Boys Don't Cry

This is not the story of a woman living as a man, because that would imply that this woman merely dressed up and fooled people. That's not at all what's going on.

This is the story of a male who thought male, felt male, and WAS male, but looked down at the body God gave him, and saw that of a female. It's not homosexuality, or cross-dressing. The name given to it, in the film, is Sexual Identity Crisis, but I don't really think it's a crisis. I don't think there's anything wrong with Brandon Teena, or Teena Brandon, thinking that. It is merely who he is.

And this movie did make me think about it, and that is its success. Powerful at times, repulsive at times, those whose lives this story affected may not approve of the final film, but it can still open the eyes of people toward things in this world that they previously might not have understood... which may help the next Brandon find and keep happiness in his or her life.

Worth seeing, but not for the weak of stomach or easily offended.

(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon.)

This movie really made me think about sexual differences and what it means to have a sex change or to want one, or to be trapped in a gender you don't want. It was very effective to have us see Hilary Swank (who plays Brandon Teena/Teena Brandon) with short hair and male facial expressions and gestures without giving us a glimpse of her as Teena. (Actually we did get a brief glimpse in a photo.) Swank looks like a boy, acts like a boy, in fact works hard to be a boy; indeed that is (sadly) part of what this movie is about, what it means to be a boy in middle America as opposed to being a girl. And then when we have the scene with the tampons and the breast wrapping and we see her legs, the effect is startling, an effect possibly lost on those who knew that the person playing Brandon was a woman. It was when I saw her legs and could tell at a glance that she was a woman with a woman's legs that I realized just how subtle, but unmistakable are the anatomical sexual differences, and how convincing Swank's portrayal was.

I was reminded as I watched this of being a young person, of being a teenager and going through all the rituals and rites, unspoken, unplanned, without social sanction, that we all go through to prove our identity, because that is what Brandon was so eager to do, to prove his identity as a boy. I thought, ah such an advantage he has with the girls because he knows what they like and what they want. He can be smooth, and how pretty he looks. It was strange. I actually knew some guys in my youth who had such talent, and the girls did love them.

The direction by Kimberly Peirce is nicely paced and the forebodings of horror to come are sprinkled lightly throughout so that we don't really think about the resolution perhaps until the campfire scene in which John Lotter shows his self-inflicted scars and tosses the knife to Brandon. Then we know for sure, something bad is going to happen.

Hilary Swank is very convincing. Her performance is stunning, and she deserved the Academy Award she won for Best Actress. She is the type of tomboy/girl so beloved of the French cinema, tomboyish, but obvious a girl like, for example, Zouzou as seen in Chloe in the Afternoon (1972) or Élodie Bouchez in the The Dreamlife of Angels (1998), or many others. Indeed, one is even reminded of Juliette Binoche, who of course can play anything, or going way back, Leslie Caron in Gigi (1958). Chloe Signvey, who plays Lana Tisdel, the girl Brandon loves, whom I first saw in Palmetto (1998), where she stole a scene or two from Woody Allen and Elisabeth Shue, really comes off ironically as butch to Swank, yet manages a sexy, blue collar girl next door femininity. She also does a great job. Peter Sarsgaard is perfect as John Lotter, trailer trash car thief and homophobic redneck degenerate.

Very disturbing is the ending. If you know the story, you know the ending. Just how true this was to the real life story it is based on is really irrelevant. I knew nothing about the story, but I know that film makers always take license to tell it the way they think it will play best, and so it's best to just experience the film as the film, independent of the real story, which, like all real stories, can never be totally told.

Obviously this is not for the kiddies and comes as close to an "X" rating as any "R" movie you'll ever see. It will make most viewers uncomfortable, but it is the kind of story that needs to be told.

This is a very powerful, and in many ways very disturbing, film that ultimately lingers with me not for its sensational subject matter but for its tragic and rewarding love story. Here we have two troubled strangers, both horribly at odds with their surroundings, finding each other, falling in love despite the many factors against them, and finally becoming the victims of the perception of their love. Like many others, I was tremendously impressed by the performance of Hilary Swank but I think the glue that holds the film together and gives it amazing hope and humanity is Chloe Sevigny. She takes a role that could have easily fallen apart in a lesser actress's hands and gives it complexity and depth that goes well beyond the script. To watch her is a breathtaking journey. Watch the way she uses her face in this movie – this is an actress of remarkable expressiveness and skill! Overall, it is a very fine film that merits any serious moviegoer's rapt attention.

When I first saw this film, many years ago, I thought it was both amazing and horrible. I was 10 or 11 and I wasn't ready for this, having lived all of life in a sweet little town in Sweden. I still remember how painful it was to watch is. It certainly reminds you of how horrible the world can be, and how cruel and narrow-minded people are. I couldn't stop thinking about it for days.

Everybody should see this film. This is the kind of film where it doesn't really matter if the lighting is perfect or if the art direction is good or if the camera angles are correct, because this film has got such an important message. However, it just so happens that this film also has good lighting and camera work etc. Everything about this film shows the pain and the fear, the loneliness and it really shows how much we are willing to do just to be accepted, and to be loved. I am so happy Hilary Swank got an Oscar for this, because she is Excellent!

We must never stop fighting for what is right, and we have to start accepting people. Making other people feel bad won't make you feel good. Hitting back is not going to stop the pain from the first punch. This films won't leave anyone feeling nothing, it really touches you. It's painful seeing how horrible life is for some people, and just watching this film hurts you. It's really painful. So once again, See this film if you haven't already. People need to see this, people need to feel this.

"Boys Don't Cry" is a recreation of the later years of Brandon Teena, who was raped and murdered along with two others. It seems that Brandon was trans...and hoped to surgically become a man one day. In the meantime, he lived his life as a man and fell in with some truly awful people....the 'friends' who ultimately ended up committing these awful hate crimes.

Considering the case made national headlines and won kudos from critics and the Oscars, the story is a bit surprising. Instead of making Brandon some sort of saint or hero, he is shown as a rather screwed up young person...not that in any way am I blaming the victims for the godawful crimes committed against them. But it clearly is a 'warts and all' portrayal of Brandon.

So is the film any good? Well, yes, it's well constructed and well acted. However, some might not enjoy watching a film where most everyone is easy to dislike. Some others might not want to see it because it is very unpleasant towards the end. After all, the story culminates in a rape and multiple murder! It is certainly NOT for everyone and is tough to watch. Fortunately, the attacks aren't as vividly shown in the movie as they could have been and the director showed some restraint...but it's still godawful to watch.

So is this film right for you? Well, that's something you'll have to decide for yourself.