Final Fantasy : Les Créatures de l'esprit

For a movie based on a video game, Final Fantasy: The Spirits Within was very good. Next to such atrocities as Tomb Raider and Street Fighter, it positively shines, and when compared to the complete gibberish known as the Super Mario Bros. Movie...

Having said that, Final Fantasy: The Spirits Within could have been A Lot Better.

If you paid attention to the Final Fantasy games, to any of the hype surrounding the movie, or to the CGI industry in general, you already know the computer animation for this movie is far-and-away the best ever done. Back when Square first started producing the movie in 1998, they were progressing at a rate of about one second of film PER DAY, because of the immense quality of the graphics, and none of that quality was lost as technology caught up and time passed. The backdops are jaw-dropping and the CGI actors look more real than some actual actors. Really simply, Square declared itself the current king of CGI animation. Pixar, Dreamworks, move over--the studio that cut its teeth on PlayStation games is in the house.

Unfortunately, having been a fan of the Final Fantasy games since it first sprouted on the original Nintendo, I'm a little jaded towards visual grandeur. And when you take that away, there isn't much left.

The plot is pretty standard--Earth is a wasteland; most of Terra's population has been wiped out by the unexpected invasion of mostly-invisible aliens called Phantoms. The remaining Earthlings struggle to survive. Aki Ross (the main character) and Dr. Cid (there's been a character named Cid in EVERY Final Fantasy production since 1991) have isolated eight Earthborn Spirits--not ghosts, but tangible lifeforms; one of them is a plant, and don't ask me how the plant has a spirit--that, if combined, can wipe the Phantoms off the planet entirely. With the help of Captain Grey Edwards and his crack band of soldiers, the Deep Eyes (Final Fantasy also has a knack for weird names--I mean, who came up with 'Premium Heart'?), Aki sets off to find, capture and use those eight Spirits. And then finally there's General Hein, a megalomaniac fellow who's just trying to blow everything up using a a very large gun.

No problem there. Anyone who plays Final Fantasy is used to Fetch Quests (in which the main characters perform a service to a ruler, generally retrieving a stolen object of enormous power, in return for help from that ruler). What I want to complain about are the characters themselves.

They are FLAT.

A lot of them die, and we don't miss them except that they don't speak any more lines. Grey and Aki (male and female lead) don't really evolve over the course of the story--and Cid is just there to provide technobabble. Oh, and by the way, there's almost no 'fantasy' elements in this movie, with the sole exception of the Spirits.

My two favorite games in the Final Fantasy series are numbers Eight and Ten. They are my favorites because they have unique, interesting, convincing characters. True, most Final Fantasy games take 40 hours or more to play, giving the writers a lot of time to flesh the characters out, but generally within the first five minutes of being introduced to a character (sometimes within the first few SECONDS, as with Zell and Kimahri) you know most or all there is to know about them--they are already convincing, already realized in the player's mind. Square's GOOD at doing that sort of thing.

If Square had bothered to invent real characters for Final Fantasy: The Spirits Within, the movie would have SOARED. As it is, it just barely limps along under the power of a few snappy lines of dialogue and a lot of pretty vistas.

It's worth seeing once, for the same reason any museum is worth visiting once--you'll get to see things you've never seen before and may not see again. But if you're like me and prefer your movies to have interesting characters and plotlines, be prepared for a disappointment.

It is the year 2065 and Earth has been invaded by a race of phantom-like aliens that kill with a single touch. Under the tutelage of Dr Sid, young Dr Aki Ross is searching for spirits that can combine to counteract the life force of the aliens – a situation made even more urgent by the fact that she is infected by the aliens herself and experiencing strange dreams as a result. Ross joins the elite military unit Deep Eyes to finish her quest, but General Hein is determined to convince the ruling council that the best solution is the use of a weapon that will destroy the aliens despite Sid's protests that it could destroy the Earth in the process.

This film got a lot of publicity about the fact that it was billed as the film that would trigger a whole new type of movie – those with no human stars (well, apart from their voices). Sadly this seemed to be all the discussion about the film amounted to and I think it put people off that nobody talked about the plot or whether it was any good or not – I know it put me off from bothering to go and see it. Another thing that put me off was that most people just assumed it was a kid's film because it was animated and was quickly dumped in matinee slots – even when I saw it on TV it was in the slot on Sunday afternoon used for mostly kiddie fare. Anyway, let me just say that I have no knowledge of the games, never played the games and will likely never play the games but I had no problem picking up the rough story (even though I'm sure the wider FF universe has so much more story in it that this film does). I would have quite liked a greater understanding of the story, the characters and the aliens but it did enough to support the film's plot as was.

As a sci-fi film it works reasonably well but is not as intelligent as it clearly needed to be to support the story – if it had only aspired to be a good guys/bad guys story then fine but it wanted more and it isn't well enough developed to do it. I still enjoyed it to a certain degree but it is evident from the film that the script writing and plotting took a backseat to the development of the computer graphics. Of course these look great for the most part and the film has delivered a visually impressive series of spaceships, desolate cityscapes and blobby aliens. The only things that don't work (ironically enough considering the film's boasts) are the human characters. CGI has yet to manage to make characters that look and move as naturally as humans – we have seen it in Matrix Reloaded, Blade 2 and also here. Admittedly it matters less here because we can get used to the characters looking like effects (unlike, say, Matrix 2 where we are not meant to notice the difference between real and effect). Suffice to say though, that this is an animated movie rather than the movie that triggers the onslaught of computer generated characters in films.

The voice cast are pretty good and they do well to add a bit of a human touch to characters that, for all the money spent on them, still look and movie like computer game characters in an expensive cut-scene between levels. Ming-Na hardly has that distinctive a voice and she is rather bland at times but she does OK. Baldwin is a strong voice and suits his character well. Sutherland is always welcome despite his small role and typical roles are filled by the likes of Steve Buscemi, Ving Rhames, Keith David and a typically untrustworthy performance from James Woods.

Overall this is an OK sci-fi film but not any more than that. The plot is OK but it isn't as good as it thinks it is and certainly isn't good enough to support the slightly complex themes/ideas that it wants to deliver. It is good for older children and teenagers (who will happily ignore the plot details) but outside of that sci-fi fans may find it a bit lacking in bite and generally to be more about the graphics than anything else.

I don't know why nearly all the critics bashed this film. I thought it was great! The main reasons people have dogged it is because they don't follow the plot and they don't think the animation looks real enough.

I did not have any problem following the plot. The second word in "Final Fantasy" is a description of the type of movie this is. It deals with the supernatural. The spirits, or "essences" of earth are gathered to fight the alien gaia, as the arms and weapons used against the alien spirits are ineffective and in fact destructive.

This movie introduced me to the concept of the gaia, which I believe is a great metaphor for understanding how all life on earth shares a common spirit. I don't truly believe there is a gaia, and you don't need to either to enjoy this film. But perhaps some found that this conflicted too much with their beliefs.

Now as far as the animation, this is the most realistic portrayal of human characters to date generated by a computer. If you watch some anime films, where there is a lot of action, they will show a frame for a long time with only the mouths moving. People enjoy these animations. Then why is this movie criticized so heavily for not looking real enough? It's rather ironic. You should watch this movie expecting an animation, not a full-feature film with real actors.

One explanation for this reaction is that, like figures in a wax museum, characters that look too real but are not creep us out because they remind us of dead people. But perhaps this is fitting for this movie, because the soul of the earth is sick and life on the planet is reaching its end.

In any case, I enjoyed this movie, and I liked the message. If you like animation and enjoy a good fantasy story, you will like this movie.

I've waited for this one for quite a while, as have most of Square's fans. There is a lot riding on this film, including the future direction of CG in movies, the proud heritage of a name brand, and the chance to release a worthwhile movie during a string of bad summer flicks. So, does Final Fantasy live up to it's hype?

Mostly.

First, the bad. No, it has nothing to do with the games other than name, but then the majority of the storylines of the games had nothing to do with each other, either. The plot is not necessarily original, with marauding aliens nearly vanquishing humanity while a desperate band of outsiders hold the key to winning (tired sci-fi, to be sure) and even the animation has it's faults, mostly with the mouth movements and a few emotions lacking, as the eyes and lips, and even hair had detail but no-one's cheeks or throats moved, giving the characters a bit of a puppetry feel at times. The movement of humans in CG is still not quite fluid, but getting much better. Also, the movie slows down considerably during the last twenty or thirty minutes, which is perhaps necessary for the plot, but the change in pace was notable, even with the awe that the movie's end was aspiring too.

But enough nit-picking.

The Good. The imagery in this movie is startling, imaginative, complex, even awesome at times. It's amazing that while the machines, vehicles, and mechanics in the movie are so realistic and detailed, so too are the organic forms such as the alien presence (sometimes seemingly more fluidly animated than the humans!) and the incredible landscapes. It is obvious how much imagination went in to so many aspects of this movie. The soundtrack, while not exceptional, is very complimentary and captures the dark feel with the fast action and triumphant climaxes. The characters were distinct, like-able, and voiced very well (even if the digital mouths don't quite match up most of the time). The emotional scenes, while certainly not perfect and a bit awkward, should be given grand credit for achieving the level they do convey. If you let yourself go, it's not impossible to be entranced by all that this movie actually manages to pull off. If nothing else, then the effects alone are worth seeing, if the somewhat hokey spiritual elements of the plot turn you off. (If you consider the Force to be hokey, don't bother.)

The Surprising. Well, I was a bit put off by the simplistic way the characters would look at each situation and then spell it out to the audience, though there is more to the plot than casual sci-fi fare. Because of this, the dialogue was a bit goofy at times, but at least it usually fit the characters. But every good thing you've heard about the quality of the CG work in this movie is true- it really is a site to behold, if nothing else than for the effects. As I mentioned earlier, if you consider how much this movie is trying to do, it's amazing that it pulled off everything nearly as well as it does.

So, I think that most will be pleased, some will critique it heavily on the negatives and not be as impressed, but the bottom line is that it is definitely worth seeing. Quality work in most areas, even story and screenplay in my opinion (though that's certainly the most debatable point.) I left the theater without being disappointed, something I cannot say for the majority of cinema fare.

Wow, I guess there is SOME hope for video game adaptations. While not a direct translation of the Final Fantasy video game franchise, it is written by the series creator, whose name I cannot remember. On top of that, his video game company branched off into a film company (Square Pictures) just to go and make this movie. At least one can't complain about the handling of the material.

But the big question here is: Do these guys know anything about film-making? Maybe. Maybe not. Truth be told, they don't need to. The beauty of this movie is that it does something new. It blends the world of video game technology and storytelling with the art of film-making. It cuts corners on film-making, but its uniqueness makes up for it. I will admit that I'm a gamer, so I appreciate what was attempted here. What we get out of this movie is an impressive display of what animators and video game technology can do together. I know there are other CGI movies out there, but, unless I am mistaken, they have all followed the over-the-top cartoony path. This is where Final Fantasy stands out. The animation is swelling with reality. From a technical standpoint, this is a gem, and a reason at the least to give it a rent.

The storyline is subject to much scrutiny though. It's not for everybody. This IS a film of Japanese origin, so anime fans will be right at home with it. For the mainstream audience, however, that remains to be decided. Although the script was revised to suit North American localization (and done very well might I add), it still is very Japanese in style, albeit with a bit less surrealism. It's fast-paced and a bit abstract at times, but it is coherent.

In the end, I would say that one should rent this just to see the technological achievement at the least. It's safe to say that all would agree with that point. Depending on the person, you may get into the storyline as well. Either way, you'll walk away with at least part of you satisfied.