Rolie Polie Olie

Okay, so I'm on vacation and flipping through the channels and I see this simple little CGI-rendered cartoon. I'll automatically give a second look to anything that's CGI. It's sappy and the CGI, as well as the storyline, are very simplistic. But there's actually something very subtle and appealing about Rolie Polie Olie. They whole idea is that it's SUPPOSED to be simplistic. From the storylines to the basic shapes used to render the characters, it gives you a look at a nice little care-free world. There's a real 1940's feel, from the retro design of the furniture and backgrounds to the "Our Gang" music soundtrack. It harkens back to the good old days (or our perception of them anyways) when people were just a little bit nicer and everything always worked out in the end. The kids are good little kids. The adults are good little adults. They even have their own Elvis. The whole thing is just so, well, CUTE! The plots are saccharine and entirely unrealistic. There are no drug dealers or mass murderers in Polieland. If I wanted reality, I'd watch the news. But they also deliver a gentle basic morality lesson. I guess a spoonful of sugar really does help the medicine go down. To sum this all up, I guess I really like Rolie Polie Olie, although as I type this my cynical side is attempting to beat me to death with my keyboard. Let your kids watch it. Let YOURSELF watch it. Personally, I'd like to spend the rest of my vacation in Polieland. There, you can talk to the TV and no one will think you're nuts. Because the TV talks back.

This show is actually quite enjoyable. When it first came out this type of animation wasn't big, so many people were impressed. My siblings enjoyed (and still enjoy) sitting in front of the television and sing along to his theme song. Granted it has a few flaws, like the younger sister, Zoe, who degrades all children in her age range because of her vocabulary and gets annoying after awhile. I'm 17 and the thing that amuses me most is the uncle who is supposed to be Elvis. It's amusing. They're all robots and the writers are able to build stories that relate to kids but are exaggerated to a point where it's actually amusing.

My daughter loves this show. She started watching it at 10 months. Even though at that age she was too young to understand all of it, the shapes and colors made her smile and laugh. Now she is four and still enjoys the Polies.

Although I don't watch every episode with her. Most episodes contain good lessons on sharing and being nice to others. I can not understand how anyone would not like this show.

Now that my 4 year old has a little sister, she can relate to how Olie and Billy treat their younger siblings. This is a great show. I wish they had all these great shows when I was growing up.

As a mother I find this show excellent! The first quality of this show is that young kids utterly enjoy it, but also, the characters' voices are not too high-pitched or overly annoying. The music is also not as cheesy as in other kids' shows. Since my 2 year-old daughter watches this, she's learned good moral values like the importance of family and fun and laughter. Thanks to the Baby-bot movie, she is accepting more easily the arrival of her baby sister. Usually, my daughter likes the "stupidest" shows best, but this is actually intelligent and makes ME and my husband laugh from time to time! I recommend it to all parents of young kids. It gives you a few minutes of peace while your offspring has fun and actually learns good things.

There is a particular(Canadian?) gentle charm about this series that sets it above the seemingly endless dross. It promotes wholesome family values including unusually not just mom and pop but uncles, aunts and siblings. Today's episode has Zowie, the youngest member, taught the need for the words Please, Thank You and Excuse me. The clear intention is to teach those things necessary for all members of a happy family: consideration for others and tolerance but it shows that adults as well as children must follow these rules.

It is evident that the makers have put far more into it than they perhaps need have done. The most brilliantly realised character is the dog "Spot" - a non-speaking part, everything is done with body language. It's such cleverly observed dog behaviour. In one second a scolded Spot can go from excitement to rejection, to reproach, to dejection - all absolutely unmistakeably indicated by every part. It is so well observed you can see aspects of dog behaviour not noticed before.

The sofas and fridges with bulging eyes and wide mouths are a recognisable borrowing - presumably a respectful homage - from pioneer Max Fleischer's cartoons of the 1930's. There they were a little weird - here they're part of the story - fridges have feelings too!