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Requiem for a Dream

  • 2000
  • 16
  • 1h 42min
NOTE IMDb
8,3/10
945 k
MA NOTE
POPULARITÉ
253
33
Jennifer Connelly in Requiem for a Dream (2000)
Theatrical Trailer from Artisan
Lire trailer1:34
4 Videos
99+ photos
Psychological DramaTragedyDrama

Les utopies par stupéfiants de quatre habitants de Coney Island sont brisées lorsque leurs addictions s'aggravent.Les utopies par stupéfiants de quatre habitants de Coney Island sont brisées lorsque leurs addictions s'aggravent.Les utopies par stupéfiants de quatre habitants de Coney Island sont brisées lorsque leurs addictions s'aggravent.

  • Réalisation
    • Darren Aronofsky
  • Scénario
    • Hubert Selby Jr.
    • Darren Aronofsky
  • Casting principal
    • Ellen Burstyn
    • Jared Leto
    • Jennifer Connelly
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    8,3/10
    945 k
    MA NOTE
    POPULARITÉ
    253
    33
    • Réalisation
      • Darren Aronofsky
    • Scénario
      • Hubert Selby Jr.
      • Darren Aronofsky
    • Casting principal
      • Ellen Burstyn
      • Jared Leto
      • Jennifer Connelly
    • 2.5Kavis d'utilisateurs
    • 204avis des critiques
    • 71Métascore
  • Voir les informations de production sur IMDbPro
  • Film noté 91 parmi les meilleurs
    • Nommé pour 1 Oscar
      • 37 victoires et 69 nominations au total

    Vidéos4

    Requiem for a Dream
    Trailer 1:34
    Requiem for a Dream
    Requiem for a Dream
    Trailer 1:20
    Requiem for a Dream
    Requiem for a Dream
    Trailer 1:20
    Requiem for a Dream
    Requiem for a Dream | Anniversary Mashup
    Clip 1:18
    Requiem for a Dream | Anniversary Mashup
    What Roles Has Jennifer Connelly Turned Down?
    Clip 3:18
    What Roles Has Jennifer Connelly Turned Down?

    Photos329

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    Rôles principaux79

    Modifier
    Ellen Burstyn
    Ellen Burstyn
    • Sara Goldfarb
    Jared Leto
    Jared Leto
    • Harry Goldfarb
    Jennifer Connelly
    Jennifer Connelly
    • Marion Silver
    Marlon Wayans
    Marlon Wayans
    • Tyrone C. Love
    Christopher McDonald
    Christopher McDonald
    • Tappy Tibbons
    Louise Lasser
    Louise Lasser
    • Ada
    Marcia Jean Kurtz
    Marcia Jean Kurtz
    • Rae
    Janet Sarno
    • Mrs. Pearlman
    Suzanne Shepherd
    Suzanne Shepherd
    • Mrs. Scarlini
    Joanne Gordon
    • Mrs. Ovadia
    Charlotte Aronofsky
    • Mrs. Miles
    Mark Margolis
    Mark Margolis
    • Mr. Rabinowitz
    Michael Kaycheck
    Michael Kaycheck
    • Donut Cop
    • (as Mike Kaycheck)
    Jack O'Connell
    Jack O'Connell
    • Corn Dog Stand Boss
    Chas Mastin
    • Lyle Russel
    Ajay Naidu
    Ajay Naidu
    • Mailman
    Sean Gullette
    Sean Gullette
    • Arnold The Shrink
    Samia Shoaib
    Samia Shoaib
    • Nurse Mall
    • Réalisation
      • Darren Aronofsky
    • Scénario
      • Hubert Selby Jr.
      • Darren Aronofsky
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs2.5K

    8,3944.7K
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    Résumé

    Reviewers say 'Requiem for a Dream' is a powerful film exploring drug addiction's harsh realities. Burstyn, Leto, Connelly, and Wayans deliver compelling performances. Aronofsky's direction, with split-screen shots and rapid editing, is innovative yet divisive. The haunting score and cinematography enhance emotional impact, though some find the stylization excessive. Despite mixed views on its approach, the film is noted for its strong emotional reactions and unflinching portrayal of addiction's consequences.
    Généré par IA à partir de textes des commentaires utilisateurs

    Avis à la une

    8bshsfo

    Punishing and Unforgettable

    I respect and admire this movie, even though (and perhaps because) it is complex, occasionally irritating and often very hard to take. Frankly, I avoided seeing it for a long time, but now am glad I did. To complain that the film fails as a realistic portrayal of addiction is, I think, to miss the point. Far from being the mere depiction of a collective downward spiral fueled by drugs, the movie is in fact a meditation on loneliness, greed, corruption, desperation, and the pervasiveness/banality of media, among many other things.

    The subtleties of the text are communicated, first and foremost, by superb acting. The performances of Ellen Burstyn, Jared Leto, Jennifer Connelly, and Marlon Wayans are all revelatory. In particular, I was knocked out by Burstyn, who is almost comically pathetic in the beginning, but who manages by the end to convey her character's utter devastation in the truest, most heartbreaking manner imaginable. The others are absolutely perfect as well; I was simply astonished by Leto and especially Wayans (may he eschew "scary movies" forevermore). Connelly has perhaps the most difficult role in the film, with opportunity and motivation galore to go over the top, and she delivers not a single false note throughout.

    My only real quibbles with the movie have to do with certain instances of the split-screen and jump-cut techniques, which struck me as somewhat gimmicky and repetitious, respectively. That being said, overall the style of the film is impressive and appropriate. The cinematography is beautifully conceived and executed, and the score is every bit as haunting as the performances (thanks largely to the work of the Kronos Quartet).

    In sum, regardless of whether or not the subject matter itself shocks you, this movie will put the viewer through the proverbial wringer. Give it a chance, and you will connect with the characters and then witness their destruction (spiritual and otherwise). It is a punishing but unforgettable experience. I'm not sure whether I'd necessarily recommend it or not; it all depends on your personal tolerance level with regard to an unflinching portrayal of human nature and behavior at their most extreme and, ultimately, tragic. For my part, while I don't expect to watch this film very often in the future, I'm sure glad it'll be on the shelf.
    9PCC0921

    No Need For a Comfort Zone

    Requiem for a Dream (2000), is a human character-study on film. Darren Aronofsky's, crazy, drug-induced, rollercoaster-ride, gives that 1980s feel to the viewer, throughout the whole film. It has a fantastic calling to that old-Hollywood-style of filmmaking. The best component to this film is most definitely, the acting. Ellen Burstyn is Sara Goldfarb, a retired couch-potato, who is addicted to a bad self-help TV show, that cons her into believing she can lose weight if she uses certain drugs. These pharmaceuticals eventually destroy her mind and create a horrible addiction for her. Meanwhile, her dead-beat son, Harry (Jared Leto), comes up with the brilliantly dumb idea of creating a haven for himself, his friend Tyrone (Marlan Wayans) and Harry's girlfriend, Marion (Jennifer Connelly), by getting into the street-drug business. Unfortunately, he and his friends are now all junkies and things don't go so well as planned.

    This film is not for the squeamish. It involves many horrible aspects of life. It shows the terrible things human beings are capable of doing, to themselves and the consequences, of such poor decision-making. Requiem for a Dream (2000), does manage to pull at your emotions and makes you feel, very sorry for these people. I won't say anymore, but there is a reason why Ellen Burstyn was nominated for the Best Actress Oscar for this film. The directing, camera-work and editing, is fantastic. Aronofsky's direction is quite fitting, for the drug-incited delusions seen in the film. Jennifer Connelly's performance is staggeringly good. She definitely leaves her comfort zone for this film. For myself, Requiem for a Dream (2000), was shocking, brought out many emotions and contained a life-lesson, we should all pay attention to.

    PMTM Grade: 9.0 (A-) = 9 IMDB.
    eric226

    Awful and Essential

    I'm not going to waste space with a synopsis, as every second or third review provides one. A good indication of a challenging and original film is the number of 1/10 and 10/10 reviews, where the 1/10 reviews consist of just a few lines. A pretty sure sign that those folks weren't able or willing to watch with an open mind. Which is a good sign for casual viewers to give this film a wide berth.

    I wish everyone I care about would see Requiem for a Dream. Not because they will like it, or that it will teach them something they did not already know, but that it's a rare piece of work that will challenge and probably change them. It's a film that has never been made before, with nothing to compare to it - a rarity these days. I often find myself recommending films to people that I am unable to briefly describe. These are usually the most involving and affecting ones. I'd like my family to see this, but can't *recommend* it to them. I've recommended it to two friends, and they both had the same reaction: I am glad I watched it, but I doubt I'll be in the frame of mind to watch it again, knowing what you feel.

    As I sat watching the credits roll, I began crying, but I'm still not sure why. Partly in reaction to the devastatingly tragic ending, partly the beauty (yes) of the film, partly my gratitude for good things in my life. I watched it again the same night with my girlfriend, not because I wanted to upset her, but I felt that I had to share it. After the credits rolled, we both were silent for a good ten minutes. I found that I had thoughts I wanted to express, but could find no words. This is one of the few films that are painful to experience, but I feel compelled to share with people I care about. Some others in that short list include The Thin Red Line, Happiness, River's Edge,and The Deer Hunter.

    These films all share a quality that's difficult to name. No one likes feeling disturbed or shattered by a film, a work of art, a piece of music, but I feel experiencing these emotions and being asked to think, not just be entertained, is important now and then.

    "Favorite" does not apply to this for me - this isn't about entertainment. One of the most devastating and beautiful experiences I've had watching a film. One of the top five films I've ever seen.
    9hwm-05554

    Great movie, I hated every minute of it

    This movie is about how drugs can affect your life. Watching this movie really hurts. If you want to convince someone to stop doing drugs / live more healthy this is the movie to do it. Great acting (especially by Ellen Burstyn) and a realistic / convincing story but man is it painful to watch. This is the kind of movie you are happy to have watched at some point but you don't want to rewatch it because it is a real mood killer.

    9/10 would recommend if you are looking for a heavy, dramatic movie.
    tomduhood

    the summary of a history.

    being someone who had a history with drugs, i found this movie to be slightly more than ground-breaking. i saw this film in the midst of a downward spiral, and it turned me right around! having friends with the same plans, such as sell drugs to buy more drugs..it made me look at my life and theirs and see exactly what the future had in store.

    now, every time i see this movie since escaping that life, i cry. i cry for my past and those who still live in it. this movie has more to say to people my age than any drug education movie we were afforded in school. honestly, i wonder when the school systems will wisen up to what is really going to get kid's attention; movies that show that pros as well as the cons of drugs, or a movie that shows the complete and utter devastation drugs will bring to your life, and the lives of those around you. honestly, had i seen this film before my sophomore year of high school, i would have never even dreamed of taking more than the prescribed dose of advil.

    granted, my little summary or comment of this movie does not entail anything informative about the movie itself, i must say, i feel this is the best way i know to express my views.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      (at around 44 mins) During Ellen Burstyn's impassioned monologue about how it feels to be old, cinematographer Matthew Libatique accidentally let the camera drift off-target. When director Darren Aronofsky called "cut" and confronted him about it, he realized the reason Libatique had let the camera drift was because he had been crying during the take and fogged up the camera's eyepiece. This was the take used in the final print.
    • Gaffes
      When the characters take Heroin, either injected or snorted, the sequence showing their eyes dilating is inaccurate. Opiates produce a constricting of the pupil. However, the dilating is correct when the characters are using Ecstasy and Cocaine.
    • Citations

      Sara Goldfarb: I'm somebody now, Harry. Everybody likes me. Soon, millions of people will see me and they'll all like me. I'll tell them about you, and your father, how good he was to us. Remember? It's a reason to get up in the morning. It's a reason to lose weight, to fit in the red dress. It's a reason to smile. It makes tomorrow all right. What have I got Harry, hm? Why should I even make the bed, or wash the dishes? I do them, but why should I? I'm alone. Your father's gone, you're gone. I got no one to care for. What have I got, Harry? I'm lonely. I'm old.

      Harry Goldfarb: You got friends, Ma.

      Sara Goldfarb: Ah, it's not the same. They don't need me. I like the way I feel. I like thinking about the red dress and the television and you and your father. Now when I get the sun, I smile.

    • Crédits fous
      The man on the train who says "You're whacked" to Sara when she tells him that she's going to be on TV is credited as "You're Whacked".
    • Versions alternatives
      Available in both the uncut, unrated theatrical version and an edited, R-rated version (mainly for conservative rental stores like Blockbuster.)
    • Connexions
      Featured in Siskel & Ebert & the Movies: Remember the Titans/The Exorcist: The Version You've Never Seen/Under Suspicion (2000)
    • Bandes originales
      Bialy & Lox Conga
      Performed by The Moonrats

      Marcel Reginatto - Saxophone, Vocals

      Brian Emrich - Bass Guitar, Vocals

      Oscar Oñoz - Trumpet, Vocals

      Theodore Birkey - Keyboards, Vocals

      Tico Torres (as Hector Torres) - Percussion, Vocals

      Darren Aronofsky - Vocals

      Engineered, Programmed and Mixed by James Murphy for DFA at Plantain Recording House NYC

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    FAQ23

    • How long is Requiem for a Dream?Alimenté par Alexa
    • What are some interesting facts about drugs?
    • Is this movie adapted from a novel?
    • What are the differences between the R-Rated version and the original NC-17 version?

    Détails

    Modifier
    • Date de sortie
      • 21 mars 2001 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Réquiem por un sueño
    • Lieux de tournage
      • Coney Island, Brooklyn, Ville de New York, New York, États-Unis
    • Sociétés de production
      • Artisan Entertainment
      • Thousand Words
      • Sibling Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 4 500 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 3 635 482 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 64 770 $US
      • 8 oct. 2000
    • Montant brut mondial
      • 7 391 471 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 42 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Surround 7.1
      • Dolby Digital
      • Dolby Atmos
    • Rapport de forme
      • 1.85 : 1

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