to make ultimate success all the more sublime. Summer Phoenix is very effective as an inarticulate young woman imprisoned within herself but never convincing as the stage actress of growing fame who both overcomes and profits from this detachment. Even in the lengthy scenes of Esther's acting lessons, we never see her carry out the teacher's instructions. After suffering through Esther's (largely self-inflicted) pain in excruciating detail, we are given no persuasive sense of her triumph.

The obsessive presence of the heroine's pain seems to be meant as a guarantee of aesthetic transcendence. Yet the causes of this pain (poverty, quasi-autism, Judaism, sexual betrayal) never come together in a coherent whole. A 163-minute film with a simple plot should be able to knit up its loose ends. Esther Kahn is still not ready to go before an audience.

A masterpiece.

Thus it is, possibly, not for everyone.

The camera work, acting, directing and everything else is unique, original, superb in every way - and very different from the trash we are sadly used to getting.

Summer Phoenix creates a deep, believable and intriguing Esther Kahn. As everything else in this film, her acting is unique - it is completely her own - neither "British" nor "American" nor anything else I have ever seen. There is something mesmerizing about it.

The lengthy, unbroken, natural shots are wonderful, reminding us that we have become too accustomed to a few restricted ways of shooting and editing.

Sleepwalking, dead, boring, an endurance test for the audience - all have been said before so why am I adding to the comments I agree with? There is this:

"...it isn't before a man treats her badly that she realizes on stage, that she has talent and that she connects with the audience and emerges as a stronger human being."

This must be the reviewer's imagination talking. One can tell that this is the point of the movie that its makers are trying to make but they failed. Utterly. The only reason I kept it going in the machine was to see if they could redeem themselves. But they did not. It's a very big disappointment. There is no connection with the audience - either in the theater's audience inside the story itself or the movie audience watching this.

Too many close-ups, just way too many. I'd call it possibly a workshop on close-ups - if you're in the business. Otherwise, why waste money on this? It's just pointless.

"the film never reveals more than it needs to."

Honestly, it reveals nothing.

And yes, why was so much money thrown at this movie? I seriously wonder if the backers needed to lose money for tax purposes.

Summer Phoenix did a great performance where you really feel what she's not able to feel and you just cannot understand what she has on her mind. Besides, she portrays a jewish girl who behaves really confronting the status quo of that century.