José Rizal

wow...this is the reaction I felt after watching this movie documenting the life of Jose Rizal. I couldn't help but feel a sense of pride when watching certain parts. I'd recommend anybody to see this movie, but I think filipinos should see it too, as the movie is a perfect blend of the Philippine national hero's life and his two books, Noli Me Tangere and El Filibustrismo, and will leave you feeling this sense of pride in your country.

I need it for school, my teacher wants me to have a copy of this so we can watch it during our class.

Happy Rizal Day to everyone! And as a special tribute to the national hero of my home country and hometown, here is an updated overview of the 1998 epic biopic, which I once considered the "best film of Philippine cinema".

It is overwhelming to realize the influence that this film brought to the country. In obvious reasons, it comes from the understanding of the famed hero and his exploits. "Jose Rizal" then succeeded on interpreting Rizal's life story. As it should be, this film is a helpful module for students and others who have yet to know about Rizal.

But glancing over that, others may seem to overshadow its slight faults. Though technically, "Jose Rizal" did excellently in its attempts to depict a Spanish-occupied Philippines, with its authentic sets, still cinematography, blend of sounds and images, and Marilou Diaz-Abaya's excellent direction. Its execution is nearly pitch perfect. Though it has to be set back by the story.

Nothing offensive to the story. In fact, in a roaring 178 minutes, you feel the Rizal's story coming to life. The backdrop is Rizal's imprisonment in Fort Santiago, and the rest of his story was shown in flashback. Best parts were definitely intertwining Rizal's monologues with excerpts from his novels "Noli Me Tangere" and "El Filibusterismo". Though the effort was excellent, the attempt was too tight to depict Rizal as a "chosen one" on a hero's journey. And the end result is the movie going by the numbers to properly tell Rizal's story and the rising of the Philippine revolution. At the end, screenwriters Ricky Lee, Jun Lana and Peter Ong Lim had done a fine job, bringing Rizal's life, piece by piece. A minor complaint, I could have expect more grand from Rizal and more emphasis on its surrounding crucial history. There was indeed more material than what was depicted. But helpfully, the film respects its audience's receiving thoughts. The saving grace, thankfully, is Cesar Montano, who had done a magnificent work portraying the titular hero in a stilted yet affectionate manner. He really deserves honor in what I can call his signature movie role. The cast ensemble of familiar faces of local showbiz provide gravitas needed for every sequence. But the standout is definitely Jaime Fabregas as Rizal's defendant, Luis Taviel de Andrade. The ensemble acts this out like a three-act play but it was worth sitting through.

Just applauding the excellence that "Jose Rizal" achieved makes it reasonable that other Philippine biopics used its templates for theirs. (See "Baler" and "El Presidente".) Beneath all that, I am going to claim that "Jose Rizal" may not be the best film that the Philippines has to offer. But it was a stepping stone in excellence for the local film industry. Thanks Ms. Diaz-Abaya.

This film has power. I did not feel this 3-hours-movie long. Director Diaz-Abaya described Rizal not only from outside but from his inner side. The plot was very complicated, but still not difficult to follow.

Since I first knew of Rizal in a book of Asian history, I have had a question. Why is Rizal the National Hero, not Aginard, nor Bonifacio? Rizal did little except writing two novels. Why? Watching the movie, I thought I had an answer. Historically, his books and his death triggered the revolution activities. But true reason is, I suppose, that Rizal had a universal view on humanity and freedom. I was impressed by the following two lines: 1) In a Madrid pub, he says "Unless we first learn self-respect, we will not be respected by any other peoples." 2) After having death sentence, his barrister says he is ashamed as a Spanish. Rizal says, "No, we are the same human beings." He was not a perfect man, nor his ideas. But he left something everlasting, that Filipinos can be proud of.

The next question I had was: His death triggered the revolution activities. Was it beyond his will, or did he want it to happen? The night before execution, the ghost of Simoun came out in his room, and urged him to rewrite the story. At last Rizal says "Let me have a rest. To know who I am." Then he rewrites the story so that the lamp explodes to kill many suppressors. So, what Abaya wants to say?

Anyway, it is a very good film. It is the first Philippine film put on a Japanese screen except kinds of film festivals. I hope more Philippine films are shown in Japan, especially Abaya's.

When I came back from America in 1998 the first thing I did was run to the video store and see if they came out with Abaya's 'Jose Rizal'. I was pleasantly surprised to hear that it hadn't been released yet. I was anxiously looking forward to seeing this picture.

This was a showpiece production from the beginning and I was looking forward to what Marilou Diaz-Abaya would do with it. Her trilogy from the 70's "Moral", "Karnal" and "Brutal" are still hallmarks of the Golden Age of Philippine cinema. I had been rather disappointed when I heard that Mike De Leon, one of the great visionary directors of the country was replaced by Abaya - his vision seemed pretty daring as well and he cast one of the luminaries of Philippine cinema - Aga Mulach - as his Rizal. While I positively loath Aga for being for the most part a pretty face who can barely act I felt that with de Leon he might actually come up with something real for a change. The casting of Cesar Montano at the time seemed like casting Steven Segal as George Washington.

Well it finally came out that year - and I was pleasantly surprised yet at the same time incredibly disappointed.

The pleasant surprise was from Cesar Montano. His utter dedication to the role, his sheer screen presence brought the character we only read about in history books to vivid life. Paired with an incredible Jaime Fabregas as Rizal's defense attorney, Lt.Taviel de Andrade, they made the story of Rizal's life easily understandable and entertaining. The chemistry was incredible and utterly believable.

Not so with many of the other characters who seemed to be playing well worn stereotypes of characters they played a thousand times before on stage and screen. Apparently, having played these characters or so many times before, they just automatically started playing the character rather than being the character. I mean how many times can Tony Mabesa and Subas Herrero be the arrogant Spaniard or Gloria Diaz be the long-suffering bespectacled mother? The script was a singularly uninspired rip off of other hero biopics particularly toward the end which is clearly stolen from Braveheart and consistently sounds like a grade school textbook. They took the usual Rizal legends and stories yet did not really offer much context for what was happening - the conflict between Liberals and Conservatives in Spain that was spilling over into the colonies, the growing resentment and nationalism of the natives of Cuba and the Philippines, the Bohemian revolution in art and culture, Victorian morality. It amazed me how DEAD the history was, particularly when you have the noted historian Fr. Ambeth Ocampo writing choice bits of his (and other heroes) personal history that could have added more humanity to the story.

The script, partially in Spanish, partially in Filipino, was long, long, long and, particularly when Rizal delivers the honorary speech to the expatriate Filipinos in Madrid, LOOOOONGGG!! My goodness did we really have to hear that long speech? Haven't these people heard of editing? The producers and artists who worked on this absolutely justify the other Rizal pic that Mike De Leon (forced out because of creative differences) did. We create historical characters in our own image. These people were so desperate to have a heroic, non-controversial Rizal that they took the 'party line history' and little else. The result was bland, bland, bland.

Take note that I am writing this from the point of view of someone who's studied Rizal since youth and who's tried to actually understand him beyond what's written in classroom textbooks.

Another bone I have to pick is with Filipinos is they are so darn proud that they were using the CGI effects that brought Titanic to stunning life - WHO CARES! You have enough money you can blow up the world. Visuals are important but they have to be complimented by a story that does justice to the subject matter.

The fight scenes are not just unhistorical but they are STUPID. Any idiot reading Philippine history will know that the Manila uprising of Andres Bonifacio (Versosa) was roundly defeated after the debacle of Pinaglabanan. The retreating Katipunero rebels were shot down by Spanish snipers as they fled. Some of Bonifacio's lieutenants were captured and put in front of the firing squad. Instead we are shown this hokey scene of a bumbling Spanish column being ambushed by Filipinos, men and women who leap on to their foes and beat them with their fists. The scene would have looked like some degenerate S&M costumed foreplay if it wasn't so comical.

Ultimately the film tells you the bare bones story of Rizal - and a bit of Bonifacio - as the bland history text books tell it. They make no effort to go beyond their source material to discover the zeitgeist that animated this age and what they do is so hideously boring that it's only the brilliance of Montano and Fabregas' acting that saves it from becoming a hokey Filipino biopic in the grand tradition of other Filipino biopics - sensationalized and trivial without any real substance.

Tom516