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Ajouter une intrigue dans votre langueA woman and her friends face a wave of vengeance and war with the undead as the most evil vampire master awakens to forcefully take back the night.A woman and her friends face a wave of vengeance and war with the undead as the most evil vampire master awakens to forcefully take back the night.A woman and her friends face a wave of vengeance and war with the undead as the most evil vampire master awakens to forcefully take back the night.
Dan Astileanu
- Dr. Lupu
- (as Dan Astilean)
Eugenia Bosânceanu
- Caretaker
- (as Eugenia Bosanceanu)
Avis à la une
10mgreb
I will admit that I am a fan of the Subspecies Series to start with. The enjoyable movie was greatly added to with the Commentary tracks on the DVD. The director, Ted Nicolaou, was surprisingly candid about the problems with the Site, budget, and some actors. Denise Duff's commentary was funny and at times a bit sarcastic. This movie looks much better than the other movies, I don't know if it was the production or because I was viewing it from a DVD. LOTS of blood and twisted humor.
I admit, without shame, that I'm a big fan of the first three Subspecies films. They're tacky, exploitative, silly movies, but somehow they transcend these typical limitations of straight-to-video horror. Writer-director Ted Nicolau elevates the material with some thoughtful dialogue and characterization, and he uses Romanian locations and folklore to create a truly unique and compelling universe for his vampire films.
That said, he trips up a bit with Subspecies 4. Whereas Nicolau's previous vampire films had a rather polished look, considering the budgetary restrictions he labored under, this movie is crass-looking all the way, right from the silly montage-o-clips opening credits. The lighting, SFX, and set design are a noticeable step down from previous Subspecies films, and a huge step down from Nicolau's exceptionally slick-looking effort "Vampire Journals." I can only assume that Full Moon, or one of its descendant companies, was pretty low on cash when it came time to make this final entry in the series.
The film has plenty of problems that have nothing to do with the scarcity of cash, though. Our heroine, Michelle, is sidelined for too much of the story, leaving the campy Dr. Blood and his comely companion to carry the movie. These new heroes simply aren't charismatic enough to replace Michelle or her buddies from Subspecies 2 and 3. Even the mighty Radu has a diminished role, as he spends much of his time slinking about in a death robe and looking really old. On the whole, the movie simply lacks verve - the characters are static, and so is the action. And the actors have visibly aged, despite being immortal members of the undead realm! How depressing.
I do enjoy the middle of the film, though. Things pick up when Ashe begins to conspire against Radu, and Michelle's surprise rescue of her master is great stuff. But it collapses again at the end, when Radu is slain too abruptly and too easily. I think it would be more interesting if Michelle actually became his ally at last; if she's not going to be the hero anymore, she might as well be another villain.
Still, this is a cut above the norm for the genre. It's perhaps just too depressing for me; a lot of nice characters are killed off right away, and Michelle descends into complete vampire savagery. "Dark" is the operative word here - also "cheap." And "anticlimax." It's a shame they never got around to making Subspecies 5, which I believe was intended to be a period piece about Radu's origin.
That said, he trips up a bit with Subspecies 4. Whereas Nicolau's previous vampire films had a rather polished look, considering the budgetary restrictions he labored under, this movie is crass-looking all the way, right from the silly montage-o-clips opening credits. The lighting, SFX, and set design are a noticeable step down from previous Subspecies films, and a huge step down from Nicolau's exceptionally slick-looking effort "Vampire Journals." I can only assume that Full Moon, or one of its descendant companies, was pretty low on cash when it came time to make this final entry in the series.
The film has plenty of problems that have nothing to do with the scarcity of cash, though. Our heroine, Michelle, is sidelined for too much of the story, leaving the campy Dr. Blood and his comely companion to carry the movie. These new heroes simply aren't charismatic enough to replace Michelle or her buddies from Subspecies 2 and 3. Even the mighty Radu has a diminished role, as he spends much of his time slinking about in a death robe and looking really old. On the whole, the movie simply lacks verve - the characters are static, and so is the action. And the actors have visibly aged, despite being immortal members of the undead realm! How depressing.
I do enjoy the middle of the film, though. Things pick up when Ashe begins to conspire against Radu, and Michelle's surprise rescue of her master is great stuff. But it collapses again at the end, when Radu is slain too abruptly and too easily. I think it would be more interesting if Michelle actually became his ally at last; if she's not going to be the hero anymore, she might as well be another villain.
Still, this is a cut above the norm for the genre. It's perhaps just too depressing for me; a lot of nice characters are killed off right away, and Michelle descends into complete vampire savagery. "Dark" is the operative word here - also "cheap." And "anticlimax." It's a shame they never got around to making Subspecies 5, which I believe was intended to be a period piece about Radu's origin.
The Subspecies films are a rare treat. They forego the nudge nudge wink wink of the modern (or should I say postmodern?) horror film and go straight for the jugular. Probably the only examples of the classic Gothic horror film made in the 90s, these films are slight but vastly entertaining and benefit tremendously from location footage, Romanian actors, and decent writing. And why isn't Anders Hove a star?
Subspecies can do no wrong. (V will be the next test). So you think Radu could not have come back this way....HEY....he is the ultimate vampire....The Master....and, like how many times has Dracula (not even half as creepy) and Frankenstein (not nearly as sharp) returned....with even feebler stories. Of course he's back...and thank goodness for the return of Anders Hove and Denice Duff, as they are the foundation of the Subspecies series...and so good at it. This holds up well to the previous 3 Subspecies movies, although there may be a shortage of story-line, I mean if that is what you are watching for. (I didn't miss it too much, but the person watching with me thought it needed more plot.) But there has to be something held back for next time...right? Buy this movie, watch it until it wears out, and buy it again. This is how we get "Subspecies V" made for us.
In a generally consistent franchise as far as quality is concerned, this one is probably the best of the lot. As all movies in the franchise it has a thick atmosphere, excellent music and adequate performances from most actors. Personally I found Anders Hove's Radu to be in his best form in all the franchise, missing most saliva-dripping face-making that made the character a bit ridiculous in the previous movies. In any case, Subspecies IV is a worthy straight-to-video horror that in my opinion is the best of the 5 (Vampire Journals included) together with Subspecies 2: Bloodstone. All in all, a worthy 81 minutes for fans of cheap horror and Full Moon productions
Le saviez-vous
- AnecdotesAnders Hove is the only actor to appear in all five films in the series, including the recently released Subspecies V: Blood Rise (2023). Hove did not appear, however, in the spin-off movie, Vampire Journals.
- GaffesWhen Michelle is first examined and determined to be a vampire, her bite marks are shown to be on the left side of her neck. This is in contrast to their previously established location in the other films, where they were on the right side.
- Crédits fousA montage of clips from the previous Subspecies entries and Vampire Journals are shown during the opening credits.
- Versions alternativesInternational cuts run five minutes longer than the domestic print of the film.
- ConnexionsEdited from Bloodstone: Subspecies II (1993)
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- The awakening: le réveil du maître
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