NOTE IMDb
7,4/10
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Ajouter une intrigue dans votre langueZatoichi, while fighting off the usual group of gangsters, meets the apprentice of the swordsman who created his blade, who relays bad news about the sword.Zatoichi, while fighting off the usual group of gangsters, meets the apprentice of the swordsman who created his blade, who relays bad news about the sword.Zatoichi, while fighting off the usual group of gangsters, meets the apprentice of the swordsman who created his blade, who relays bad news about the sword.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Avis à la une
This is a fairly sedate but still interesting entry in the series. Zatoichi discovers that his trusty blade is about to break, and he decides to settle down as a domestic servant rather than risk losing his life and his sword. Naturally a spanner is thrown in the works by another naughty warlord, and complications ensue.
This is another fine performance by Shintaro Katsu. First he gets a ride with a group of traveling performers. The woman singing the song had such a beautiful voice, she sounded like a professional singer. Then, he befriends a swordmaker, who tells him that his sword is about to break after another kill. So Zatoichi reluctantly gives him his sword, and has to fight only using a bamboo cane. The best part of the movie is when he does his song and dance routine about the ducks. He looked so goofy wearing that scarf around his head. It made him look like a woman. It was SO funny, I could not stop laughing even after that scene was over.
In this new episode of the Zatôichi'a saga, the blind hero regains some of his charisma, in an adventure of gambling, gangsters and katanas of sublime quality.
Only the use of color prevents a complete return to the brightness of the first episode. Not that the cinematography of Senkichirô Takeda, an experienced and competent technician, is bad. The problem is that this Zatôichi is a lonely hero, a gambler and an adventurer who dabbles in the underworld of the Yakuza to settle disputes and protect the underdog. He is a ronin who shines most brightly in the shadows of black and white. As if it were a hybrid of a western and a film noir, transposed to feudal Japan.
The fashion for color has changed Zatôichi. But in this film it is still possible to find traces of the surprising character of the first episode.
After a romantic break, Zatôichi returns to his natural habitat in style. As if Clint Eastwood was temporarily transported by magic to the "western" ronin universe.
Only the use of color prevents a complete return to the brightness of the first episode. Not that the cinematography of Senkichirô Takeda, an experienced and competent technician, is bad. The problem is that this Zatôichi is a lonely hero, a gambler and an adventurer who dabbles in the underworld of the Yakuza to settle disputes and protect the underdog. He is a ronin who shines most brightly in the shadows of black and white. As if it were a hybrid of a western and a film noir, transposed to feudal Japan.
The fashion for color has changed Zatôichi. But in this film it is still possible to find traces of the surprising character of the first episode.
After a romantic break, Zatôichi returns to his natural habitat in style. As if Clint Eastwood was temporarily transported by magic to the "western" ronin universe.
I love the Zatoichi movies, though I have found that because they made so many and the plots tended to blend together so often, it is hard to distinguish them apart. I would give all of them about the same score of a 7 or an 8--with a few exceptions (the return of the original in 1989 was a TERRIBLE and depressing movie, while the new Zatoichi movie starring Beat Takeshi is probably the best of any Zatoichi movies).
This movie features a unique plot--something many Ichi films do not feature. His relationship with the sword maker and what happens when his old blade ultimately breaks make this one stand out from the crowd. It's also nice to see that he is indeed NOT invincible.
This movie features a unique plot--something many Ichi films do not feature. His relationship with the sword maker and what happens when his old blade ultimately breaks make this one stand out from the crowd. It's also nice to see that he is indeed NOT invincible.
Master Ichi finds out from a friendly sword-smith that his legendary blade has a weak point and thus, will break upon his next attack. This inspires him to give it up and attempt to live life on the straight and narrow. Of course, with all the evil men lurking about and terrorizing the locals, somebody eventually has to do something. And you know who that somebody is. There's not too much action for the first hour but when it comes, it's classic Zatoichi, meaning some of it must be rewound just to enjoy it a second time. Zatoichi's Cane Sword (#15) is one of the best in the 27-film series (and has some of the best bits of humor from Zatoichi, like the whole "duck dance" scene) and as such, I'd recommend it to both fans and non-fans alike. And in case no one knew, Katsu Shintarô rocks.
Le saviez-vous
- AnecdotesIn the film they refer to a character receiving a hook. This refers to the Japanese jitte, which translated means 'ten hands', and was a weapon carried by police in the Edo Period of Japan and was given to Constables to denote rank.
- GaffesAfter Oshizu serves Zatoichi some food her brother comes to talk to her. In the background Zatoichi spills some of his rice as he's eating it from a bowl, twice. He picks up the first portion he spilled on his lap easily but while picking up the second portion he spilled off to his side, he tries to pick it up like the blind character he plays, without looking. Not finding that portion, he looks down to see where it's at, then proceeds to pick it up before the scene cuts.
- ConnexionsFollowed by Zatôichi rôyaburi (1967)
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- How long is Zatoichi's Cane Sword?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Zatoichi's Cane Sword
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 33 minutes
- Rapport de forme
- 2.35 : 1
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