I Kina spiser de hunde

I have seen both IN CHINA THEY EAT DOGS and it's prequel, OLD MEN IN NEW CARS, and I have to say that this is the best of them. Where OLD MEN is a little more formulaic and recognizable as an average crime comedy, CHINA has fantastically bizarre elements that surprise and alarm. It's amazing how comical death can be if handled in the right way.

The film does bring up genuinely philosophical questions of right and wrong that, in my household, spurred interesting discussions about morality vs. social norm.

By the end of the film you most likely will be thinking about the same things and hoping that in your last hours you too will be able to avoid the men in the funny pants.

I Kina Spiser de Hunde(In China They Eat Dogs) is a Danish version of Lock, Stock and Two Smoking Barrels. It's a combination of comedy, drama and action with lots of black humor. Fact that movie is written like all Danish mega hits by Andreas Thomas Jensen was good enough for me to watch it.

Kim Bodnia is absolutely fantastic in this movie, playing a ruthless villain and psychopath who also has his tender side, love for his brother. Dejan Cukic, Tomas Villum Jensen and Nikolaj Lie Kaas alongside Vuk are responsible for funny situations. And Serbians mob complete the circle which makes this movie so enjoyable and makes you wanna watch the sequel Gamle mænd i nye biler(Old Men in New Cars).

*Nikolaj Lie Kaas made his breakthrough with this movie and we all know that he is alongside Mads Mikkelsen and Ulrich Thomsen best actor in Danish cinematography for the past 15 years.

This is a very funny movie that entertains you all the way. Something happens from the beginning through the end. Even during the subtitles people stayed, to hear the last jokes. Many of the things happening has been done before, but here is added some typical Danish black humor. Like when one guy, shoots another guy, and then calmly asks him to shut up. And even though the poor guys brain is all over the room, you can't help laughing. I think there are 22 killings in the movie, but it's done in a way, so you never takes it serious. You are always aware that this is a movie, and it's all just for fun.

I think it can be compared to Pulp Fiction, for the way people gets killed, and to Lock, Stock and Two Smoking Barrels in the way the main characters are trying to raise money, with all the problems and killing this leads to.

I will give this a 9 of 10, because it's a little superficial, and not totally original, but I haven't laughed so much for a long time. Not since I saw the other new Danish top comedy Den Eneste ene in the spring.

... they would have apparently created a similar works, at least in their youth. Also here, a series of crazy and violent events with "ordinary" and "mad" people involved are triggered by a small short-term event. The things will never be the same and all characters have to review their values, approaches and problem-solving methods. Solutions are often damaging and/or fatal, although the outcome is not anticipated (however, using a narrator and its role in the very ending are witty and distinct). The cast is also strong and catchy, Kim Bodnia and Nikolaj Lie Kaas, above all; the latter's recurring line "We are only cooks!" makes you always giggle.

The only question I wanted to raise throughout the film: what about police, journalists - or sometimes even witnesses? So many tough-rough acts and no response from them at all?

Still, recommended if you like twisted action comedies with fine performances.

Hit action comedy from celebrated writer Anders Thomas Jensen and director (and former stuntman) Lasse Spang Olsen. Put-upon Arvid is left by his girlfriend, and when he manages to foil a bank robbery with a squash racket, his life goes from bad to worse, getting involved with hardened criminal brother Harald (the excellent Kim Bodnia, tough and hilariously deadpan). Perhaps the highest body count of a Danish movie ever (Arvid accidentally wastes entire rockband Red Warszawa with a machine gun), film suffers from occasional amateurish stunts, but is peppered with Jensen´s terrific dialogue, and a what-me-worry approach that is very rare among Danish filmmakers. Nikolaj Lie Kaas and Tomas Villum Jensen make a great comedic duo as the reluctant body disposers, who just want to be cooks. Framed by a strange supernatural story that is so politically incorrect that you can´t help but laugh out loud. *** (of ****)