Minority Report
Dans un avenir où les forces spéciales pourront arrêter des meurtriers avant qu'ils ne commettent leurs crimes, un des officiers est lui-même accusé d'un futur meurtre.Dans un avenir où les forces spéciales pourront arrêter des meurtriers avant qu'ils ne commettent leurs crimes, un des officiers est lui-même accusé d'un futur meurtre.Dans un avenir où les forces spéciales pourront arrêter des meurtriers avant qu'ils ne commettent leurs crimes, un des officiers est lui-même accusé d'un futur meurtre.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 20 victoires et 91 nominations au total
- Office Worker
- (as Vene Arcoraci)
Avis à la une
The content is amazing - all the little details that put the audience firmly in the middle of the 21st century. Personally I can absolutely believe that technology will have advanced in the kind of ways portrayed in the film within 50 years. Just look back 50 years into the past and you should be able to see why. The lives of everyday people in the film, where they are scanned and advertised 'at' all day every day, apart from an excuse for product placement (and why not?), certainly make you think about a world where 'they' know your every move (a future towards which we are already hurtling with some speed).
The style is amazing - why the wooden balls? Because they're cool is why. I like to think that as we progress as a civilization we will keep a few such elegant idiosyncrasies knocking around. The plastic, chrome and glass sets, objects and architecture all looked clean and functional and the way that they suck the color out of a scene worked well and gave the film a distinctive palette. The cars are the best looking vehicles I have ever seen in a film. I have only one criticism here - why do all the computer displays look like Macs? Surely a touch unrealistic ;)
The story is amazing - complicated, yes, but also engrossing, exciting and scary. There are elements here that are only hinted at, but which give the plot a depth increasingly lacking in modern action flicks. And it asks the kind of questions about morality, justice, exploitation and society that'll keep you thinking for much longer that the film's two and some hours.
The direction and performances are amazing - the pre-visualization on this movie must have been a nightmare and yet all the incredible special effects blend perfectly into a visual style that is completely natural and assured, as might be expected from Spielberg and Michael Kahn. There are, of course, numerous references and homages to the work of Stanley Kubrick, which have given a hint of the edge and flair of 'Clockwork Orange' or '2001'. I hope it will continue to be a big influence on Spielberg.
Cruise delivers a first class performance as usual, but the discovery of this film is Samantha Morton as Agatha. Who saw the film and didn't share her terror and vulnerability? Little touches such as the way she clings to Cruise, almost like a baby's reflex, make her a character you immediately care about, innocent and tragic.
Anyway, if that's not enough to recommend the film, then you'll probably never find another one you like again. But if you need another reason, go to see it just for another fantastic soundtrack from the master, John Williams.
Full marks, five stars, a must see several times and buy the DVD movie.
Fast paced, exciting and deeply moving & thought provoking film. Tom Crusie does good work here. Colin turns in a deliciously nasty performance. However the film belongs to Max Von Sydow who is absolutely genius here. Director Speilberg treats the audience to some highly original and creative visual effects and has presented us with a fun story that covers all the bases. The ending is especially good.
Rated PG-13; Violence and Profanity.
The film is a good mixture of action and suspense. Only the one chase scene was overdone with Rambo-like mentality of the good guys not getting hit when they should, and vice- versa.
The subject matter is interesting, too: what would do you (or the police) had very reliable information on crimes that were about to be committed, that you could prevent things from happening before they actually did?
I recognized two people in here who went on shortly thereafter to become recognizable in TV series: Kathryn Morris ("Cold Case") and Neal McDonough ("Boomtown"). Add Colin Farrell, Max Von Sydow, Samantha Morton and you have an interesting cast. I am of the opinion that this is one of Spielberg's underrated gems.
In the year 2054 murders can be predicted and stopped before they happen. If you were about to kill but stopped you are locked. Tom Cruise is one of the agents who stops those murders. Then he discovers the next murder they have to stop will be committed by himself.
I will not reveal more of the plot. The story itself is great. It is intelligent, but also exciting with great action scenes. The visuals are truly beautiful and perfectly support the sci-fi story. If you like action thrillers and you don't mind they are set in the future (with some futuristic gadgets) this is your film. 9/10.
Le saviez-vous
- AnecdotesTom Cruise and Steven Spielberg both agreed to waive their usual salary to help keep the film's budget under $100 million. They agreed to take 15% of the film's gross instead.
- Gaffes(at around 38 mins) When the Leo Crow murder is first envisioned by the Precogs, Jad says that the "time of occurrence is 15:06 hours", which is 3:06pm. After Anderton sees that it's him in the prevision, he sets the alarm on his watch for 35 hours and 56 minutes. Counting backwards from 3:06pm this means that it is currently just after 3am when Anderton, Jad, Wally and the rest of PreCrime are at work. Also, when Anderton tries to escape on the MagLev and calls Lamar in his office, it is obviously in broad daylight and not 3am.
- Citations
John Anderton: Why'd you catch that?
Danny Witwer: Because it was going to fall.
John Anderton: You're certain?
Danny Witwer: Yeah.
John Anderton: But it didn't fall. You caught it. The fact that you prevented it from happening doesnt change the fact that it was *going* to happen.
- Crédits fousThe DreamWorks and 20th Century Fox logos appear underwater, which ties into the opening shot of Agatha in the tank.
- Versions alternativesSpencer Treat Clark was credited as "Sean at Nine" in release prints of the film, because he appeared in a scene that was deleted so close to the film's release that the credits had already been finalized and couldn't be changed. Clark played a grown-up version of Anderton's young son Sean, in a fantasy dream scene that took place after Anderton has been put in containment toward the end of the film. The entire scene was removed from the film just before release.
- Bandes originalesSymphony No. 8 in B minor D. 759 'Unfinished' I. Allegro moderato
Written by Franz Schubert
Conducted by Carlos Kleiber
Performed by Wiener Philharmoniker
Courtesy of Deutsche Grammophon GmbH, Hamburg
Under license from Universal Music Enterprises
Meilleurs choix
- How long is Minority Report?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Minority report: Sentencia previa
- Lieux de tournage
- Butter Island, Penobscot Bay, Maine, États-Unis(final panoramic shot of log cabin on desert island)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 102 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 132 072 926 $US
- Week-end de sortie aux États-Unis et au Canada
- 35 677 125 $US
- 23 juin 2002
- Montant brut mondial
- 358 372 926 $US
- Durée2 heures 25 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1