José Rizal

Jose Rizal is a lush, vivid, graphic portrait of the achievements of the National Hero of the Philippines. The direction and cinematography are first-rate, as is the acting. The picture strays from many "Hollywood" constructs in laying out the final days of Rizal, although flashbacks play a major role in depicting the development of Rizal's revolutionary pro-independence philisophy. I recommend this film for anybody interested in world history and anybody who wants to see a top-notch non-Hollywood production. I would *not*, however, recommend this film for anybody under the age of 16, as the subject matter is very disturbing and can be confusing to those lacking the maturity to process intense psychological drama.

This film has power. I did not feel this 3-hours-movie long. Director Diaz-Abaya described Rizal not only from outside but from his inner side. The plot was very complicated, but still not difficult to follow.

Since I first knew of Rizal in a book of Asian history, I have had a question. Why is Rizal the National Hero, not Aginard, nor Bonifacio? Rizal did little except writing two novels. Why? Watching the movie, I thought I had an answer. Historically, his books and his death triggered the revolution activities. But true reason is, I suppose, that Rizal had a universal view on humanity and freedom. I was impressed by the following two lines: 1) In a Madrid pub, he says "Unless we first learn self-respect, we will not be respected by any other peoples." 2) After having death sentence, his barrister says he is ashamed as a Spanish. Rizal says, "No, we are the same human beings." He was not a perfect man, nor his ideas. But he left something everlasting, that Filipinos can be proud of.

The next question I had was: His death triggered the revolution activities. Was it beyond his will, or did he want it to happen? The night before execution, the ghost of Simoun came out in his room, and urged him to rewrite the story. At last Rizal says "Let me have a rest. To know who I am." Then he rewrites the story so that the lamp explodes to kill many suppressors. So, what Abaya wants to say?

Anyway, it is a very good film. It is the first Philippine film put on a Japanese screen except kinds of film festivals. I hope more Philippine films are shown in Japan, especially Abaya's.

wow...this is the reaction I felt after watching this movie documenting the life of Jose Rizal. I couldn't help but feel a sense of pride when watching certain parts. I'd recommend anybody to see this movie, but I think filipinos should see it too, as the movie is a perfect blend of the Philippine national hero's life and his two books, Noli Me Tangere and El Filibustrismo, and will leave you feeling this sense of pride in your country.

The movie Jose Rizal is a great interpretation of the Philippines's tragic history. I believe it got all it's facts right which would help a lot in studying this quarter's lesson. It also shows patriotism and heroism in a peaceful way. It also is an accurate and colourful biography of Jose Rizal's full life. However, there were a lot of points where it was very difficult to understand what Jose Rizal was saying because it was usually in Spanish, and although they were really speaking in Spanish, I could tell Cesar Montano was having difficulties in reciting his Spanish lines. It only shows how he lacked practice and coaching with these parts. It is also rather confusing to watch because there were too many flashbacks and you won't know if he was still in Spain or what. If you are a person who is easily confused, do not watch this movie because all you would do is gape at the screen and be befuddled by these flashbacks. Of course, if you can cope with the weird scene-cuttings, well, there isn't a problem with watching it at all. I would also encourage you to watch it again after the first time to understand it more clearly. I would not recommend this movie to students' grade 5 and below. Apparently, the movie has its own complexity and some scenes of violence. There are also some scenes wherein it's very inappropriate for young children such as the nude and bed scene in the first part. Although the scene shows how abusive the friars are with their power which would include raping Filipino women, the scenes are very disturbing, even for us. There is also some times wherein Jose Rizal has somewhat a mad glint in his eye as if he seemed frustrated which is quite disturbing to look at. It only shows the desperation of Jose Rizal through body language; however, this was excellently portrayed in some scenes. Although based on true fact, I believe that the fact that Jose Rizal did have a love affair with his cousin should not have been shown in the movie because it gives Jose Rizal a new and bad light after he kissed Leanor Rivera, his cousin. Maybe they could have showed that Jose Rizal did have a love affair with his cousin in a more custom way, but it should not have been portrayed in a sexual way. This would completely disgrace Filipino culture because our culture is very conservative, and kissing in a clinic is very far from what I would say conservativeness of the Filipinos. Other love affairs of Jose Rizal such as the one with Josephine Bracken publicly showed that they had a child together, but it died during birth. It was also mention several times that they had a child. This would not only disgrace the name of Jose Rizal but also the Filipino people. Although he wasn't exactly what you would call a teenager at that time, a pre-marital baby is not what you would be proud to this day, and I guess in those days, you would reach the point of being disowned by your own family. And even though we all know that Jose Rizal was really a womaniser, you wouldn't want to know that our national hero actually was a very kinky man after all. Overall, I half-enjoyed and was also half-disturbed by the movie. This would certainly help in understanding the life of Rizal, but I really don't think it's appropriate for small kids. I would recommend this movie to people who would like to know more about the history of the Philippines, but personally, if you are not interested and you are not required to watch this at school, do not watch it because as I have said, it's very disturbing.

This is a copy of my reaction paper for this movie in History class and i'm 13 years old and we're REQUIRED to submit one.

Established Filipino director Marilou Diaz-Abaya apparently saw lots of promise in Cesar Montano and cast him as her José Rizal; I can think of better actors but otherwise her film is a visually dazzling, well-mounted biography of a Filipino hero. Cesar Montano enthusiastically bites into the quintessential role of José Rizal, with impressive Spanish lines and good affectations. He made Filipino viewers forget his beginnings as a vapid bold actor. 1969 Miss Universe Gloria Diaz is luminous as José Rizal's mom (winning a Best Supporting Actress MMFF award, her first in 29 years), yet her scenes are actually too brief to be considered memorable. Pen Medina, Subas Herrero, Ronnie Lazaro and (MMFF Supporting Actor winner) Jaime Fabregas lend okay support. Gardo Versoza, Tony Mabesa and Joel Torre (usually reliable thespians) are lacklustre here; Versoza's "Andres Bonifacio" is ludicrous. Chin Chin Gutierrez (as the complex character "Josephine Bracken"), acclaimed Broadway actress Monique Wilson (as fictional "Maria Clara") and starlet Mickey Ferriols are totally wasted here. We don't learn anything at all about Bracken, the love interest of Rizal. The effectively moody music of Nonong Buencamino won an award, and I also liked the lavish sets and costumes, starkly beautiful cinematography by Rody Lacap and the stunning visual effects by Mark Ambat. The Ricardo Lee-Jun Lana-Peter Ong Lim script is muddled and lacks a strong dramatic structure (conversations seeming to lead somewhere interesting are left suspended, and questions posed by the characters are never addressed at all) and the novelty of having the real-life José Rizal interact with the lead character of his novel is more confusing than engrossing. The script displays blatant biases, fallacies (a matter of opinion) and a ludicrous "deus ex machina;" it weighs down to actor Montano to carry the film with his insightful delineation of a favorite, if little-understood national hero. Marilou Diaz-Abaya has proven that women directors can come up with substantial gems in filmdom.