Ajouter une intrigue dans votre langueFung Hin-Man (Donnie Yen) is a legendary warrior who lives now elderly, along with a friend, their memories and their remorse. When a young man comes to him, Fung tells him the story of when... Tout lireFung Hin-Man (Donnie Yen) is a legendary warrior who lives now elderly, along with a friend, their memories and their remorse. When a young man comes to him, Fung tells him the story of when he saved the villagers from their oppressors and speaks of the death of the woman he love... Tout lireFung Hin-Man (Donnie Yen) is a legendary warrior who lives now elderly, along with a friend, their memories and their remorse. When a young man comes to him, Fung tells him the story of when he saved the villagers from their oppressors and speaks of the death of the woman he loved. But the young man does not know that it is actually a hit man who wants to kill Fung fo... Tout lire
- Réalisation
- Scénario
- Casting principal
- Bandit leader's boss
- (as Cub Chin)
- Villager
- (as Ngan-Ying Poon)
Avis à la une
This is my favorite one.
The fight scenes are the single most beautiful, incredible spectacles I've seen in any action film.
When two combatants trade blows, the encounter is more a battle between two Gods than mere flesh and blood. In "The Matrix 3", the directors' efforts to achieve this failed miserably. Not so in this film.
When Donnie Yen glares at his opponent(s),one feels that the fate of the world depends upon the clash. Accompanied by a tremendous musical score, the effect is enhanced even further.
And Yen's character takes on everyone; a vicious gang of fifty men armed with machetes, an entire army of 100+ toughs, gunslingers, iron chain-wielding assassins, and many others.
One reason is that "Legend of the Wolf" represents a historic step forward in martial artsfilm-making; modern action films are shot at 18 fps (frames per second)while being played at 24 fps ("under-cranking"), which accelerates the action, but loses the sensation of power from the blows.
While LOTW utilizes under-cranking,it also features bone-crunching, vicious blows the likes of which I had never seen before in any action film.
The blows from a punch or the slash of a sword make the viewer cringe from their sheer power and might.
As excellent as the fight scenes are, it wouldn't be the greatest action film ever were it not for the tragic, depressing storyline.
It is told through flashback, describing how a dying gangster used to be a young, ruthless, and completely invincible warrior.
Yet, in the end, despite ultimately triumphing over his hundreds of opponents, the young warrior loses what is most dear to him in all the world, and is never able to win it back.
This harsh view of the "unbeatable young fighter", so common throughout martial arts films, is both realistic and deeply touching.
One of the few perfect films ever made.
So, what is it really like? Well, very good actually. The film is told in flashback. Many people have criticised the film for having flashbacks with flashbacks. I disagree with this. Why is it wrong? After all it only shows what the character is thinking. I did not find it confusing, and it bent the rules of film making quite well in my opinion. Anyway, on with the review! The film tells the story of a legendary character called the Wolf (Yen) and his sidekick. In the beginning we are introduced to an un-named character who is looking for the Wolf in the present day. He is brought to the Wolfs' 'office' where we see him as an old man sleeping. Donnies' sidekick starts to tell the stranger the story of how they met and the legend was born. To give too much of the plot away would be silly considering how sparsely told it is. Nothing about the way the story is told is 'in your face'. Everything is very subtle. Again, something I disagree with that most people have said about the film! Yen has certainly mastered the art of cinematography. The camera angles, colour and editing is very well done. As far as the fighting is concerned, could we expect anything less than brilliant from the Yenster? He seems to be paying homage to kung fu stars past and present. He tips his hat to Tan Tao Liang by putting hopping kicks into modern fight choreography, he moves around and side kicks like Bruce Lee, does his trademark multi-kick jumps and then puts in what seems to be a new type of choreographic brilliance. This involves some quite close in shots of the two opponents arms flailing as they block and parry. So blurred are the movements that only the sound effects give us clues as to the blocking and hitting. It works very well. Donnie shows that he can take choreographing of the martial arts another step towards, and beyond an artform. A few reviews I have seen on this film have said that there isn't much fighting. If ever there was a totally false statement, that is it. Much like Mr Nice Guy, Legend has action by the bucket load. All of it hand to hand fighting. There is one forest fight about a third of the way in to the film that could easily be a prelude to Yen facing up to the main fighting villain of the film at the end. Another fight not long afterwards could very easily be an end fight on its own! A few more fights are just as big. This film has no less than 3 big fights at the end. One against multiple opponents in a village and a forest, then there is the fight against a man known as Monkey which is probably one of the best screen fights I have seen. The last fight is very brutal.
For people who hate wires (me included), this film stays well away from them. Extreme under-cranking is used only on occasion rather than all of the time. This lets in more traditional choreography. Its surreal and uses dialogue sparingly. I think that this is one film that although people are criticising the hell out of it at the moment. In the future it will get its due.
The storyline is pretty good, has a bit more of a plot. However the fighting just wasn't that good, too violent for someone like him.
Plus the ending was just shocking especially the fight scene with the Bandit leader.
Not bad if you wanna see something different from Donnie. And to the person that mentioned that this is the best film ever. No bloody way! Drunken Master 2 is way better, so is Armour Of God. Once upon a time in China is better, so is Enter The Dragon.
Le saviez-vous
- AnecdotesDonnie Yen's directorial debut.
- Versions alternativesOn the UK 1998 video release 5 seconds were cut from the film to remove closeup shots of a handmade clawed glove weapon. This cut footage was later re-instated for the 2000 theatrical release and 2005 Soulblade DVD rating.
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Détails
Box-office
- Budget
- 3 900 000 HKD (estimé)