Ajouter une intrigue dans votre langueLife story of two boys from war-torn Germany's dream of becoming world magicians. Story of success recounted within the virtual realms of the magic box, a surreal environment where past and ... Tout lireLife story of two boys from war-torn Germany's dream of becoming world magicians. Story of success recounted within the virtual realms of the magic box, a surreal environment where past and present converge into fantastic 3D storybook.Life story of two boys from war-torn Germany's dream of becoming world magicians. Story of success recounted within the virtual realms of the magic box, a surreal environment where past and present converge into fantastic 3D storybook.
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- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
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You know a movie which starts by a ten minutes long presentation of the theatre's sound system is not gonna rely too much on your central nervous system for understanding. IMAX movies belong to this kind. I knew it, yet nothing could have prepared me for the experience in deep stupidity that is the viewing of this film.
The story is told as if the audience had an IQ of 4. It is empty and vain. I wont even speak about it, it fills me with dismay.
The purpose of IMAX is to have spectacular shots. The excerpts from Sieg&Roy performances are really great and a pleasure to see, although the very nature of performance magic loses its interest on film.
However, these beautiful shots add up to a very little part, maybe 10%, of the movie time. The rest is storytelling so rotten it gives the creeps, and computer generated "stuff" that is at the same time technically awful and aesthetically extremely ugly and pointless. On the technical side, you can see the pixels in the image and the pixels in the (ugly) textures ; and on the aesthetic side, it's JUST PLAIN UGLINESS that you can witness in glorious 3-D and surround sound. I'll say it another time. IT'S A-F***IN UGLY !
One could say that, well, they intended to have that "cardboard" look for whatever artistic reason. But no. The word "artistic" cannot be associated with this film.
A troubling thing is also this repressed homosexuality which oozes fron the two "heroes" ; by the end it is pretty obvious that they probably do more than just magic together, and we dont see a single woman in the entire movie except their mothers and some dancers. And they show them living happily together with all their white tigers in their mutimillion ranch. Well well. I would have built a shrine to this director for having put out the first french kiss between two guys on IMAX close-up. But he didnt do it. He chose hypocrisy instead.
By the way, the director also directed "The Lawnmover Man", which seems fitting, in the end.
The story is told as if the audience had an IQ of 4. It is empty and vain. I wont even speak about it, it fills me with dismay.
The purpose of IMAX is to have spectacular shots. The excerpts from Sieg&Roy performances are really great and a pleasure to see, although the very nature of performance magic loses its interest on film.
However, these beautiful shots add up to a very little part, maybe 10%, of the movie time. The rest is storytelling so rotten it gives the creeps, and computer generated "stuff" that is at the same time technically awful and aesthetically extremely ugly and pointless. On the technical side, you can see the pixels in the image and the pixels in the (ugly) textures ; and on the aesthetic side, it's JUST PLAIN UGLINESS that you can witness in glorious 3-D and surround sound. I'll say it another time. IT'S A-F***IN UGLY !
One could say that, well, they intended to have that "cardboard" look for whatever artistic reason. But no. The word "artistic" cannot be associated with this film.
A troubling thing is also this repressed homosexuality which oozes fron the two "heroes" ; by the end it is pretty obvious that they probably do more than just magic together, and we dont see a single woman in the entire movie except their mothers and some dancers. And they show them living happily together with all their white tigers in their mutimillion ranch. Well well. I would have built a shrine to this director for having put out the first french kiss between two guys on IMAX close-up. But he didnt do it. He chose hypocrisy instead.
By the way, the director also directed "The Lawnmover Man", which seems fitting, in the end.
Siegfried and Roy's first autobiographical sketch on film comes with state of the art graphic effects and a touching story about the lives of two of the most greatest performers alive. In their story they challenge the obstacles that came from postwar Germany and the strenuous tasks of making it in show business. Furthermore the film adds a touch of beauty to the meaning of fufillment of lives goals but gives a new understanding to the word success, for not only is it acheived by believing in onself it is the outcome of years of preserverance.
There is a mistake on the credits of this movie that I would like to set straight.
Kaelee Brown (sp) is listed as the Visual Effects Coordinator for this film. That is incorrect. I was the VFX Coordinator on the film, but failed to get the credit because I quit prior to the completion of post-production. Kaelee Brown was the girlfriend of Unit Production Manager, Neal Allen. Kaelee came on for a few weeks in the end and got the credit because of that connection. Due to the fact that this was a non-union shoot, I had no recourse to get the credit changed. I have attempted to contact both producer Michael Lewis and Director Brett Leonard, but the production company (L-Squared) is no longer in business, and they will not answer e-mails.
I am no longer in Visual Effects, but it would still be nice to be credited for the 16-hour days I put in on the shoot.
Why I quit is another story involving Visual Effects Producer, Kymber Lim, who has gone on to much success - and I'm sure her lying and back-stabbing has helped. That's why I left.
It is a pretty cool flick, though. Even if you're not an S&R fan.
DJR
Kaelee Brown (sp) is listed as the Visual Effects Coordinator for this film. That is incorrect. I was the VFX Coordinator on the film, but failed to get the credit because I quit prior to the completion of post-production. Kaelee Brown was the girlfriend of Unit Production Manager, Neal Allen. Kaelee came on for a few weeks in the end and got the credit because of that connection. Due to the fact that this was a non-union shoot, I had no recourse to get the credit changed. I have attempted to contact both producer Michael Lewis and Director Brett Leonard, but the production company (L-Squared) is no longer in business, and they will not answer e-mails.
I am no longer in Visual Effects, but it would still be nice to be credited for the 16-hour days I put in on the shoot.
Why I quit is another story involving Visual Effects Producer, Kymber Lim, who has gone on to much success - and I'm sure her lying and back-stabbing has helped. That's why I left.
It is a pretty cool flick, though. Even if you're not an S&R fan.
DJR
10clark-7
I have read the other negative comments about this film and I must say I strongly disagree! I thought it was an interesting story with GREAT 3-D visual effects. Anyone who is interested in magic and the life of magicians would really enjoy this film. I think it is unfair to criticize this production as though it was some sort of fictional movie. It is simply telling the life story of two great modern performers of magic. My niece loved the beautiful 3-D effects and wanted to see it again!
Also, it is true that the two are gay and that the movie avoided mentioning it, but who cares? I actually think it was a wise choice to keep certain "personal" elements out of the story.
If you get a chance to see this movie and want to experience some of the best 3-D effects ever produced, by all means see it!! It is very impressive to say the least!
Also, it is true that the two are gay and that the movie avoided mentioning it, but who cares? I actually think it was a wise choice to keep certain "personal" elements out of the story.
If you get a chance to see this movie and want to experience some of the best 3-D effects ever produced, by all means see it!! It is very impressive to say the least!
10tnudo
This is a must see for any Siegfried and Roy fan!! The effects are extraordinary, and the sound has never sounded better in an IMAX film!!
The story starts with two boys, who sneak backstage after a performance of Siegfried and Roy when they discover a box, that magically (naturally:) takes them back to the childhood of Siegfried and Roy, furthermore the boys have become Siegfried and Roy as kids. It is a brilliant film that takes you from their humble beginnings, to where they are now - Las Vegas' finest!!
A great film that will leave you wishing that the 47 minutes in length that it is, was longer. A great film for everyone, but for fans - A MUST!!
The story starts with two boys, who sneak backstage after a performance of Siegfried and Roy when they discover a box, that magically (naturally:) takes them back to the childhood of Siegfried and Roy, furthermore the boys have become Siegfried and Roy as kids. It is a brilliant film that takes you from their humble beginnings, to where they are now - Las Vegas' finest!!
A great film that will leave you wishing that the 47 minutes in length that it is, was longer. A great film for everyone, but for fans - A MUST!!
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Magic Box
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 5 231 283 $US
- Montant brut mondial
- 5 231 283 $US
- Durée50 minutes
- Couleur
- Rapport de forme
- 1.44 : 1
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By what name was Siegfried & Roy: The Magic Box (1999) officially released in Canada in English?
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