A Christmas Carol

A Christmas Carol is such a timeless story, one that almost everybody knows and is Charles Dickens' most accessible works. This 1977 adaptation is a very good one and, while not as good as the Sim, Scott and Muppet versions, deserves to be better known. It is too short in length and did feel rushed as a result, it needed another thirty minutes at least. The production values are not quite of the highest quality but are at least acceptable and hardly ugly-looking, they also at least give some atmosphere, with Cratchit trying to warm his hands you can actually feel the cold in which he works. The adaptation is directed assuredly, and is well-performed too. Michael Hordern is a most credible Scrooge, Alastair Sim is still the definitive Scrooge but Hordern does a fine job as well. There's also John Le Meseurier's spooky Jacob Marley, Clive Merrison's humble Bob Cratchit, Paul Copley's jovial Fred(one of the better actors as the character alongside Barry MacKay in the 1938 film) and Timothy Chasin's heartfelt Tiny Tim. The Three Christmas Ghosts are very well-characterised as well, especially Bernard Lee as Ghost of Christmas Present, funny and imposing. What makes this adaptation as worthwhile as it is is how it tells the story. The dialogue, being amusing, dark and with pathos, is very Dickenesian and adapted intelligently. And the story, for one told in such a short running time, maintains the spirit of the story, and is every bit as magical, charming and enthralling as it should, the message is one to warm the heart and the darker aspects are genuinely foreboding. Overall, a very good adaptation and deserving of more credit. 8/10 Bethany Cox

In comparison to longer, more showy versions of Dickens' classic novella, this version from 1977 with Michael Hordern as Scrooge can look a bit underfunded - however, I think that its short length and the quality of its cast outweigh these concerns.

The key of adapting a familiar story is to meet expectations in many ways, and this version does succeed. The visitations of the four spirits (including Jacob Marley), are well done, Bernard Lee as Christmas Present, John Le Mesurier as Marley amongst them. Hordern himself makes a good Scrooge, grey, morose and menacing at the start, and gentle and reformed at the end.

Alongside versions with Alistair Sim, George C Scott, Patrick Stewart, and others, this version more than holds its own.

I highly recommend this terrific U.K. television version of A CHRISTMAS CAROL and I wish it was better known than it is. Some PBS stations used to show it in the late 1970's and early 1980's but since then this version of the Dickens Christmas classic has shown up rarely even on cable.

Let me make it clear right off the bat that I'm one of those people who could watch an "All CHRISTMAS CAROL, All The Time" channel every December. That doesn't mean that I love each and every version of the story that comes along, it just means I love watching them all every single year. This adaptation of the story stands out from every other film and television version I've seen and only it's low budget and short running time put it behind the George C Scott classic.

The lighting may be 70's sitcom level and for some scenes this T.V. movie may use painted backgrounds but it wins the viewer over by demonstrating over and over again that it "gets" the point of the story. There's no attempt to psycho-analyze any of the characters, no silly attempt to contemporize the ghosts, no omission of Ignorance and Want and for once Belle doesn't overstay her welcome.

The secret of this version's appeal is that it uses nothing but Dickens' own story and best of all, nothing but Dickens' own dialogue. This may put the conversational exchanges over the heads of very young viewers but those who love the novelette will be ecstatic about this. Dickens' wordplay in the original story is wonderfully close to prose poetry and it's delightful to hear it presented in it's original form. Similarly, there are no fabrications of scenes not in the "real" story and no extraneous characters added. I enjoy seeing what some adaptors do with the story as much as anyone but it's refreshing to see a visual depiction of nothing but the content in the original classic.

Non-devotees of A CHRISTMAS CAROL would likely rate this lower than I do since I think the emotional bang of this telefilm makes up for it's budget limits. Even CAROL purists may be put off by the omission of some scenes from the original story but with the short running time that can't be remedied. Unless someone eventually does a film version of this story that's as slavish to it's source material as Erich Von Stroheim's GREED was to the novel McTEAGUE I don't think we'll see an adaptation that comes closer than this to realizing Dickens' original work.

As long as you don't expect outstanding production values I think the heartfelt performances and respect for the viewers' intelligence will put this version of A CHRISTMAS CAROL near the top of your list.

Considering the short length and limited budget, this BBC production is an excellent version. It does appear like a theatrical production that's been put on video and some of the sets are simply painted backgrounds. However, none of this bothered me and I actually prefer it to some higher budget versions. I agree with another reviewer here who claimed you could feel the cold in Scrooge's office when Cratchit is warming his hands at the candle!

Michael Hordern certainly looks the part of Scrooge. However, he is not compelling in the role, no match for Alastair Sim who really draws the viewer in. There seems no emotional engagement with Scrooge, little of the warmth that some actors bring to the role. It's Scrooge himself who drives the story and the attachment a viewer should feel to the character simply wasn't there. This may be partly due to the short length and the fact that the older, present day Scrooge isn't very involved in the storytelling. The spirits present their flashbacks and glimpses with little input from him.

The major problem with this adaptation is length, it being impossible to do the story justice in one hour. Either vital characters and scenes must be omitted and/or there's a rushed feeling. Here the major characters are present -- even debtors Caroline and her husband showing relief at Scrooge's death (not shown in most versions). The main scenes are also depicted though sometimes quite abbreviated. There is a rushed feeling to the production, especially at the end. For instance, when Scrooge joins Fred and his wife for Christmas dinner, barely do they exchange greetings. The scene is simply too hurried to get the proper dramatic sense of the joy these relatives feel in connecting.

This production features an excellent supporting cast. This is one of only two versions I've seen (the other being the 1999 Patrick Stewart) where Christmas Present ages during the course of his visit, as he does according to Dickens. I loved nephew Fred and found Bob Cratchit one of the most compelling I've seen. The Cratchit children are reduced from six in number to four -- budget constraints perhaps!

One aspect I appreciated, despite its deviation from the original, was Fred's 'scaled down' dinner party. Instead of the large gathering typically shown, there's only a foursome -- Fred, his wife, and one other couple sitting in the parlour. This gives the scene what I've aptly heard described as a charming intimacy. Another notable deviation from the novelette is the children Ignorance and Want appearing apart from the Spirit of Christmas Present rather than underneath his robe.

The primary attraction of this adaptation is its faithfulness to Dickens, apart from these minor exceptions mentioned. Almost all the dialogue is verbatim, albeit Scrooge fails to mention 'smoking bishop' in his final conversation with Bob! For all true fans of the Carol, I consider this a 'must see' version, if only to watch 'Marley' from the famous 1951 Alastair Sim version himself playing Scrooge!

Spending your time spotting actors you've seen in other stuff may hold the key to making it through this rather lifeless adaptation of A Christmas Carol.

Michael Horden makes a reasonable Scrooge but the surrounding production lets him down as it's clear that this suffers from a thin budget. Using drawings rather than actual sets may have a quaint charm in children's television, but here it just draws attention to how Scrooge-like the BBC must have been when they commissioned it.

There are plenty of Christmas Carols on IMDb. This one isn't horrendous, but it's certainly forgettable.