Minority Report
Dans un avenir où les forces spéciales pourront arrêter des meurtriers avant qu'ils ne commettent leurs crimes, un des officiers est lui-même accusé d'un futur meurtre.Dans un avenir où les forces spéciales pourront arrêter des meurtriers avant qu'ils ne commettent leurs crimes, un des officiers est lui-même accusé d'un futur meurtre.Dans un avenir où les forces spéciales pourront arrêter des meurtriers avant qu'ils ne commettent leurs crimes, un des officiers est lui-même accusé d'un futur meurtre.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 20 victoires et 91 nominations au total
- Office Worker
- (as Vene Arcoraci)
Avis à la une
The film is a good mixture of action and suspense. Only the one chase scene was overdone with Rambo-like mentality of the good guys not getting hit when they should, and vice- versa.
The subject matter is interesting, too: what would do you (or the police) had very reliable information on crimes that were about to be committed, that you could prevent things from happening before they actually did?
I recognized two people in here who went on shortly thereafter to become recognizable in TV series: Kathryn Morris ("Cold Case") and Neal McDonough ("Boomtown"). Add Colin Farrell, Max Von Sydow, Samantha Morton and you have an interesting cast. I am of the opinion that this is one of Spielberg's underrated gems.
The good news is that Minority Report is a lot more enjoyable than the duo's H.G.Wells debacle, with an engrossing murder mystery plot, lots of great visuals, excellent production design, and some well executed and extremely fun action set-pieces, all of which help detract from the story's inevitable paradoxical issues and Spielberg's occasional, frustratingly unrestrained direction (Cruise leaping from car roof to car roof on a towering vertical road stretches plausibility a bit too far, but at least it's not 'nuke the fridge' bad).
7.5 out of 10, rounded up to 8 for the 'sick stick' a police baton that makes the victim projectile vomit.
The concept of free will vs determinism from Philip K. Dick is amazing. The production from Steven Spielberg is terrific. The movie is so well made that it maintains its tension with all the crazy ideas being thrown at the audience. Tom Cruise is the perfect protagonist for this movie. He has a touch of that boy scout with a dark edge. He matches the intensity of the material. There is a good mystery, compelling performances, and expertly made all growing out of a great story. It does wrap up a little too neatly. I'm not sure a Spielberg movie could have gone that dark.
But some disturbing images come in regarding police chief Tom Cruise murdering a man who he doesn't even know. Now Cruise is a Richard Kimble like fugitive and he hasn't done the terrible deed he's supposed to do. But one of the water bound psychics turns in a different interpretation of the images she sees. It's that Minority Report that Cruise is interested in so Samantha Morton is taken by Tom who wants very much to find out what's going so he can alter his destiny if possible.
I won't say more other than destinies can be altered and images can be manipulated and wrongly interpreted by some malevolent forces at work.
Cruise and Von Sydow and the rest of the cast turn in some fine performances for Steven Spielberg. And Spielberg's own vision of the future is fascinating. I did love those images of horses making a comeback as a method of transportation. I'm guessing that fossil fuels had polluted the planet enough and we wanted biodegradable waste once again.
Science fiction is always interesting, even the worst future films offer us someone's vision of the future be Steven Spielberg or Ed Wood. Spielberg at least has the talent to bring it off.
And maybe crime prevention taken to its ultimate is not such a good thing. Watch Minority Report and see how you feel.
Le saviez-vous
- Anecdotes(at around 1h 2 mins) The scene where Lois Smith (Dr Iris Hineman) kisses Tom Cruise was not scripted. Cruise's reaction is of genuine surprise.
- Gaffes(at around 38 mins) When the Leo Crow murder is first envisioned by the Precogs, Jad says that the "time of occurrence is 15:06 hours", which is 3:06pm. After Anderton sees that it's him in the prevision, he sets the alarm on his watch for 35 hours and 56 minutes. Counting backwards from 3:06pm this means that it is currently just after 3am when Anderton, Jad, Wally and the rest of PreCrime are at work. Also, when Anderton tries to escape on the MagLev and calls Lamar in his office, it is obviously in broad daylight and not 3am.
- Citations
John Anderton: Why'd you catch that?
Danny Witwer: Because it was going to fall.
John Anderton: You're certain?
Danny Witwer: Yeah.
John Anderton: But it didn't fall. You caught it. The fact that you prevented it from happening doesnt change the fact that it was *going* to happen.
- Crédits fousThe DreamWorks and 20th Century Fox logos appear underwater, which ties into the opening shot of Agatha in the tank.
- Versions alternativesSpencer Treat Clark was credited as "Sean at Nine" in release prints of the film, because he appeared in a scene that was deleted so close to the film's release that the credits had already been finalized and couldn't be changed. Clark played a grown-up version of Anderton's young son Sean, in a fantasy dream scene that took place after Anderton has been put in containment toward the end of the film. The entire scene was removed from the film just before release.
- Bandes originalesSymphony No. 8 in B minor D. 759 'Unfinished' I. Allegro moderato
Written by Franz Schubert
Conducted by Carlos Kleiber
Performed by Wiener Philharmoniker
Courtesy of Deutsche Grammophon GmbH, Hamburg
Under license from Universal Music Enterprises
Meilleurs choix
- How long is Minority Report?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Minority report: Sentencia previa
- Lieux de tournage
- Butter Island, Penobscot Bay, Maine, États-Unis(final panoramic shot of log cabin on desert island)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 102 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 132 072 926 $US
- Week-end de sortie aux États-Unis et au Canada
- 35 677 125 $US
- 23 juin 2002
- Montant brut mondial
- 358 372 926 $US
- Durée
- 2h 25min(145 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1