NOTE IMDb
6,3/10
1,9 k
MA NOTE
Ajouter une intrigue dans votre langueA separated attorney in Rio sees an English teaching American widow and tries to woo her.A separated attorney in Rio sees an English teaching American widow and tries to woo her.A separated attorney in Rio sees an English teaching American widow and tries to woo her.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 17 nominations au total
Serjão Loroza
- Gordo
- (as Sérgio Loroza)
Alba Albanese
- Voice
- (voix)
Avis à la une
We watched this movie the other evening and found it to be a delight. Nothing deep, but a lot of fun. The music is good and one wants to dance. The scenery, beautiful and the actors most attractive. This affords one a pleasant evening.
"Bossa Nova" has lots of great shots of Rio de Janerio, and lots of pretty actors, and a soundtrack that combines old and new bossa nova tunes. Unfortunately that's about all it has going for it.
The film is about the romance between an American woman who teaches English to the wealthy and her corporate lawyer student who bears a striking resemblance to Marcello Mastroianni. Both of them are supposed to be in their early to mid-forties.
The age aspect is one problem I have with this film. I'm not against middle-age romance on film, but it's just so obvious that Antonio Fagundes is closer to fifty.
Another problem I have is with Amy Irving's acting skills. At times, it's obvious she's reading straight off a cue card. Good actors never let us see them working.
But the biggest complaint I have about this film is the plot, or rather the lack thereof. The film is filled with lots of confusing little subplots, some of which never resolve themselves. This, I guess, is to distract the audience from the fact that the main plot is so threadbare.
Many American critics have praised this film. This is largely, I believe, because it is not an American film and was not bankrolled by a major Hollywood studio. However, I always use the same barometer to judge a film, regardless of its origin or pedigree. I give this film the same criticism I would give to a film such as "How Stella Got Her Groove Back" or "The Horse Whisperer": It's beautiful to look at, but once you get past the scenery and the actors' looks, there's not much left. I give this film a 6 out of 10.
The film is about the romance between an American woman who teaches English to the wealthy and her corporate lawyer student who bears a striking resemblance to Marcello Mastroianni. Both of them are supposed to be in their early to mid-forties.
The age aspect is one problem I have with this film. I'm not against middle-age romance on film, but it's just so obvious that Antonio Fagundes is closer to fifty.
Another problem I have is with Amy Irving's acting skills. At times, it's obvious she's reading straight off a cue card. Good actors never let us see them working.
But the biggest complaint I have about this film is the plot, or rather the lack thereof. The film is filled with lots of confusing little subplots, some of which never resolve themselves. This, I guess, is to distract the audience from the fact that the main plot is so threadbare.
Many American critics have praised this film. This is largely, I believe, because it is not an American film and was not bankrolled by a major Hollywood studio. However, I always use the same barometer to judge a film, regardless of its origin or pedigree. I give this film the same criticism I would give to a film such as "How Stella Got Her Groove Back" or "The Horse Whisperer": It's beautiful to look at, but once you get past the scenery and the actors' looks, there's not much left. I give this film a 6 out of 10.
Most Brazilians complain that Brazilian movies only show the poverty and the arid landscapes of Northeast Brazil. I particularly think that we shouldn't conceal the sad reality of so many places in Brazil, and films like "Central Station" and "City of God" are brilliant in their own right. But we can't deny that there should be more Brazilian movies out there showing all the beauty from this country, and "Bossa Nova" is one of those rare movies.
Director Bruno Barreto ("Dona Flor and Her Two Husbands") doesn't try to start a socio-political speech here. He cast his own wife Amy Irving as a charming American lady who teaches English in Rio, and falls in love with one of her students, a lawyer played by mature leading man Antonio Fagundes. Barreto's intention was to make a romantic comedy in Rio de Janeiro, dedicated to/inspired by Tom Jobim and François Truffaut. Not an art-house flick, not an Oscar movie. Just an enjoyable love story with great music and beautiful landscapes. And he succeeded. Far from being a masterpiece, "Bossa Nova" is a lovely film that should be seen by anyone who'd like to spend some pleasant 95 minutes, watching a not so popular (at least, not as it should be) side of this unique country. 7.5/10.
Director Bruno Barreto ("Dona Flor and Her Two Husbands") doesn't try to start a socio-political speech here. He cast his own wife Amy Irving as a charming American lady who teaches English in Rio, and falls in love with one of her students, a lawyer played by mature leading man Antonio Fagundes. Barreto's intention was to make a romantic comedy in Rio de Janeiro, dedicated to/inspired by Tom Jobim and François Truffaut. Not an art-house flick, not an Oscar movie. Just an enjoyable love story with great music and beautiful landscapes. And he succeeded. Far from being a masterpiece, "Bossa Nova" is a lovely film that should be seen by anyone who'd like to spend some pleasant 95 minutes, watching a not so popular (at least, not as it should be) side of this unique country. 7.5/10.
Let's be honest. Bossa Nova is not a heavy weight film. Nor does it pretend to be. That's its core charm. A bit frothy, yes, but leaves a sweet aftertaste that happily lingers for days.
I hadn't seen Amy Irving (Mary Ann) in quite a while and was glad to see her in this film. Her timid interplay with Faguendes (Pedro Paul) was sweet and touching. I enjoyed watching their love story unfold. Faguendes is obviously a well-known, beloved actor in his home country. It's the first time I've seen his work and I can see why he's so popular.
But there's plenty more to take note of. Watching Faguendes' family ties nearly unravel is almost heartbreaking at times. To see three generations is almost unheard of in today's movies. I was pleased to see it.
The other subplots are equally fun. The soon-to-be exported Brazilian soccer player's quest to learn how to curse in English is hilarious. And watching the girl dream of her online "boyfriend" is something many of us can relate to. Not to mention the soulful longing of the young man (Pedro Paul's son)who wants her but isn't brave enough to state his case.
All this plays out against an almost idyllic backdrop of sand dunes, towering mountains, charming cafes and crashing surf. Sure, it may not be the entire face of Rio but would you want to see the sewers in New York City? I doubt it. I've never been to Rio but this movie had me dreamily considering it.
Jobim's music, by the way, is the perfect choice. Like sunlight on water...
I hadn't seen Amy Irving (Mary Ann) in quite a while and was glad to see her in this film. Her timid interplay with Faguendes (Pedro Paul) was sweet and touching. I enjoyed watching their love story unfold. Faguendes is obviously a well-known, beloved actor in his home country. It's the first time I've seen his work and I can see why he's so popular.
But there's plenty more to take note of. Watching Faguendes' family ties nearly unravel is almost heartbreaking at times. To see three generations is almost unheard of in today's movies. I was pleased to see it.
The other subplots are equally fun. The soon-to-be exported Brazilian soccer player's quest to learn how to curse in English is hilarious. And watching the girl dream of her online "boyfriend" is something many of us can relate to. Not to mention the soulful longing of the young man (Pedro Paul's son)who wants her but isn't brave enough to state his case.
All this plays out against an almost idyllic backdrop of sand dunes, towering mountains, charming cafes and crashing surf. Sure, it may not be the entire face of Rio but would you want to see the sewers in New York City? I doubt it. I've never been to Rio but this movie had me dreamily considering it.
Jobim's music, by the way, is the perfect choice. Like sunlight on water...
7=G=
"Bossa Nova" is a fun and light hearted film about the romantic involvements of an ensemble of diverse but interconnected characters including one relationship hatched over the Internet. This charming little film features plenty of samabas, postcard panoramas of the Copacabana, and a 90 minute story which moves along quickly and will leave a smile on your face.
Le saviez-vous
- AnecdotesGiovanna Antonelli's debut.
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 1 823 297 $US
- Montant brut mondial
- 4 069 261 $US
- Durée
- 1h 35min(95 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant