Cats

Please watch this version instead of the 2019 film version. This version is so much better and quite frankly features the best cast of Cats yet. If you can't find the dvd all the clips are available to watch on the Cats YouTube page.

What else is there to be said? Nothing, so I'll just say what I thought. It took me years to get round to Cats. I knew nothing about it until I put it on. Though of course I somehow knew the words to that infamous song when it came on, thus is its complete suffusion into popular consciousness. I didn't know what I was watching for the first hour. It made no sense. However near the end something clicked and I totally understood why it was so popular and enduring. It's because the only way to watch it is through a child's mind. You cannot try to grasp on anything, you just have to let yourself go on the wacky innocent fun ride and let your feet tap and hands clap when they want to even if they don't know why. Because there is something about it that really makes you feel safe and want to accept the invite to fall into wonder and bright lights and entertainment for simply the love and sake of it. In that regard it is very unique and I understand why it was such a phenomenon. To try to make any logical and critical review of it is just missing the point so not a lot can really be said nor should it. Though one critical note which is I think appropriate is to say that the cast and choreography is really great in how they bring cat humans to life on stage through movement. And seeing this after the existence of the 2019 version (terrible) just puts into perspective how great the staging and choreography is. And also this filmed version is a real nice production with lots of cuts and close ups for you to feel really involved in the show. My fav songs were rum tum tugger, and mr macavofy.

The fact that this Great Performances special, "Cats," was filmed on a stage like a performance of the show, but not before a live audience, offers pluses and minuses. The closeups reveal the actors' facial expressions very clearly, which is a great plus, particularly in the case of Elaine Page's Grizabella. Also, the sound is clearer than in recordings of this show. However, the special is a little weak on conveying the excitment of being in a live theater. Nevertheless, on the whole it was a good show.

For all the theatrical appeal, visual appeal, and the long runs, "Cats" is not the greatest thing to have ever hit musical theater. It's long on the above mentioned theatrics and visuals, but way too short on plot and substance. But it is really not a bad show by any means. The songs (Poetry from a book of T.S. Elliot's set to Andrew Lloyd Webber's music) are catchy and engaging, performed by a very energetic cast. The dancing is good, too. And as for the casting, that is also well-done. I would have loved to see Betty Buckley recreate her Broadway role of Grizabella, but Paige, who played the role in London, is not bad at all; her expressions, as I said, are... well, very expressive, and her rendition of "Memory" is just as good and moving as Buckley's. Ken Page, the original Broadway Old Deutoronomy, is also good. Sir John Mills' cameo as Gus, the Theatre Cat, is exploitive but touching. (And you can see why they cut his character's "Growltiger's Last Stand:" he may not have been able to get through it, unfortunatly)

Having not seen this show on stage yet, I think this special is a pretty good substitute for it. Perhaps you will feel the same way.

Veteran David Mallett, who directed many music videos for great artists such as Asia, Pink Floyd, Rolling Stones, Phil Collins, David Bowie, Queen, Blondie, U2, AC/DC, The Who, Rod Stewart, Peter Gabriel, Elton John, Tina Turner, Madonna, Erasure, Rush, Roxy Music, etc., is doing a great job here, directing Andrew Lloyd Weber's wonderful music. An extraordinary distribution, excellent choreography, superlative costumes and makeup, everything superb. One of John Mills' latest films.

firstly i admit that i'm an ALW fan. my first encounter of his work was with THE PHANTOM, after which i heard about CATS, then i bought the VCD at a sale...well it was wonderful, but one of my friends commented that the show was very commercialised, and i thought she got a point there.

i'm not saying that CATS is not art, in fact as one of the comment has said, it is 'art in every sense'. the costume and the make-up was vivid, and fusion of dancing and singing was simply too great (well i cannot possibly hit a high C if i dance like that^^). and many other little details were also carefully designed (i loved that pipe organ made from a rugby ball - brilliant idea^^). no plot - sure, but there wasn't meant to be one, after all. CATS is primarily a show for laughter and relaxation, so a lot of pop factors were added, and i think that's where makes me feel it's 'commercialised'. but if one really goes into the vague storyline he may discover something there... it all depends on the individual who watches it.

i have to mention a few actors here...(yeah everyone loves them, but i must talk about them^^) Michael Gruber is among the best Munkustrap i've seen, he's an excellent dancer and actor. John Patridge finally found his place as Rum Tum Tugger(he once played Munku...i cannot imagine that^^). Jacob Brent's the most suitable person for Misto so far, he's got an innocently 'sly' look...one other actor i've got to mention is Jason Gardiner who did an amazingly good job as Alonzo the proud and arrogant second-in-command...and in my opinion he dances better than Jacob in terms of power and stability (Jacob Brent is a very *sweet* and light-hearted dancer while Jason is a more forceful one).

well...i love CATS, and i confess that its melodies 'haunt' me and i watch it every week...you can call me a freak but i simply enjoy watching Michael Gruber's smile (he's got a very elegant, warm smile...i wonder why no one mentioned about it^^).