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IMDbPro

A Morte transparente

  • 1978
  • 1h 30min
NOTE IMDb
6,7/10
48
MA NOTE
Wagner Montes in A Morte transparente (1978)
DramaThriller

Ajouter une intrigue dans votre langueBeto, a young gigolo playboy, convinces his friends to break into a house to rape Marlene, a wealthy woman. They can not complete the mission, but the woman falls in love with Beto, who beco... Tout lireBeto, a young gigolo playboy, convinces his friends to break into a house to rape Marlene, a wealthy woman. They can not complete the mission, but the woman falls in love with Beto, who becomes her lover. Their love affair, eventually involving Marlene's husband, creates problems... Tout lireBeto, a young gigolo playboy, convinces his friends to break into a house to rape Marlene, a wealthy woman. They can not complete the mission, but the woman falls in love with Beto, who becomes her lover. Their love affair, eventually involving Marlene's husband, creates problems that they can't solve.

  • Réalisation
    • Carlos Hugo Christensen
  • Scénario
    • Carlos Hugo Christensen
    • Péricles Leal
  • Casting principal
    • Bibi Vogel
    • Wagner Montes
    • Jaime Barcellos
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,7/10
    48
    MA NOTE
    • Réalisation
      • Carlos Hugo Christensen
    • Scénario
      • Carlos Hugo Christensen
      • Péricles Leal
    • Casting principal
      • Bibi Vogel
      • Wagner Montes
      • Jaime Barcellos
    • 1avis d’utilisateur
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos9

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    Rôles principaux18

    Modifier
    Bibi Vogel
    Bibi Vogel
    • Marlene
    Wagner Montes
    Wagner Montes
    • Beto
    Jaime Barcellos
    Jaime Barcellos
    • Inspector Costa
    Fernando de Almeida
      Roberto Faissal
      • Rui
      Sonia de Moraes
      • Vitória
      Domício Costa
      • Tony
      Osmar de Mattos
      • Nando
      Darcy de Souza
      • Jandira
      Marcos André
      • Serjão
      Ricardo Barros
      • Giba
      Tatiana Leal
      • Telephone lady
      Ricardo Faissal
      • Paulinho
      Denise Izeksot
      • Beach girl
      Silvio Luiz
      Silvio Luiz
        Ricardo Faria
        • Beach boy
        Affonso Braga
        • Detective Ângelo
        Levi Salgado
        • Réalisation
          • Carlos Hugo Christensen
        • Scénario
          • Carlos Hugo Christensen
          • Péricles Leal
        • Toute la distribution et toute l’équipe technique
        • Production, box office et plus encore chez IMDbPro

        Avis des utilisateurs1

        6,748
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        Avis à la une

        6Rodrigo_Amaro

        Mindless entertainment but it's alright

        While nothing is new in cinematic terms neither the plot, "A Morte Transparente" ("The Transparent Death", yet somehow the international title was "Runnin' After Love") is one of those films that walk a thin line between being good or bad but it's all subjective to each viewer. A great majority will find it terrible due to the quality of acting which has as lead actor then future TV host Wagner Montes in his film debut; but on the other hand some will see some appeal in a story with many twists and turns. I liked it for the most part, just find that some moments are quite embarassing, some of the actors are stiff but on a final analysis it turned out to be good, there's some good plot twists and for a little while it escapes from some cliches of the decade in terms of Brazilian films.

        The movie stars Montes as Beto, a young slacker who divides his time between petty robberies with his mates and some bed-sharing moments with a gay pimp who always save him in times of trouble. One afternoon, the group decides to rob and rape a beautiful woman (Bibi Vogel) but their plan fail and she drowns in her pool. When Beto is arrested by the cops, the woman returns alive and drops the charges against him, and later on they are romantically involved and a murderous plan to kill her rich husband to collect the insurance money begins and many problems as well. If you never seen such scenario in a movie then considered yourself blessed and this movie will become something of an original work. Definitely not, we all see that ever since the creation of narratives in movies.

        What makes this movie slightly different from the stories released at the time when it comes to action, suspense and scenes of sexual nature? Carlos Hugo Christensen had a preference for dealing with themes of problematic youths, dangerous love affairs, immoral behaviour and such. What differs his movies and characters from many other similar themed films is that he throws gay characters who are well-constructed in the plot and it's not in a hurtful or cliched way where they're usually exploited, beaten or killed, and for that time it was quite progressive their portrayals. That's interesting. And unlike many similar cliched projects, the sex scenes are quite meek and far from being exploitative (90% of the 1970's-1980's movies the women are all beautifully naked to serve some ugly men). Christensen's scenes are quiet and serve a purpose in the plot, and he's more interested in the developing of the story than leaving audiences turned on with one action/sex scene after another as the story stays on a second plan.

        But there's some obstacles on the way because there isn't much of a higher purpose for the story neither to those characters as they keep deceiving each other and things go all downhill. It's mindless entertainment, watchable and does not cause any harm unless if you consider Montes performance which goes from hilariously bad to painfully strange - the scene at the pool with his mates where he keeps laughing at the woman is annoying and it feels like it never ends. Another point that must be made is the use of disco music on the soundtrack, some themes are quite good though I have no idea who are the artists, but there's this violent sequence where Beto punches a guy because he wants to take his girlfriend where the music starts playing but it's not a tense music, it's a fun track to dance - it was a ridiculous combination that didn't even allowed me to laugh because he was hurting the guy, no one was doing anything to help and then he kicked the girl in the face (not to mention that the whole sequence was insanely random just because he had a negative setback with his lover).

        In between some thrills and the constant sense of curiosity brought on by the story and some erratic moments, there's one special surprise in the appearance of young actor Osmar de Mattos. It's a lot later in the movie so it's best to not reveal his importance in the story. Not only he was a quite good actor but he was also a great on-screen presence, with some amazing good looks that can cause some jaw-dropping (and I mean literally). It's sad that this is his only film performance, he made a couple of telenovelas (at the time of this film he was in "Dancin' Days") and sadder than all that was that he died at a very young age on a car crash. But he steals the show from everybody. So, even if you watch the movie and think it was terrible you can't complain about him.

        Well, I liked this movie and I had my share of fun. It kept me going even when it was being strange and annoying, it didn't made me bored and at least they had some interesting ending to show - though I'm not sure if I can accept it completely. A lovely way to spend the night. Try not to find a meaning to it and just be ready to be entertained. 6/10.

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        • Anecdotes
          Final film of Bibi Vogel.

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        Détails

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        • Date de sortie
          • 1978 (Brésil)
        • Pays d’origine
          • Brésil
        • Langue
          • Portugais
        • Aussi connu sous le nom de
          • Runnin' After Love
        • Société de production
          • Carlos Hugo Christensen Produções Cinematográficas
        • Voir plus de crédits d'entreprise sur IMDbPro

        Spécifications techniques

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        • Durée
          1 heure 30 minutes
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