Une vie volée

The absolute best thing about this film are the knockout performances by it's 2 main stars Winona Ryder and Angelina Jolie though both characters (hence performances) are very different they stand out nonetheless. It seems to me to be somewhat easier to play a psychotic than to play a regular neurotic, so who really has the better portrayal of the two?

Brittany Murphy as "Daisy" shines in her scenes. She is a force to reckon with in her future film career.

James Mangold directed this film quite nicely from a very good screenplay; he managed to portray all these young women as young women in turmoil. No melodrama, no over the top sentimentality, just a frank peek into their tumultuous lives.

It is a heavy drama, so be forewarned! And a very moving drama at that.

GIRL, INTERRUPTED / (1999) ***1/2 (out of four)

By Blake French:

"Have you ever confused a dream with life? Or stolen something when you have the cash? Have you ever been blue? Or thought your train moving while sitting still? Maybe I was just crazy. Maybe it was the 60's. Or maybe I was just a girl... interrupted."

Those are some of the most memorable lines from James Mangold's honest, heartfelt drama "Girl Interrupted." The speaker is Susanna Kaysen, played by Winona Ryder. The film is based on the memoir of Kaysen herself, re-encountering the experiences she actually spent in a mental institution after an attempted suicide. The book of the same name was published in 1993; it spent time on almost every best-seller list, including 11 weeks on the New York Times.

It was in the 1980's when Kaysen began to revisit the most formative time in her life-20 years after the actual hospitalization. Memories of a nearly two-year stay at McLean Psychiatric Hospital, a private and exclusive institution near Cambridge, resurfaced while constructing her second book. She began writing vignettes of her experiences in the hospital, writing short stories about a time in her life she had not discussed for two decades.

"The only thing that ever made me less loony was writing," remembers Cambridge, Massachusetts-based writer Susanna Kaysen, author of her memoir, "Girl, Interrupted." Set in the turbulent 60's, the film details the young Kaysen, who finds herself at a mental institution for disturbed young women. Susanna makes friends, including a seductive and dangerous regular named Lisa (Angelina Jolie).

I have never read this book, but after watching "Girl, Interrupted" I am seriously considering it. The film is a powerful exploration into a depressing, bleak situation. When this movie was released theatrically in late 1999, I wondered how many people would want to see something about a young writer who tries to kill herself and then spends time in a nut-house. However, I was wrong to presume anything. "Girl, Interrupted" contains a vivid, convincing world for its characters, but never do we feel awkward while watching this film, but involved and concerned.

Screen-adapters James Mangold, Lisa Loomer, and Anna Hamilton Phelan construct a central character that is both consistent and empathetic. As the movie opens, we never see Kaysen's suicide attempt-there is no need to show it. This is a film about the results, not the action. We gradually learn about Kaysen as the movie progresses, thus the lack of initial character development. Even with little introductory material to establish her character, Winona Ryder creates a soothing, intriguing sole for Kaysen. The audience cares about Susanna before we even understand why she was sent to the mental institution.

The film's supporting cast, including Jared Leto, Clea Duvall, Elizabeth Moss, Jeffrey Tambor, Whoopi Goldberg, Vanessa Redgrave, and Angelina Jolie, who won an Academy Award for her performance, actually develops the mood of the film-an essential aspect of its overall impact. James Mangold ("Copland") has a ambiguous style here, but it works extraordinarily well in this film. "Girl, Interrupted" should do wonders for Susanna Kaysen's book; after watching the film, it is hard not to want to read the memoir.

I found this film browsing through Netflix's deplorable movie catalogue, and couldn't figure out when did I watched it some time ago. Utterly enjoyable all the way through, I was delighted by Angelina Jolie's performance, I hadn't even remembered she won an Oscar for it, it wasn't until near the end that it hit me. Her performance is truly astounding, she composes her character with traits that perfectly define a person with her mental state. Her mannerisms, her volatile and somewhat unpredictable self makes her a bit frightening, which makes the viewer watch her performance uncomfortable and in awe at the same time.

Winona Ryder is great as well, she portrays her different condition in a different manner as expected, perhaps more discreetly, but still effective nonetheless. Overall, most acting performances are on point, such as Clea DuVall, the late Brittany Murphy, Whoopi Goldberg and Elisabeth Moss, they all deserved to be credited.

If you want well-done drama with splendid performances, look no further, and enjoy yourself. Especially Angelina Jolie's phenomenal Oscar-winning performance.

In more ways than one, 'Girl Interrupted' is very similar to 'One flew over the cuckoo's nest'. To begin with both the films are set in mental institutions and chronicle life as it unfolds amidst those bland, white walls. Characters in both the film are acutely lifelike. But owing perhaps to it being a true story, 'Girl Interrupted' has characters that are much easier to identify with than McMurphy's brigade. Set in the 60's, the film is an account of the times spent in the Mental Institution by an eighteen year girl, Susanna Kaysen, a character portrayed with astonishing brilliance by the versatile Winona Ryder.

Susanna is a victim of neurosis, great expectations, confusion, an uncertain future and the sundry other problems an average teenager's life are pounded with. For all her brilliance, Susanna has the undeniable gift of the cynic and the pessimist, who still hasn't made up her mind about life's meaning and is upset about it. She has the nagging feeling that her character is incomplete and gets caught in the depressing vortex of tendencies that earn her the title of, what we're later told, a border line personality. An almost successful but unintentional suicide attempt lands her in the footsteps of Claymoore, a mental instituition. In the confined borders of the instituition, Susanna is surprised to discover how well she identifies with the pain and flaws of fellow inmates. Here, the atmosphere is sans any prejudice or cliches. Here, everyone is a victim one way or the other. Far from the deplorable world outside the instituition, susanna feels that she's finally home. And it is this atmosphere that slowly gives way to the realisation of her actual needs, her character and her purpose.

In the first half of the film, the director employs an interesting technique of fusing two different scenes and establishing a coherence that not only takes the story forward but at the same time tells us what is already past. Apart from Susanna and maybe Lisa, few characters are generously sketched. This, although, doesn't allow the loosening of the plot's grip on you. Furthermore, the institution is projected in a more agreeable light and the resultant sympathy for the characters ( unlike 'One flew over the cuckoo's nest') does not coincide with an abhorrence towards the angle of treatment. The movie does lead the viewer to understand the plight of the inmates, but not with the object of establishing the reasons that led to their condition. Rather it concentrates on the way these girls face their fate, day in and day out. It also highlights the way the girls identify with each others problems, hopes and desires in a fashion that alternates between being poignant and amusing.

Perhaps the most distinct factor about the movie is the exemplary performances put up by a cast that mostly comprises of females. I haven't seen a film that could hold its own without a single male lead, as good as this movie does. Winona Ryder is very convincing as Susanna. Angelina Jolie delivers so well that I am having a hard time getting over the fact that she agreed to Lara Croft. Whoopi Goldberg is good but her role is regrettably restricted. Constrained performances by all the actresses make this film worthy of being watched. It is funny, sad, mischievous and optimistic all at the same time.

Watch it if you can for it is very unlikely that you would get disappointed. Like I said it is quite likeable!

This is definitely one of the best films to deal with life inside a mental institution. This was the career maker for Angelina Jolie and it solidified Wynona Ryder's career. The person I really enjoyed in this film was Britanny Murphy as Daisy. She was a person who had a tough exterior but after you chipped away at that shell there was really a fragile little girl underneath. This film is definitely something I would watch again.