Ajouter une intrigue dans votre langueJerry Cooper is The Dogwalker, a Tom Sawyer grown up for the nineties, who having fallen on hard times, is struggling with the reality of having to sleep in his car. When he quite literally ... Tout lireJerry Cooper is The Dogwalker, a Tom Sawyer grown up for the nineties, who having fallen on hard times, is struggling with the reality of having to sleep in his car. When he quite literally stumbles upon an old lady and her dog, he suddenly finds himself caught up in her life and... Tout lireJerry Cooper is The Dogwalker, a Tom Sawyer grown up for the nineties, who having fallen on hard times, is struggling with the reality of having to sleep in his car. When he quite literally stumbles upon an old lady and her dog, he suddenly finds himself caught up in her life and over her head in a twisted mix of class, race, age, sex, drugs, dog leashes, inheritances... Tout lire
- Réalisation
- Scénario
- Casting principal
- Susan
- (as Nicki Lynn Aycox)
- Darlene
- (as Stacey Williams)
- The Musician
- (as Gabe Dell)
- Girlfriend
- (as Traci Carter)
- Neighbor
- (non crédité)
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I would bet my left arm that everyone who made positive comments was a shill for the film company.
Poor acting, sluggish pace, insipid dialog, and that's just when it's good.
The characters are as deep as the a puddle on a sidewalk and equally boring.
I can say that is competently lit though the camera moves are frequently.
Avoid at all costs, you'll never get that time back.
No wonder it took 5 years for this movie to come out.
This movie is genuinely funny in parts, but is racist, sexist and in many other respects stereotypical. There is the desperate housewife, the dumb, emotionally-absent husband more interested in playing golf than in his family, the sexually-precocious daughter, the cantankerous mother; and the racial stereotypes placed upon Gerry's three African-American friends are disappointing, as is their involvement with the drug culture. I don't like to think that ordinary people are so shallow as to be deceitful, lying, perfidious, and that drugs are so everyday a part of existence.
Throughout the movie the African-American characters are never more than companions for somebody else, and fail to present desirable social role models.
I'm sure the director would say that there is an overall message of the movie; that is that there is no morality in life. Relationships are short-lived and you just make do with things you've got. So perhaps this movie is realistic, but as i say i hope it isn't; and even then, i don't believe that should be the point of art.
For that reason i give it an 8 out of 10 - it does not shy away from depicting people as they really are, and it is genuinely funny in places, and in fact it is a memorable movie to watch. The only genuine characters are the dog Lucky and Gerry, the drifter. Perhaps that is what the director intended.
This indie movie may have been made for only $500,000, but that doesn't excuse the slow pace and drifting plot, even if Cameron Crowe thinks it's memorable.
The second-most identifiable problem, after the weak story, is the main character. The actor does a solid job, no fault there. Really, Will Stewart is good. Unfortunately, the character is supposed to be a likable bad-boy, but his unlikable acts include drugs, taking advantage of old people, and leaving an underage girl in a motel room with a druggie friend. His charisma is noteworthy, but I still didn't care about him.
Maybe this movie is stuck in limbo between an R rating and PG-13. Related to this, when the sexual tension between the main character and the mother does pay-off (after having been seemingly forgotten), the event is dull and not as quirky as the music and choreographing seem to imply. The flexibility offered by a solid R-rating might have made this a better flick.
You might like Paul Duran's The Dogwalker if you think drugs are an acceptable way to "take away the pain" of life, and if you loved David Lynch's Mulholland Drive. But even then, no ... just re-watch Mulholland Dr. and struggle to wrap your brain around that story.
Le saviez-vous
- Citations
[first lines]
Jerry: It was the end of an era, profit had turned to loss, fortune to folly, winners to losers. And the chaff was beginning to fall out like so much dandruff. Didn't have to shake too hard to get me to tumble though, I'd only ever been along of the ride. I just never cared that much. And now, now it was time for something new.
- Bandes originalesTacos de Pascado
Written and Performed by Rick Holmstrom
Meilleurs choix
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 3 732 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 850 $US
- 10 sept. 2006