Rien sur Robert
- 1999
- Tous publics
- 1h 47min
NOTE IMDb
6,3/10
1,1 k
MA NOTE
Didier n'avait pas imaginé qu'une mauvaise critique d'un film qu'il n'a pas pris la peine de regarder lui causerait tant d'ennuis.Didier n'avait pas imaginé qu'une mauvaise critique d'un film qu'il n'a pas pris la peine de regarder lui causerait tant d'ennuis.Didier n'avait pas imaginé qu'une mauvaise critique d'un film qu'il n'a pas pris la peine de regarder lui causerait tant d'ennuis.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 1 nomination au total
Photos
Marilú Marini
- Ana
- (as Marilu Marini)
Pascal Bonitzer
- L'homme dans la librairie
- (non crédité)
Avis à la une
I don't even want to waste my time describing how bad this movies is. Avoid it at all cost, you'll thank me. But anyway, here goes:
A very good example of french movie crap. Plotless, pointless, depressing, just plainly bad. A waste of talent, time and money.
A very good example of french movie crap. Plotless, pointless, depressing, just plainly bad. A waste of talent, time and money.
1soyt
I agree with MeisterK this movie was really bad. I think they wanted to make a kind of trendy intellectual movie but they totally missed the point. I find the overall stuff ridiculous, the characters are not credible at all, dialogs are nonsense,... and Luchini is playing Luchini...
It's not a typical french movie as MeisterK said. This one is just bad.
It's not a typical french movie as MeisterK said. This one is just bad.
I think people were confused that there were no heroes and heroines. Just flawed people trying to hide their imperfections and behave in a polite bourgeois fashion despite the mayhem created by the film review. It's not a movie to sit gawping at with popcorn. I was fascinated and laughing at the same time. I've never forgotten watching it.
Do characters have to be credible and does a dialogue have to be realistic for a movie to be 'good'? This movie certainly isn't everyone's cup of tea. The typical french virtues/vices of film making are present here: "over-intellectualizing, not tying up a storyline, and wasting time on details", yet, at the same time, the film satirizes exactly this French behaviour, and that what for me makes it very enjoyable, and proves its one step ahead of the current french film makers who all too often take themselves much too seriously without delivering anything intellectually original or emotionally engaging. In particular Sandrine kiberlaine's character is very entertaining.
A genuine comedy of manners and mores with razor sharp timing and a troupe of actors, including the inimitable Michele Piccoli, who can convey a vast range of feelings with the slightest nuances of gesture or tone. The story of a French critic most famous for reviewing a film he never saw and the ups and downs of his love life is especially delicious if you are familiar with the hothouse atmosphere of French intellectual life. But the French gift for portraying the childish emotions that beset adult activities makes this film enjoyable for a wide audience.
Le saviez-vous
- AnecdotesDirector Pascal Bonitzer appears as a bookshop client looking for Robert Desnos' books.
- ConnexionsReferenced in "Conversations avec ...": Catherine Corsini (2024)
- Bandes originalesRay of Light
Written & Performed by Leon Parker
Meilleurs choix
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Détails
Box-office
- Budget
- 4 $US (estimé)
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